UPMSP Vocational Embroidery study materials
UPMSP Vocational Embroidery study resources

UPMSP Vocational Embroidery: Traditional Indian Embroidery Styles and Regional Traditions

UPMSP Vocational Embroidery · Work through your exam, one topic at a time.

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Traditional Indian Embroidery Styles and Regional Traditions

What this domain tests

This domain tests your knowledge of regional Indian embroidery traditions: their home regions, base fabrics, characteristic stitches, colour habits and motifs. Questions commonly ask you to match a technique to a state or to distinguish similar whitework and counted-thread styles.

Core rules

  • Chikankari (Lucknow, Uttar Pradesh): fine white-on-white work on cotton or muslin. Stitches include bakhiya (double back stitch on the reverse for shadow effect), murri and phanda (knotted), jaali (net-like openwork) and tepchi (running). Motifs are floral vines, paisleys and trellis patterns.
  • Phulkari (Punjab): silk floss darn stitch on the reverse of handspun cotton khaddar, producing geometric and floral forms on the front. Bagh is a dense form covering most of the ground. Colours are bold: golden yellow, magenta, red and green.
  • Kantha (Bengal): running-stitch quilting on layered old saris and dhotis; motifs include fish, lotus, trees and animals. Kasuti (Karnataka): counted work on dark grounds using gavanti (double running), murgi (zig-zag), naki (darning) and menthe (cross-stitch).
  • Kutch work (Gujarat): shisha mirror work, chain stitch, buttonhole and herringbone in bright colours. Zardosi: metallic gold and silver thread, raised padding and bead work. Chamba rumal (Himachal Pradesh): double satin stitch on fine cotton, often with painted outlines.

Worked example

A sample is white cotton with a shadowed floral motif seen faintly from the front and worked mainly on the reverse. Identify it as Chikankari bakhiya, not Kantha. Reasoning: Kantha is a running-stitch quilted texture on layered cloth, while bakhiya produces a shadow effect from reverse double back stitches. Phulkari is also worked on the reverse but uses silk floss on khaddar and reads as geometric colour on the front.

Traps

Confusing Kantha with Chikankari because both use running stitch; calling Phulkari a front satin stitch; ignoring the base fabric when identifying a style; and treating all mirror work as Kutch when other regions also use shisha.