Makeup Artist flashcards
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32 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Disinfection contact time
- The labeled dwell time a disinfectant must stay wet on a surface to kill target pathogens. Hospital-grade products commonly require about 10 minutes; re-wetting is needed if it dries early.
- Single-use porous items
- Sponges, cotton, wooden sticks, and lash strips cannot be disinfected because pathogens penetrate the material. They are discarded after one client or one use.
- Blood exposure procedure
- Stop the service, glove, wash the area with soap and water, apply antiseptic, cover the wound, disinfect tools, and discard contaminated disposables. Document the incident.
- Patch test timing
- Apply a small amount of tint, adhesive, or high-sensitizer product 24-48 hours before the service. A positive reaction (redness, swelling, itching) means do not proceed.
- Stratum basale
- The deepest epidermal layer where keratinocytes divide and melanocytes reside. Melanin produced here determines skin color and protects against UV damage.
- Dermis components
- Collagen provides strength, elastin provides recoil, and glycosaminoglycans such as hyaluronic acid hold water. UV exposure degrades all three over time.
- Fitzpatrick scale
- A six-level classification of skin response to UV. Types I-II burn easily and tan poorly; III-IV tan gradually; V-VI rarely burn but remain at risk of hyperpigmentation.
- Undertone vs surface tone
- Undertone is the persistent hue beneath the skin (warm, cool, neutral, olive). Surface tone is the visible color that shifts with flushing, tanning, or product use.
- Skin barrier function
- The stratum corneum plus lipids and natural moisturizing factor retain water and block irritants. Over-exfoliation or harsh products compromise it, causing redness and sensitivity.
- Complementary color correction
- Opposite hues cancel: green neutralizes redness, peach corrects blue-purple circles, yellow corrects purple bruising, lavender corrects sallow yellow. Apply only where needed.
- Foundation match triad
- A correct match requires depth (value), undertone (hue), and chroma. Matching only depth produces a mask-like result that reads grey or orange.
- Oxidation test
- Oil-based foundations darken and warm as they mix with sebum and air. Swatch on the jaw, wait 10-15 minutes, then judge the final dried color.
- Olive undertone
- A green-tinged undertone that standard warm and cool labels misread. Choose neutral-olive shades or add a green adjuster to avoid orange or pink casts.
- Contour and highlight rule
- Dark recedes and shortens; light brings forward and lengthens. Place contour at the outer perimeter to narrow and highlight down the center to elongate.
- Round face correction
- Contour temples, cheek hollows, and jaw corners to reduce apparent width. Add vertical highlight on the nose and forehead center to lengthen the face.
- Nose correction
- Darken the sides and tip to shorten or narrow; highlight the bridge to lengthen. Blend edges fully, because visible lines read as stripes rather than shadow.
- Hooded lid placement
- Apply shadow with the eyes open and above the natural crease. Avoid heavy shimmer on the hood, which emphasizes texture and disappears when the eye opens.
- Natural vs synthetic brushes
- Natural hair holds powder and blends; synthetic fibers suit creams, liquids, and detail work and are easier to sanitize. Choose by product form and hygiene needs.
- Brush washing
- Wash with gentle soap, reshape, and dry flat or bristles-down. Standing bristles-up lets water enter the ferrule and loosen the glue.
- Cream over powder risk
- Powder over cream sets and blends; cream over powder can pill or drag. Apply cream products first, then set with powder for a smooth finish.
- Brow mapping points
- Start at the inner corner vertically, arch at the outer edge of the iris, and tail at the outer corner aligned with the nostril. Match the brow hair color.
- Strip lash sizing
- Trim the band from the outer end to fit the eye. An oversized band lifts at the corners, irritates the lid, and looks unnatural in photos.
- Lash adhesive tack time
- Apply adhesive to the band and wait 15-30 seconds until tacky. Placing the band too soon slides it; too late and it will not bond.
- Bridal trial timing
- Schedule the trial 4-8 weeks before the wedding. Start skin prep 3-6 months out and avoid new products, acids, or waxing within 48-72 hours of the event.
- Editorial lighting test
- Editorial makeup is built for camera and lighting. Test contour, shine, and color under the shoot's actual lighting and photograph the final face for continuity.
- Bruise color progression
- Fresh bruises read red-purple, then blue-black at 1-2 days, green-yellow at 3-5 days, and yellow-brown at 5-10 days. Layer in that order for realism.
- Prosthetic edge blending
- Blend silicone or gelatin edges with isopropyl alcohol or acetone, then seal with a matching sealer before paint. Patch test all adhesives and paints first.
- Aging makeup technique
- Stipple and shade where gravity and expression create lines (nasolabial, crow's feet, neck), then highlight bone. Flat drawn lines read as costume, not age.
- Consultation intake
- Cover goal, occasion, skin analysis, allergies and contraindications, reference images, budget, and timeline. Confirm the plan in writing before starting the service.
- Pricing components
- Quote flat rate, hourly, or day rate plus travel, kit fee, and assistant fees. State the deposit and cancellation policy in writing before booking.
- Scope of practice
- Makeup artists apply cosmetics; they do not diagnose skin disease, prescribe, or perform medical treatments. Refer suspicious lesions to a physician.
- Professional liability insurance
- Coverage for allergic reactions, injury, and property claims arising from services. Confirm the policy covers each service type, including SFX adhesives and lash work.