UPMSP Vocational Embroidery study materials
UPMSP Vocational Embroidery study resources

UPMSP Vocational Embroidery study plan

UPMSP Vocational Embroidery · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Embroidery tools, equipment and materials

  • Classify and label at least 20 hand-embroidery tools by name and function - chenille, sharps, tapestry and beading needles, aari needle, wooden and plastic hoops, adda stand, ring frame, thimble, seam ripper, tweezers, needle threader, embroidery scissors and buttonhole scissors.

  • Compare six ground fabrics (khadi cotton, malmal, chanderi silk, tussar, georgette, net) on weave, thread count, transparency, grain line and stitch suitability, and state which stitch each rejects.

  • Demonstrate correct needle threading, drum-tight but undistorted hoop tension, and working thread lengths of 40–45 cm to limit abrasion.

  • Price a starter kit from three local shop quotations and trim it to a stated budget without dropping any essential item.

Your checkpoint

A typed tool-and-material chart covering 20 tools and 6 fabrics (name, use, care, approximate cost) plus an itemised starter-kit bill with quantities and prices inside a stated budget.

Week 2

Basic hand stitches and stitch techniques & Embroidery tools, equipment and materials

  • Work the four foundation stitches - running, back (bakhiya), stem and chain - at an even 2–3 mm stitch length on a straight and a curved line.

  • Execute three edge and finishing stitches - blanket, buttonhole and overcasting - on raw and folded edges without rolling the fabric.

  • Diagnose and correct four recurring faults: puckering, uneven tension, thread knotting and drifting stitch length.

  • Set up a stitch library page per stitch carrying the name, a drawn direction diagram, typical use and recommended fabric pairing.

Your checkpoint

A labelled 12-stitch sampler with a minimum of eight repeats per stitch at 2–3 mm, plus a self-check sheet naming three faults found on the sampler and the correction applied to each.

Week 3

Basic hand stitches and stitch techniques

  • Work the looped and knotted family - lazy daisy, French knot, bullion, satin, long-and-short shading, feather and herringbone - with control of loop size and knot diameter.

  • Build a three-value shading gradient in long-and-short stitch across one leaf or petal motif so the transition reads smoothly at arm's length.

  • Anchor mirror-work (shisha) with four-point and six-point interlacing on a 5 cm sample, keeping the mirror edge fully covered and the ground flat.

  • Time every stitch block and record minutes per 10 cm to create a labour-cost baseline for later pricing.

Your checkpoint

One shaded motif sample showing a three-value gradient and one mirror-work sample, accompanied by a stitch time log listing ten stitches with minutes per 10 cm.

Week 4

Traditional Indian embroidery styles and regional traditions

  • Identify six chikankari stitches - bakhiya, murri, phanda, jaali, tepchi and hool - and explain the white-on-white shadow effect each produces, then stitch three of them on malmal.

  • Sequence a small zardosi piece end to end: trace the design, stretch khaddar or felt backing, couch kora and dabka, add sitara, and finish the reverse so no thread carries show.

  • Mount and tension fabric on an adda frame evenly, then release it without distorting the worked motif.

  • Contrast the two traditions on materials - kasab and zari threads, aari needle versus hand needle, ground fabric and typical end product.

Your checkpoint

A 15 cm chikankari-style white-on-white sample with three labelled stitches plus one small zardosi motif carrying a written six-step production sequence from tracing to finishing.

Week 5

Traditional Indian embroidery styles and regional traditions & Design development, motif drawing and colour theory

  • Map eight regional traditions to state, community, ground fabric, characteristic stitch and one typical motif: phulkari, kantha, kasuti, kutch, banjara, chamba rumal, pipli appliqué and gota patti.

  • Distinguish authentic regional markers from commercial imitations across three samples by checking thread type, ground fabric and motif geometry.

  • Draft five traditional motifs - paisley (kairi), lotus, peacock, bel and buti - on graph paper to a 1:1 scale with one clear repeat unit.

Your checkpoint

An A3 regional chart covering eight traditions across five attributes (state, community, ground fabric, stitch, motif) plus a five-motif drawing sheet with a marked 1:1 repeat grid.

Week 6

Design development, motif drawing and colour theory

  • Apply the design elements and principles - line, shape, colour, texture, balance, rhythm, emphasis, proportion - to critique one existing motif layout and redraw it with corrected spacing.

  • Plot a twelve-step colour wheel and build tint, shade and tone scales for two hues actually used in embroidery thread.

  • Select thread palettes for complementary, analogous and triadic schemes and test each on a fabric swatch for value contrast at arm's length.

  • Draft a border, corner and pallu layout for a dupatta on graph paper with measured repeat counts and margins.

Your checkpoint

A colour board containing the twelve-step wheel, two tint/shade scales, three stitched palette swatches and one measured dupatta layout drawing with repeat counts.

Week 7

Machine embroidery and finishing techniques & Fabric selection, care and quality control

  • Set up a single-needle machine - correct needle size for the fabric, bobbin winding, and upper/lower tension balanced on a scrap test before touching the garment.

  • Choose and apply the right stabiliser (cut-away, tear-away, wash-away, water-soluble topping) for a woven, a stretch knit and a pile fabric, and justify each choice.

  • Plan a motif with underlay, stitch it out, then finish by trimming jump threads, pressing without crushing pile, and blocking to shape.

  • Build a fabric test card for five fabrics covering a burn test, measured shrinkage on a 10×10 cm washed swatch, and a colour-fastness rub test.

Your checkpoint

One machine-embroidered 15 cm motif with a settings sheet (needle, stabiliser, tension, stitch count) plus a five-fabric test card recording fibre identification, shrinkage percentage and rub-fastness result.

Week 8

Occupational safety, entrepreneurship and workplace practices & Fabric selection, care and quality control & Machine embroidery and finishing techniques & Design development, motif drawing and colour theory & Traditional Indian embroidery styles and regional traditions & Basic hand stitches and stitch techniques & Embroidery tools, equipment and materials

  • Cost one finished sample with the formula material + (labour minutes × rate) + overhead + 20% margin, set a retail price, and list three registration or market-linkage steps such as UDYAM, ODOP listing and an online catalogue entry.

  • Describe six workplace safety practices: sharps disposal, machine guarding, posture and eye-break routine, ventilation when using adhesives and dyes, electrical checks, and first aid for needle prick and iron burn.

  • Sit a 60-question timed mock covering all seven domains and log the score for each domain separately.

  • Re-drill the two weakest domains by returning to the relevant sampler page, chart or swatch until each is above 55%.

Your checkpoint

A one-page cost-and-price sheet for your best sample plus a mock score sheet showing per-domain percentages and a written seven-day revision list targeting the two weakest domains.

Milestones

Week 2: Twelve-stitch sampler complete with every stitch at an even 2–3 mm and no puckering; tool-and-material chart and priced kit bill signed off.

Week 4: Chikankari white-on-white sample and zardosi motif finished; can name the six chikankari stitches and explain the adda-frame tension check without notes.

Week 6: Eight-tradition regional chart and colour board complete; labour rate from the stitch time log used to quote a price for one sampler.

Week 8: Mock test at 70% or above overall with no domain below 55%; cost-and-price sheet ready for one finished product and the seven-day revision list written.