Maharashtra HSC Malayalam (MSBSHSE) study materials
Maharashtra HSC Malayalam (MSBSHSE) study resources

Maharashtra HSC Malayalam (MSBSHSE) key terms

Maharashtra HSC Malayalam (MSBSHSE) · Get comfortable with the vocabulary.

ഗദ്യം (Gadyam)

Malayalam prose writing, including short stories, essays, biographies and novel extracts. In the exam it labels the prose section, where candidates analyse theme, character and author's purpose rather than metre or dialogue delivery.

Related: ആഖ്യാനം (Akhyanam), ലേഖനം (Lekhanam)
കവിത (Kavitha)

A Malayalam poem or the poetry genre generally. Prescribed poems are studied for theme, imagery, rhythm and the poet's social or devotional outlook, and lines are often asked to be explained in context.

Related: ഛന്ദസ്സ് (Chandas), അലങ്കാരം (Alankaram)
നാടകം (Natakam)

A full-length play written for stage performance, built from acts and scenes with dialogue, conflict and stage directions. Prescribed dramas are analysed for plot structure, character conflict and social message.

Related: നാടകീയത (Nadakeeyatha), രംഗനിർദ്ദേശം (Ranganirdesham)
ഏകാങ്കനാടകം (Ekanaka Natakam)

A one-act play: a short drama with a single act, few characters and one concentrated situation or turning point. It usually opens close to the crisis and ends soon after the climax, without subplots.

Related: നാടകം (Natakam), സംഘർഷം (Samgharsham)
ആഖ്യാനം (Akhyanam)

Narration: the way a story is told, including who narrates, in what order events are revealed, and how much the narrator knows. Questions often ask candidates to identify the narrative mode of a prose passage.

Related: ഗദ്യം (Gadyam), കഥാപാത്രം (Kathapatram)
കഥാപാത്രം (Kathapatram)

A character in a literary work. Candidates describe a character's traits, motives and development, and support each claim with an incident or line from the prescribed text rather than with general opinion.

Related: സംഭാഷണം (Sambhashanam), സംഘർഷം (Samgharsham)
പ്രമേയം (Prameyam)

The theme or central idea of a work, stated as a short abstract claim such as the dignity of labour or the pain of separation. It differs from the plot, which is the sequence of events carrying that idea.

Related: കഥാസാരം (Kathasaram), ഉപദേശം (Upadesam)
കഥാസാരം (Kathasaram)

A concise summary of a story's substance, covering setting, main characters, chief events and outcome in the candidate's own words. Marks depend on compression and accuracy, not on copying sentences from the text.

Related: പ്രമേയം (Prameyam), ആഖ്യാനം (Akhyanam)
ഛന്ദസ്സ് (Chandas)

Poetic metre: the regulated pattern of syllables and their weight in a verse line. Identifying the metre and scanning a line correctly is a standard poetry question, and errors in syllable weight lose marks.

Related: വൃത്തം (Vritham), ഗണം (Ganam)
വൃത്തം (Vritham)

A named metre pattern in Malayalam poetry, defined by the number and arrangement of syllable-groups in each line. Examples include metres built on three-syllable groups, and each has its own name and scansion rules.

Related: ഛന്ദസ്സ് (Chandas), ഗണം (Ganam)
ഗണം (Ganam)

A metrical foot: a fixed group of three syllables classified by where the heavy syllable falls, giving eight possible feet. Scanning a line means splitting it into these groups and naming them in order.

Related: വൃത്തം (Vritham), ഛന്ദസ്സ് (Chandas)
അലങ്കാരം (Alankaram)

A figure of speech that decorates meaning or sound, such as simile, metaphor, alliteration or hyperbole. Candidates identify the figure in a given line and justify the identification by pointing to the exact words creating it.

Related: ഉപമ (Upama), രൂപകം (Roopakam)
ഉപമ (Upama)

Simile: an explicit comparison of two unlike things using a word such as പോലെ, അനേകം or സമം, where the shared quality is stated. It differs from metaphor because the comparison is openly marked, not implied.

Related: രൂപകം (Roopakam), അലങ്കാരം (Alankaram)
രൂപകം (Roopakam)

Metaphor: an implied comparison in which one thing is spoken of as another without any word of comparison. The identification is fused, so the reader must infer the resemblance from the image itself.

Related: ഉപമ (Upama), അലങ്കാരം (Alankaram)
പ്രതീകം (Pratheekam)

A symbol: a concrete object, place or action that stands for a larger abstract idea beyond its literal meaning. In appreciation answers, candidates name the symbol and explain what it suggests in the work's context.

Related: ഭാവന (Bhavana), അലങ്കാരം (Alankaram)
ഭാവന (Bhavana)

Imagination: the poet's power to fuse remembered experience into fresh images. In appreciation, it is discussed through the originality and aptness of the pictures a poem creates, not as vague praise.

Related: പ്രതീകം (Pratheekam), രസം (Rasam)
രസം (Rasam)

The aesthetic emotion a reader experiences from a work, classified in classical theory into nine kinds such as love, pathos, heroism and wonder. Candidates name the dominant rasa and cite the lines that evoke it.

Related: ഭാവന (Bhavana), കരുണരസം (Karunarasam)
കരുണരസം (Karunarasam)

The rasa of compassion or pathos, aroused by suffering, loss or helplessness in a character. It is the dominant mood of many elegies and separation poems in the syllabus and is supported by slow, grieving imagery.

Related: രസം (Rasam), ആത്മാംശം (Athmamsam)
ആത്മാംശം (Athmamsam)

The personal or autobiographical element in a literary work, where the writer's own life, place or feelings enter the text. Recognising it helps explain tone, but candidates must avoid reducing a work to mere autobiography.

Related: കരുണരസം (Karunarasam), പ്രമേയം (Prameyam)
സംഘർഷം (Samgharsham)

Conflict: the clash of opposing wills, values or circumstances that drives a plot forward. In drama questions, candidates identify whether the conflict is between characters, within one character, or between a character and society.

Related: നാടകീയത (Nadakeeyatha), കഥാപാത്രം (Kathapatram)
നാടകീയത (Nadakeeyatha)

Dramatic quality: the tension, surprise and emotional intensity that make a scene gripping on stage. A scene may be narratively important yet undramatic, so answers must point to specific devices creating suspense or reversal.

Related: സംഘർഷം (Samgharsham), രംഗനിർദ്ദേശം (Ranganirdesham)
രംഗനിർദ്ദേശം (Ranganirdesham)

A stage direction: the bracketed instruction in a play script describing setting, entrances, gestures, tone or lighting. It is not spoken aloud, but it guides interpretation and is often quoted to support answers about mood.

Related: നാടകം (Natakam), സംഭാഷണം (Sambhashanam)
സംഭാഷണം (Sambhashanam)

Dialogue: the spoken exchange between characters that carries plot, reveals personality and creates rhythm on stage. Candidates assess how a character's speech style, vocabulary and pauses expose class, mood or hidden intention.

Related: കഥാപാത്രം (Kathapatram), രംഗനിർദ്ദേശം (Ranganirdesham)
ഉപദേശം (Upadesam)

A moral lesson or didactic message a work conveys, often stated directly in classical verse or implied in modern fiction. Answers should connect the lesson to events in the text rather than offer free-floating moralising.

Related: പ്രമേയം (Prameyam), സന്ദേശം (Sandesham)
സന്ദേശം (Sandesham)

The message or communicative purpose a writer aims at readers, distinct from the theme. It may be social criticism, consolation or a call to action, and candidates should show which lines or incidents carry it.

Related: ഉപദേശം (Upadesam), പ്രമേയം (Prameyam)
ലേഖനം (Lekhanam)

An essay: a composed piece of continuous prose on a given topic, with an introduction, developed body paragraphs and a conclusion. In the exam it is judged on organisation, relevance, vocabulary and grammatical accuracy.

Related: ഗദ്യം (Gadyam), രചന (Rachana)
രചന (Rachana)

Composition or creative writing: producing original connected Malayalam text such as an essay, letter, story or dialogue. Marks go to structure, appropriate register and correct spelling, not to length alone.

Related: ലേഖനം (Lekhanam), കത്ത് (Kathu)
കത്ത് (Kathu)

A letter: a formatted piece of correspondence with sender's address, date, salutation, body and closing. Formal and informal registers differ in address forms and verb politeness, and format errors are penalised separately from language.

Related: രചന (Rachana), ഔപചാരികഭാഷ (Oupacharika Bhasha)
ഔപചാരികഭാഷ (Oupacharika Bhasha)

Formal register: the polite, impersonal style used in letters to officials, reports and essays. It prefers full verb forms and respectful pronouns, and avoids slang, contractions and casual address used in everyday speech.

Related: കത്ത് (Kathu), അനൗപചാരികഭാഷ (Anoupacharika Bhasha)
അനൗപചാരികഭാഷ (Anoupacharika Bhasha)

Informal register: relaxed, conversational Malayalam used with friends and family, or in personal letters and diary entries. It permits colloquial words and shortened verb forms that would be out of place in formal writing.

Related: ഔപചാരികഭാഷ (Oupacharika Bhasha), സംഭാഷണം (Sambhashanam)
സന്ധി (Sandhi)

Junction: the sound change that occurs when two words or morphemes meet, such as vowel coalescence or consonant doubling. Candidates apply the rule to split or join forms and name the resulting change correctly.

Related: പദം (Padam), വിഭക്തി (Vibhakthi)
സമാസം (Samasam)

Compound: a single word formed by joining two or more stems, classified by the relation between them, as in copulative, possessive and case compounds. Candidates split the compound and identify its type and component words.

Related: പദം (Padam), സന്ധി (Sandhi)
വിഭക്തി (Vibhakthi)

Grammatical case: the ending or change marking a noun's relation to other words, such as nominative, accusative, instrumental and locative. Identifying case endings in a sentence is a recurring grammar item.

Related: പദം (Padam), സന്ധി (Sandhi)
പദം (Padam)

A word treated as a grammatical unit, analysable into root, affixes and inflectional ending. Word-class questions ask candidates to classify a form as noun, verb, adjective or indeclinable and justify the class.

Related: വിഭക്തി (Vibhakthi), സമാസം (Samasam)
പര്യായപദം (Paryayapadam)

A synonym: a word with closely similar meaning to another, such as the several Malayalam words for water or elephant. Exam items ask for one or more equivalents, and answers must fit the sense required by context.

Related: വിപരീതപദം (Vipareethapadam), പദം (Padam)
വിപരീതപദം (Vipareethapadam)

An antonym: a word expressing the opposite of another, as big contrasts with small. Items may ask for the opposite of a word as used in a prescribed passage, so the pair must match the specific contextual sense.

Related: പര്യായപദം (Paryayapadam), പദം (Padam)
ശൈലി (Shaili)

Style: a writer's characteristic way of choosing words, building sentences and shaping rhythm and tone. Appreciation answers describe style with evidence, such as short declarative sentences or heavy Sanskritic vocabulary, rather than with adjectives alone.

Related: ഭാഷാശുദ്ധി (Bhashashuddhi), രചന (Rachana)
ഭാഷാശുദ്ധി (Bhashashuddhi)

Language accuracy: correctness of spelling, inflection, agreement and punctuation in written Malayalam. In composition and translation, persistent errors of this kind lower the mark even when the content is relevant and well organised.

Related: ശൈലി (Shaili), വിവർത്തനം (Vivarthanam)
വിവർത്തനം (Vivarthanam)

Translation: rendering a passage faithfully from Malayalam into English or the reverse. Marks reward meaning preserved, natural target-language grammar and correct handling of idiom, not word-for-word substitution that reads awkwardly.

Related: ഭാഷാശുദ്ധി (Bhashashuddhi), ശൈലി (Shaili)
അർഥം (Artham)

Meaning: the sense a word or passage carries in its particular context, which may differ from its dictionary gloss. Context questions test whether candidates choose the sense that fits the sentence, not the most familiar one.

Related: പര്യായപദം (Paryayapadam), വിവർത്തനം (Vivarthanam)