UPMSP Intermediate Punjabi flashcards
UPMSP Intermediate Punjabi · Build recall with a focused review session.
33 cards. Read the term and the definition here. The deck at the top of this page is optional.
- ਮੁੱਖ ਭਾਵ
- The central idea or main theme of a prose passage or poem. In exams, state it in one sentence first, then support it with a specific instance from the prescribed text.
- ਪਾਤਰ-ਚਿਤਰਨ
- Character sketch. Requires physical description, speech habits, behaviour under conflict, relationships with others, and the moral quality the character represents - four to five distinct traits in total.
- ਨਿਬੰਧ
- A formal prose essay, one of the prescribed prose genres. Answers on this form should identify the thesis, the supporting arguments, and the concluding stance of the essayist.
- ਸਫ਼ਰਨਾਮਾ
- Travelogue - a first-person prose account of a journey. Questions typically ask about places visited, the traveller's impressions, and the cultural observations recorded.
- ਰੇਖਾਚਿਤਰ
- A literary sketch or pen-portrait: a short prose piece capturing a person's essence through selected traits rather than full biography. It differs from a life history in scope and focus.
- ਕੇਂਦਰੀ ਭਾਵ
- The central meaning of a poem, distinct from the literal word meanings and the implied sense. Poetry answers are marked on all three layers, so name the central idea explicitly.
- ਉਪਮਾ ਅਲੰਕਾਰ
- Simile. A comparison made explicit with words such as ਵਾਂਗ or ਜਿਵੇਂ. It differs from ਰੂਪਕ, which states the comparison as an identity without a comparing word.
- ਰੂਪਕ ਅਲੰਕਾਰ
- Metaphor. The compared thing is presented as identical to the image rather than similar to it; no ਵਾਂਗ or ਜਿਵੇਂ appears. Identifying this correctly is a common exam item.
- ਅਨੁਪ੍ਰਾਸ
- Alliteration - repetition of the same consonant sound across nearby words in a line. It is a sound figure, so the answer must point to repeated sounds, not repeated meanings.
- ਵੀਰ ਰਸ
- The heroic sentiment in poetry, evoked by images of courage, battle, or sacrifice. Naming the rasa requires citing the specific image in the stanza that produces the emotion.
- ਦੋਹਰਾ ਛੰਦ
- A couplet form with two halves of 13 and 11 matras respectively. Counting matras against this pattern is a reliable way to verify the metre of a given stanza.
- ਗ਼ਜ਼ਲ
- A lyric form of couplets sharing a refrain and rhyme, with the poet's name often in the final couplet. Its themes are usually love, loss, or philosophical reflection.
- ਪੈਰਾ-ਵਿਆਖਿਆ
- Stanza explanation. The expected order is a plain prose rendering of the lines, then the implied meaning, then the poet's intention or message conveyed by the stanza.
- ਸੰਗya ਦੀਆਂ ਕਿਸਮਾਂ
- Noun types: ਜਾਤੀਵਾਚਕ (common), ਵਿਅਕਤੀਵਾਚਕ (proper), ਭਾਵਵਾਚਕ (abstract), ਸਮੂਹਵਾਚਕ (collective), ਦ੍ਰਵਵਾਚਕ (material). Classification depends on use in the sentence, not on the word alone.
- ਲਿੰਗ ਅਤੇ ਵਚਨ
- Gender (ਪੁਲਿੰਗ or ਇਸਤਰੀ ਲਿੰਗ) and number (ਇੱਕਵਚਨ or ਬਹੁਵਚਨ). Punjabi verbs and adjectives must agree with the noun in both categories simultaneously.
- ਕਾਰਕ
- Grammatical case role: ਕਰਤਾ (doer), ਕਰਮ (object), ਕਰਨ (instrument), ਸੰਪ੍ਰਦਾਨ (recipient), ਅਪਾਦਾਨ (source), ਸੰਬੰਧ (relation), ਅਧਿਕਰਨ (location). Postpositions such as ਨੇ, ਨੂੰ, ਤੋਂ mark these roles.
- ਅਕਰਮ ਅਤੇ ਸਕਰਮ ਕਿਰਿਆ
- Intransitive versus transitive verbs. ਅਕਰਮ verbs take no object; ਸਕਰਮ verbs take an object and can form causatives, as in ਕਰਨਾ becoming ਕਰਵਾਉਣਾ.
- ਸੰਯੁਕਤ ਵਾਕ
- A compound sentence joining two or more independent clauses with connectors such as ਅਤੇ, ਪਰ, or ਕਿ. It differs from a ਮਿਸ਼ਰਤ sentence, where one clause is subordinate.
- ਸ਼ੁੱਧ-ਅਸ਼ੁੱਧ
- Correction of incorrect to correct Punjabi. Common errors are wrong gender agreement, misuse of ਨੇ with intransitive past verbs, and doubled plural markers; correct only the faulty element.
- ਮੁਹਾਵਰਾ
- An idiom: a fixed phrase whose meaning is figurative and not the sum of its words. It fits into a sentence and changes with tense and subject, unlike a proverb.
- ਪੱਤਰ ਲਿਖਣਾ
- Letter writing. Elements are sender's address, date, receiver's address, salutation, a two- or three-paragraph body, closing, and signature; formal and informal letters differ in salutation and tone.
- ਭੂਮਿਕਾ, ਵਿਸਥਾਰ, ਸਿੱਟਾ
- Introduction, development, conclusion - the three-part essay frame. A three-paragraph essay with a clear stance and two or three supporting points fits the standard marking scheme.
- ਰਿਪੋਰਟ
- Report writing. The opening sentence answers the five Ws, and the whole report stays in past tense and third person, without the writer's personal opinion.
- ਅਰਜ਼ੀ
- A formal application. It needs the receiver's designation, a separate subject line, a request body, and a respectful closing; the subject line is an independently marked element.
- ਸੂਚਨਾ
- A notice. It must state what is happening, when and where it will happen, and whom to contact, all in a compact block without narrative padding.
- ਸਿਰਲੇਖ ਦੇਣਾ
- Supplying a title for an unseen passage. The answer is a short phrase capturing the central idea, not a full sentence and not a copy of the passage's first line.
- ਸੰਕੇਤਕ ਪ੍ਰਸ਼ਨ
- Inference questions, signalled by words such as ਸੰਕੇਤ, ਅਨੁਮਾਨ, or ਕਾਰਨ. The answer must be traceable to a specific line in the passage rather than to general knowledge.
- ਸਾਰ ਲਿਖਣਾ
- Summary writing. The passage is compressed to about one-third of its length, keeping only main points in the original order and omitting examples and repetition.
- ਪੈਂਤੀ ਅੱਖਰ
- The 35 primary Gurmukhi letters. Three are vowel carriers - ੳ, ਅ, ੲ - and the remainder are consonants arranged in traditional rows by place of articulation.
- ਲਗਾਂ
- Vowel signs attached to consonants: ਕੰਨਾ, ਸਿਹਾਰੀ, ਬਿਹਾਰੀ, ਔਂਕੜ, ਦੁਲੈਂਕੜ, ਲਾਂਵ, ਦੁਲਾਵਾਂ, ਹੋੜਾ, ਕਨੌੜਾ, plus ਮੁਕਤਾ where no sign appears.
- ਟਿੱਪੀ ਅਤੇ ਬਿੰਦੀ
- Nasalisation marks. ਟਿੱਪੀ (ਂ) follows short vowels and ਬਿੰਦੀ (ੰ) follows long vowels or appears in certain clusters; swapping them produces a spelling error.
- ਅੱਧਕ
- A doubling sign placed before a consonant to show it is pronounced doubled. Its position is always before the consonant, never after a vowel sign attached to it.
- ਅਖਾਣ
- A proverb: a complete sentence carrying folk wisdom. It is quoted whole and its lesson explained in one line, unlike an idiom, which is a phrase fitted into a sentence.