RBSE VU Sahitya Shastra study materials
RBSE VU Sahitya Shastra study resources

RBSE VU Sahitya Shastra study plan

RBSE VU Sahitya Shastra · Give each week a clear focus.

8 weeks · About 7 hours per week

Week 1

History of Sanskrit literature & Vedic literature and Vedic Sanskrit

  • Outline the chronology of Sanskrit literature from the Vedic period through the classical era, listing at least eight major authors and their approximate dates or periods.

  • Identify the four Vedas, their principal recensions, and the four types of Vedic prose and verse (samhita, brahmana, aranyaka, upanishad) with one example each.

  • Explain five key features of Vedic Sanskrit (accent system, dual number, subjunctive, infinitive forms, sandhi patterns) and contrast them with classical Sanskrit.

  • Map the principal genres of Vedic literature (hymns, ritual manuals, philosophical dialogues) to their representative texts.

  • Create a one-page timeline connecting Vedic corpus to the epics and Puranas.

Your checkpoint

A one-page annotated timeline of Sanskrit literary history from the Rigveda to the Gupta period with at least 12 dated or periodized entries and a 150-word commentary.

Week 2

History of Sanskrit literature & Classical Sanskrit poetry (mahakavya and khandakavya)

  • Summarize the plot and structure of three mahakavyas (e.g., Kumarasambhava, Raghuvamsha, Shishupalavadha) in 100 words each.

  • Analyze the conventions of mahakavya (sarga division, hero types, rasa progression) using at least two examples.

  • Compare khandakavya and mahakavya in terms of scale, theme, and structural features, citing two khandakavyas.

  • Identify and define ten alamkaras used in classical poetry with one example each from a prescribed text.

  • Write a short critical note on the historical development of Sanskrit court poetry from Ashvaghosha to Bharavi.

Your checkpoint

A comparative table of three mahakavyas and two khandakavyas listing author, date, theme, structure, and dominant rasa, plus a 200-word analysis.

Week 3

Sanskrit drama and dramaturgy (natya shastra) & Poetics and literary criticism (alamkara shastra, rasa, dhvani)

  • Outline the contents and structure of the Natyashastra, naming at least six chapters and their topics.

  • Define and illustrate the four types of abhinaya (angika, vacika, aharya, sattvika) with examples from Sanskrit drama.

  • Explain the rasa theory (rasasutra, vibhava, anubhava, vyabhicharibhava) and list the eight or nine rasas with their presiding deities and colors.

  • Summarize the dhvani theory of Anandavardhana and the objections raised by opponents, with reference to the Dhvanyaloka.

  • Distinguish between the major dramaturgical categories (nataka, prakarana, bhana, prahasana) and give one example of each.

Your checkpoint

A 300-word essay explaining how rasa and dhvani theories complement each other, with at least four textual references.

Week 4

Poetics and literary criticism (alamkara shastra, rasa, dhvani) & Grammar and linguistics (vyakarana)

  • List and define the six pramanas of literary criticism (per Alaṁkāraśāstra) and apply two to a short Sanskrit verse.

  • Compare the contributions of Bhamaha, Dandin, Vamana, and Mammata to alamkara shastra in a structured note.

  • Recite and explain the major sutras of Panini's Ashtadhyayi concerning sandhi and case endings, with examples.

  • Explain the concept of sphota and the debate between sphota and varna theories in Sanskrit linguistics.

  • Identify the roles of the three sages (Panini, Katyayana, Patanjali) in the grammatical tradition and their major works.

Your checkpoint

A 250-word critical summary comparing rasa, dhvani, and alamkara approaches to literary meaning, with at least one example verse analyzed in each approach.

Week 5

Sanskrit prose literature (gadya kavya) & History of Hindi literature

  • Summarize the plot and narrative technique of three gadya kavyas (e.g., Kadambari, Harshacharita, Dashakumaracharita) in 80 words each.

  • Analyze the distinctive features of Sanskrit prose style (churnas, long compounds, ornate descriptions) with examples.

  • Outline the major periods of Hindi literature (Adikal, Bhaktikal, Ritikal, Adhunik kal) with at least two representative poets per period.

  • Explain the contribution of the Bhakti movement to Hindi literature, naming four major saint-poets and their principal works.

  • Compare the narrative strategies of Bana's Kadambari with a modern Hindi novel excerpt.

Your checkpoint

A two-column chart matching five Sanskrit prose works with five Hindi prose works by theme and narrative technique, plus a 200-word commentary.

Week 6

History of Hindi literature & Hindi literary genres, movements and criticism

  • Trace the development of the Hindi novel and short story from the late 19th century to the present, naming at least six authors and their landmark works.

  • Define and illustrate the major Hindi literary movements (Chhayavad, Pragativad, Prayogvad, Nayi Kahani, Samkalin) with representative texts.

  • Explain the key debates in Hindi criticism (e.g., Shrividya, Marxist, formalist) and their major proponents.

  • Compare the treatment of rural life in two Hindi novels from different periods.

  • Prepare a glossary of 20 Hindi literary terms with English equivalents and one example each.

Your checkpoint

A 400-word essay on the evolution of Hindi literary movements from Chhayavad to Samkalin, citing at least eight authors and works.

Week 7

General literary theory and comparative literature & History of Sanskrit literature & Poetics and literary criticism (alamkara shastra, rasa, dhvani)

  • Define comparative literature and explain its scope and methods, with reference to at least three schools of thought.

  • Apply a comparative framework to a Sanskrit and a Hindi text, identifying shared motifs and divergent treatments.

  • Review the entire history of Sanskrit literature, creating a master timeline with 20 key entries.

  • Revisit the major alamkara and rasa concepts and produce a one-page cheat sheet.

  • Identify and correct five common misconceptions about Sanskrit literary history.

Your checkpoint

A 500-word comparative analysis of a Sanskrit and a Hindi literary work, using at least two theoretical frameworks from comparative literature.

Week 8

History of Sanskrit literature & Vedic literature and Vedic Sanskrit & Classical Sanskrit poetry (mahakavya and khandakavya) & Sanskrit drama and dramaturgy (natya shastra) & Sanskrit prose literature (gadya kavya) & Poetics and literary criticism (alamkara shastra, rasa, dhvani) & Grammar and linguistics (vyakarana) & History of Hindi literature & Hindi literary genres, movements and criticism & General literary theory and comparative literature

  • Take a full-length mock exam under timed conditions and score at least 70%.

  • Review all incorrect answers and write a brief explanation for each correct answer.

  • Recite from memory ten key definitions (rasa, dhvani, alamkara, sphota, etc.) and ten important dates or author-work pairs.

  • Summarize each of the ten domains in 50 words as a final revision aid.

  • Create a personal list of five weak areas and schedule targeted review for each.

Your checkpoint

A completed mock exam with a self-assessment report listing score, error patterns, and a targeted revision plan for the final week.

Milestones

Week 2: Can you outline the chronology of Sanskrit literature and distinguish mahakavya from khandakavya without notes?

Week 4: Can you explain rasa and dhvani theories and apply them to an unseen verse in under 10 minutes?

Week 6: Can you trace the major movements of Hindi literature and name at least three authors per movement?

Week 8: Have you scored at least 70% on a timed mock exam and produced a revision plan for weak areas?