UPMSP Intermediate Dyeing Art flashcards
UPMSP Intermediate Dyeing Art · Build recall with a focused review session.
37 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Beer-Lambert law
- States that absorbance of a dye solution is proportional to dye concentration and path length (A = εcl). Used to measure dye concentration and exhaustion colorimetrically.
- Metamerism
- A condition where two coloured samples appear to match under one light source but differ under another, because their spectral reflectance curves are not identical.
- Kubelka-Munk equation
- Relates reflectance to dye concentration: K/S = (1−R)²/2R. Higher K/S means deeper shade, and it is the basis of computer colour matching.
- Subtractive colour mixing
- Mixing of dyes or pigments where each absorbs part of the spectrum; the subtractive primaries are cyan, magenta and yellow, and all three together approach black.
- Cotton moisture regain
- Standard moisture regain of cotton is about 8%. Its many hydroxyl groups make it hydrophilic and readily dyed by reactive, vat and direct dyes.
- Wool fibre chemistry
- Wool is a protein (keratin) with amino and carboxyl groups, making it amphoteric. It binds acid and reactive dyes and has a moisture regain near 16%.
- Polyester dyeing requirement
- Polyester is hydrophobic and highly crystalline, so it needs disperse dyes applied at about 130 °C under pressure, or at lower temperature with a carrier.
- Acrylic dyeing
- Acrylic fibre contains anionic sulfonate sites that bind cationic (basic) dyes, giving bright shades with good light fastness on this fibre.
- Reactive dye bonding
- Reactive dyes form covalent bonds with cellulose hydroxyl groups, producing high wash fastness. Unfixed dye must be soaped off after dyeing.
- Vat dye reduction
- Vat dyes are insoluble pigments reduced by sodium hydrosulfite in alkali to a soluble leuco form, applied to the fibre, then oxidised back to pigment.
- Azoic dye development
- Azoic dyeing impregnates fibre with a naphthol coupling component, then develops colour by treating with a diazotised base inside the fibre.
- Disperse dyes
- Sparingly water-soluble dyes applied as fine dispersions, mainly to polyester and acetate. The dye dissolves into the fibre rather than binding chemically.
- Acid dye application
- Anionic acid dyes are applied to wool, silk and nylon from an acidic bath, where acid protonates fibre amino groups that then attract the dye.
- Hank dyeing
- Yarn is dyed in loose skeins hung on sticks while liquor circulates. Gentle handling suits wool and handloom yarn but the method is labour intensive.
- Package dyeing
- Dye liquor is pumped through yarn wound on perforated cones or cheeses. It gives uniform, level shades and suits large lots and sewing thread.
- Jigger dyeing
- Open-width fabric passes repeatedly through a trough between rollers. It suits woven cotton but not crease-sensitive knits, which may mark.
- Winch dyeing
- Fabric moves in rope form through a dye trough by a winch reel. Suitable for knits and delicate goods, but rope marks can occur.
- Cold pad-batch dyeing
- Reactive dye is padded onto cotton, then the fabric is rolled and stored for hours to fix. It saves salt and energy and needs no heating.
- Mordant definition
- A metal salt, such as alum, ferrous sulfate or stannous chloride, that forms a complex linking dye to fibre and improves fixation and fastness.
- Mordanting sequences
- Pre-mordanting applies mordant before dyeing, meta-mordanting applies both together, and after-mordanting treats the dyed goods. Each changes shade and fastness.
- Electrolyte in dyeing
- Common salt or Glauber's salt reduces the electrostatic barrier between anionic dye and cellulose, promoting exhaustion and deeper shade on cotton.
- Levelling agent
- An auxiliary that slows or equalises dye uptake, preventing patchy shade. Retarders and carriers act similarly for polyester and acrylic dyeing.
- Bandhani resist technique
- Cloth is pinched into small points and bound tightly with thread before dyeing. Untying leaves a ring of undyed dots in the dyed ground.
- Batik wax resist
- Melted wax is applied to cloth to block dye penetration, then the cloth is dyed and the wax removed by boiling or ironing to reveal the pattern.
- Block printing paste
- A thickened dye paste, made with gum or starch, is applied with carved wooden blocks. The thickener prevents the colour from bleeding beyond the design.
- Indigo vat dyeing
- Cloth dipped in reduced indigo leuco liquor appears yellow-green and turns blue in air as oxidation forms insoluble indigo pigment inside the fibre.
- Grey scale fastness rating
- Colour fastness is graded 1 to 5 against standard grey scales, one for colour change and another for staining of adjacent fabric; 5 is best.
- Light fastness testing
- Samples are exposed to light alongside blue wool standards graded 1 to 8, in a fadeometer or xenon arc lamp, and rated by comparison.
- Crockmeter test
- Rub fastness is measured by rubbing the dyed sample with white cloth, dry and wet, then grading staining. Wet rubbing is usually the weaker result.
- Sublimation fastness
- Resistance of disperse-dyed polyester to dye transfer as vapour at high temperature, as in heat setting or ironing. Poor fastness stains adjacent fabric.
- Printing thickener role
- A thickener such as sodium alginate or starch gives the print paste viscosity, holding dye in place so the design stays sharp without bleeding.
- Discharge printing
- A reducing or oxidising agent is printed onto dyed cloth to destroy the ground colour in patterned areas, producing white or coloured designs on a dyed ground.
- Mercerisation effect
- Treating cotton with strong caustic soda under tension increases lustre, strength and dye uptake, so it must be done before dyeing to avoid shade variation.
- Percent on weight of fibre
- Dye recipe unit, abbreviated % owf: grams of dye per 100 grams of fibre. It fixes shade depth independently of bath size.
- Liquor ratio
- The ratio of fibre mass to dye bath volume, for example 1:20. Changing it alters dye concentration and therefore exhaustion, levelness and shade depth.
- Dyehouse PPE
- Rubber gloves, goggles, apron and dust mask. Dye powders can sensitise the respiratory tract, and caustic soda and acids cause burns.
- Dye powder pasting
- Dye is first mixed with a little cold water into a smooth paste before dilution, preventing lumps that cause dark specks on the dyed material.