UPMSP Vocational Embroidery study plan
UPMSP Vocational Embroidery · Give each week a clear focus.
8 weeks · About 6 hours per week
Embroidery tools, equipment and materials
Classify and label at least 20 hand-embroidery tools by name and function - chenille, sharps, tapestry and beading needles, aari needle, wooden and plastic hoops, adda stand, ring frame, thimble, seam ripper, tweezers, needle threader, embroidery scissors and buttonhole scissors.
Compare six ground fabrics (khadi cotton, malmal, chanderi silk, tussar, georgette, net) on weave, thread count, transparency, grain line and stitch suitability, and state which stitch each rejects.
Demonstrate correct needle threading, drum-tight but undistorted hoop tension, and working thread lengths of 40–45 cm to limit abrasion.
Price a starter kit from three local shop quotations and trim it to a stated budget without dropping any essential item.
Your checkpoint
A typed tool-and-material chart covering 20 tools and 6 fabrics (name, use, care, approximate cost) plus an itemised starter-kit bill with quantities and prices inside a stated budget.
Basic hand stitches and stitch techniques & Embroidery tools, equipment and materials
Work the four foundation stitches - running, back (bakhiya), stem and chain - at an even 2–3 mm stitch length on a straight and a curved line.
Execute three edge and finishing stitches - blanket, buttonhole and overcasting - on raw and folded edges without rolling the fabric.
Diagnose and correct four recurring faults: puckering, uneven tension, thread knotting and drifting stitch length.
Set up a stitch library page per stitch carrying the name, a drawn direction diagram, typical use and recommended fabric pairing.
Your checkpoint
A labelled 12-stitch sampler with a minimum of eight repeats per stitch at 2–3 mm, plus a self-check sheet naming three faults found on the sampler and the correction applied to each.
Basic hand stitches and stitch techniques
Work the looped and knotted family - lazy daisy, French knot, bullion, satin, long-and-short shading, feather and herringbone - with control of loop size and knot diameter.
Build a three-value shading gradient in long-and-short stitch across one leaf or petal motif so the transition reads smoothly at arm's length.
Anchor mirror-work (shisha) with four-point and six-point interlacing on a 5 cm sample, keeping the mirror edge fully covered and the ground flat.
Time every stitch block and record minutes per 10 cm to create a labour-cost baseline for later pricing.
Your checkpoint
One shaded motif sample showing a three-value gradient and one mirror-work sample, accompanied by a stitch time log listing ten stitches with minutes per 10 cm.
Traditional Indian embroidery styles and regional traditions
Identify six chikankari stitches - bakhiya, murri, phanda, jaali, tepchi and hool - and explain the white-on-white shadow effect each produces, then stitch three of them on malmal.
Sequence a small zardosi piece end to end: trace the design, stretch khaddar or felt backing, couch kora and dabka, add sitara, and finish the reverse so no thread carries show.
Mount and tension fabric on an adda frame evenly, then release it without distorting the worked motif.
Contrast the two traditions on materials - kasab and zari threads, aari needle versus hand needle, ground fabric and typical end product.
Your checkpoint
A 15 cm chikankari-style white-on-white sample with three labelled stitches plus one small zardosi motif carrying a written six-step production sequence from tracing to finishing.
Traditional Indian embroidery styles and regional traditions & Design development, motif drawing and colour theory
Map eight regional traditions to state, community, ground fabric, characteristic stitch and one typical motif: phulkari, kantha, kasuti, kutch, banjara, chamba rumal, pipli appliqué and gota patti.
Distinguish authentic regional markers from commercial imitations across three samples by checking thread type, ground fabric and motif geometry.
Draft five traditional motifs - paisley (kairi), lotus, peacock, bel and buti - on graph paper to a 1:1 scale with one clear repeat unit.
Your checkpoint
An A3 regional chart covering eight traditions across five attributes (state, community, ground fabric, stitch, motif) plus a five-motif drawing sheet with a marked 1:1 repeat grid.
Design development, motif drawing and colour theory
Apply the design elements and principles - line, shape, colour, texture, balance, rhythm, emphasis, proportion - to critique one existing motif layout and redraw it with corrected spacing.
Plot a twelve-step colour wheel and build tint, shade and tone scales for two hues actually used in embroidery thread.
Select thread palettes for complementary, analogous and triadic schemes and test each on a fabric swatch for value contrast at arm's length.
Draft a border, corner and pallu layout for a dupatta on graph paper with measured repeat counts and margins.
Your checkpoint
A colour board containing the twelve-step wheel, two tint/shade scales, three stitched palette swatches and one measured dupatta layout drawing with repeat counts.
Machine embroidery and finishing techniques & Fabric selection, care and quality control
Set up a single-needle machine - correct needle size for the fabric, bobbin winding, and upper/lower tension balanced on a scrap test before touching the garment.
Choose and apply the right stabiliser (cut-away, tear-away, wash-away, water-soluble topping) for a woven, a stretch knit and a pile fabric, and justify each choice.
Plan a motif with underlay, stitch it out, then finish by trimming jump threads, pressing without crushing pile, and blocking to shape.
Build a fabric test card for five fabrics covering a burn test, measured shrinkage on a 10×10 cm washed swatch, and a colour-fastness rub test.
Your checkpoint
One machine-embroidered 15 cm motif with a settings sheet (needle, stabiliser, tension, stitch count) plus a five-fabric test card recording fibre identification, shrinkage percentage and rub-fastness result.
Occupational safety, entrepreneurship and workplace practices & Fabric selection, care and quality control & Machine embroidery and finishing techniques & Design development, motif drawing and colour theory & Traditional Indian embroidery styles and regional traditions & Basic hand stitches and stitch techniques & Embroidery tools, equipment and materials
Cost one finished sample with the formula material + (labour minutes × rate) + overhead + 20% margin, set a retail price, and list three registration or market-linkage steps such as UDYAM, ODOP listing and an online catalogue entry.
Describe six workplace safety practices: sharps disposal, machine guarding, posture and eye-break routine, ventilation when using adhesives and dyes, electrical checks, and first aid for needle prick and iron burn.
Sit a 60-question timed mock covering all seven domains and log the score for each domain separately.
Re-drill the two weakest domains by returning to the relevant sampler page, chart or swatch until each is above 55%.
Your checkpoint
A one-page cost-and-price sheet for your best sample plus a mock score sheet showing per-domain percentages and a written seven-day revision list targeting the two weakest domains.
Milestones
Week 2: Twelve-stitch sampler complete with every stitch at an even 2–3 mm and no puckering; tool-and-material chart and priced kit bill signed off.
Week 4: Chikankari white-on-white sample and zardosi motif finished; can name the six chikankari stitches and explain the adda-frame tension check without notes.
Week 6: Eight-tradition regional chart and colour board complete; labour rate from the stitch time log used to quote a price for one sampler.
Week 8: Mock test at 70% or above overall with no domain below 55%; cost-and-price sheet ready for one finished product and the seven-day revision list written.