UGC NET Gujarati flashcards
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32 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Old Gujarati
- The earliest stage of the Gujarati language, emerging around the 12th century CE from Apabhramsha; also called Maru-Gurjari and the ancestor of modern Gujarati and Rajasthani.
- Apabhramsha
- The late Middle Indo-Aryan stage that preceded Old Gujarati; its literary form in Gujarat produced early narrative verse later adapted into medieval Gujarati poetry.
- Ergative -e
- A marker placed on the subject of a transitive verb in perfective tenses in Gujarati; in such constructions the verb agrees with the object, not the subject.
- Genitive -no/-ni/-nu
- Gujarati possessive postposition that agrees in gender, number, and case with the possessed noun, not with the possessor; e.g., 'mari kitab' versus 'maro chhokro'.
- Tatsama and Tadbhava
- Tatsama words are borrowed unchanged from Sanskrit; tadbhava words evolved naturally from Sanskrit through Prakrit and Apabhramsha; deshi words are indigenous and videshi are foreign loans.
- Saraswatichandra
- Govardhanram Tripathi's four-part philosophical novel (1887–1901) regarded as the foundational modern Gujarati novel, exploring personal and national ideals through its protagonists.
- Mari Hakikat
- The autobiography of Narmadashankar Dave ('Narmad'), a landmark of modern Gujarati prose and a key text in the reformist literary movement of the 19th century.
- Narmad
- Narmadashankar Dave (1833–1886), called the father of modern Gujarati prose; author of 'Mari Hakikat' and the patriotic song 'Jay Jay Garvi Gujarat'.
- Dalpatram
- Dalpatram Dahyabhai (1820–1898), reformist poet and dramatist; wrote 'Bapani Pinpar' and 'Hunnar Khan' and helped establish modern Gujarati drama.
- Bhavai
- A traditional Gujarati folk theatre form with dance, music, and satire, traditionally attributed to Asait Thakar; performed in village squares with minimal props.
- Garba and Raas
- Gujarati devotional dance-song forms performed during Navratri; 'garba' is danced around a central lamp, while 'raas' uses sticks (dandiya) in circular formations.
- Akho
- A 17th-century Gujarati poet known for 'Chhappa' couplets expressing Vedantic and philosophical thought in direct, often satirical language.
- Narsinh Mehta
- A 15th-century bhakti poet of Gujarat, traditionally credited with 'Vaishnav Jan To'; his devotional lyrics and 'akhyans' shaped Gujarati devotional literature.
- Premanand
- A 17th–18th century Gujarati poet famous for long narrative 'akhyans' such as 'Nalakhyan' and 'Sudama Charit', blending devotion with storytelling.
- Dayaram
- An 18th-century Gujarati poet known for 'garbi' and devotional lyrics, celebrated for his treatment of love and devotion in the Krishna tradition.
- Shamal Bhatt
- A 18th-century Gujarati narrative poet known for 'Nand Batrisi' and other akhyans; his verse is noted for narrative clarity and devotional content.
- Umashankar Joshi
- Modern Gujarati poet and Gandhian who won the Jnanpith Award in 1967 for 'Nishitha'; also wrote 'Gangotri' and worked as a scholar and editor.
- Pannalal Patel
- Gujarati novelist who won the Jnanpith Award in 1985; best known for 'Manvi ni Bhavai', a rural novel set against the Kutch famine.
- K. M. Munshi
- Gujarati historical novelist and statesman; author of 'Patanni Prabhuta', 'Gujaratno Nath', and 'Prithivi Vallabh', and founder of Bharatiya Vidya Bhavan.
- Re Math
- A 1940s experimental movement in Gujarati poetry that rejected conventional metre and sentiment, emphasising new imagery and individual expression.
- Akraman
- A post-1960s modernist movement in Gujarati poetry associated with revolt against established forms and with writers such as Sitanshu Yashaschandra and Chandrakant Sheth.
- Akhyan
- A long narrative verse form in medieval Gujarati literature, often retelling Puranic or folk stories with devotional and moral emphasis.
- Khandakavya
- A medium-length narrative poem in Gujarati, shorter than a mahakavya but longer than a lyric; a common genre in modern Gujarati poetry.
- Rasa theory
- The classical Indian aesthetic theory of nine rasas (shringar, hasya, karuna, raudra, veer, bhayanak, bibhatsa, adbhut, shant) used to analyse emotional flavour in Gujarati literature.
- Alankar
- Figures of speech in Gujarati poetics; common types include upama (simile), rupak (metaphor), utpreksha (poetic fancy), anupras (alliteration), and yamak.
- Samas
- Compound formation in Gujarati; types include dvandva, tatpurusha, bahuvrihi, karmadharaya, and dvigu, often used to create technical and literary vocabulary.
- Sandhi
- The phonological joining of adjacent sounds across word boundaries; Gujarati retains Sanskritic sandhi mainly in tatsama vocabulary and formal writing.
- Mumbai Samachar
- A Gujarati newspaper founded in 1822, commonly cited as one of the oldest continuously published newspapers in India and a landmark in Gujarati print culture.
- Gujarati script
- A left-to-right script derived from Nagari, closely related to Devanagari but written without a headstroke; it has 12 vowels and 34 consonants in its standard inventory.
- Retroflex lateral ળ
- A distinctive Gujarati consonant (retroflex lateral) absent from standard Hindi; its presence in a word is a useful marker of Gujarati phonological identity.
- Honorific plural
- Gujarati uses plural verb agreement with 'tame' and with third-person honorific subjects, so polite address takes plural forms even for one person.
- Nishitha
- Umashankar Joshi's poetry collection that won the Jnanpith Award in 1967; it reflects Gandhian humanism and modernist sensibility in Gujarati literature.