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LGCSE Fashion & Textiles (0191) study materials
LGCSE Fashion & Textiles (0191) study resources

LGCSE Fashion & Textiles (0191) practice questions

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Question 1Materials, Fibres and Fabrics

Which fibre is classified as a natural protein fibre?

  1. Viscose
  2. Cotton
  3. Linen
  4. Wool Correct answer.

Explanation

Natural fibres are grouped by chemical composition. Wool is made of the protein keratin, produced by sheep, so it belongs to the animal protein group alongside silk. Cotton and linen are natural cellulosic fibres, and viscose is manufactured from regenerated cellulose.

Question 2Materials, Fibres and Fabrics

Which property of cotton makes it suitable for underwear and summer clothing?

  1. High moisture absorbency and breathability Correct answer.
  2. High resistance to creasing
  3. High elasticity and stretch recovery
  4. High thermoplasticity when heated

Explanation

Cotton is highly absorbent because its cellulose polymer chains carry many hydroxyl groups that attract water, and its fibre shape allows air movement. These properties let perspiration be absorbed and evaporated, keeping the wearer comfortable in warm conditions.

Question 3Materials, Fibres and Fabrics

What is the main reason silk fabric feels smooth and lustrous?

  1. Its filament fibres have a smooth, triangular cross-section that reflects light Correct answer.
  2. Its short staple fibres are twisted tightly during spinning
  3. Its fibres are hollow and trap light internally
  4. Its surface is coated with a natural wax layer

Explanation

Silk is extruded by the silkworm as a continuous filament with a smooth, roughly triangular cross-section. The flat surfaces reflect light evenly, producing the characteristic sheen and a smooth handle, unlike short staple fibres whose ends protrude.

Question 4Materials, Fibres and Fabrics

Which fabric is produced by interlacing two sets of yarns at right angles on a loom?

  1. Woven fabric Correct answer.
  2. Bonded fabric
  3. Knitted fabric
  4. Felted fabric

Explanation

Woven structures are made on a loom by interlacing warp yarns (running lengthwise) with weft yarns (running across) at right angles. This interlacement gives woven fabrics their characteristic stability and low stretch compared with knitted structures.

Question 5Materials, Fibres and Fabrics

Which term describes the direction of yarns running lengthwise along a woven fabric, parallel to the selvedge?

  1. Bias
  2. Pile
  3. Warp Correct answer.
  4. Weft

Explanation

In a woven fabric the lengthwise yarns are the warp and the crosswise yarns are the weft. The warp runs parallel to the selvedge, which is why pattern pieces are usually laid with the grain line parallel to it.

Question 6Materials, Fibres and Fabrics

Which fibre is thermoplastic, so that heat can set permanent pleats in fabric made from it?

  1. Polyester Correct answer.
  2. Cotton
  3. Linen
  4. Wool

Explanation

Polyester is a synthetic fibre that softens when heated and holds a new shape on cooling, so pleats and creases can be heat-set permanently. Natural fibres such as cotton, wool and linen do not behave this way and their pleats are less durable.

Question 7Materials, Fibres and Fabrics

What is the purpose of blending two different fibres in a single yarn?

  1. To ensure the yarn has a single uniform colour throughout
  2. To reduce the number of fibres needed to make the yarn
  3. To combine the strengths of each fibre and reduce their individual weaknesses Correct answer.
  4. To make the yarn cheaper by removing the need for spinning

Explanation

Blending mixes different fibres before spinning so that the resulting yarn benefits from the properties of both. For example, polyester-cotton blends gain polyester strength and crease resistance with cotton absorbency and comfort.

Question 8Materials, Fibres and Fabrics

Which fibre is obtained from the stem of a plant?

  1. Wool
  2. Flax Correct answer.
  3. Silk
  4. Cotton

Explanation

Flax is a bast fibre taken from the stem of the flax plant and processed into linen. Bast fibres are extracted by retting, which loosens the fibres from the woody core before they are separated and spun.

Question 9Materials, Fibres and Fabrics

A manufacturer wants a fabric for swimwear that dries quickly and resists chlorine. Which fibre choice best meets these requirements?

  1. Polyester Correct answer.
  2. Cotton
  3. Wool
  4. Rayon

Explanation

Polyester is hydrophobic, so it absorbs very little water and dries quickly, and it has good resistance to chlorine and sunlight. Cotton and rayon absorb water and become heavy and slow-drying, while wool is also absorbent and loses strength when wet.

Question 10Materials, Fibres and Fabrics

Why is a plain weave fabric generally stronger and firmer than a satin weave of the same yarns?

  1. Its yarns are bonded together with resin at each intersection
  2. Its yarns interlace frequently, distributing stress and limiting yarn movement Correct answer.
  3. Its yarns float over many others, giving more surface friction
  4. Its yarns are always thicker and more tightly twisted

Explanation

Plain weave has the maximum number of interlacings, with each yarn passing over and under alternate yarns. This frequent interlacement spreads applied force across many contact points and restricts yarn slippage, producing a firm, durable fabric. Satin weave has long floats and fewer interlacings, so it is smoother but weaker and more prone to snagging.

Question 11Materials, Fibres and Fabrics

Which test would most reliably distinguish wool from acrylic fibre in a laboratory?

  1. Weighing equal areas of each fabric
  2. Counting the number of yarns per centimetre
  3. Measuring the fabric width with a ruler
  4. Burning test, observing smell and residue Correct answer.

Explanation

Burning tests identify fibre composition by the way the fibre burns and the smell and ash produced. Wool, a protein fibre, burns slowly with the smell of burning hair and leaves a crushable black ash, whereas acrylic melts and gives a harsh chemical smell with a hard bead.

Question 12Materials, Fibres and Fabrics

What is the main effect of mercerising cotton fabric?

  1. It removes the natural cellulose from the fibre
  2. It increases lustre, strength and dye uptake Correct answer.
  3. It gives the fabric permanent stretch
  4. It makes the fabric flame retardant

Explanation

Mercerising treats cotton under tension with strong sodium hydroxide solution, which swells the fibres and makes them rounder and smoother. The result is greater lustre, improved tensile strength and better dye absorption, which is why mercerised cotton takes colour more deeply.

Question 13Materials, Fibres and Fabrics

Why does a knitted fabric stretch more easily than a woven fabric?

  1. Its interlocking loops can deform and recover when pulled Correct answer.
  2. Its fibres are shorter and therefore slide apart
  3. Its yarns are always made from elastane
  4. Its surface is brushed to create extra give

Explanation

Knitted structures are built from loops of yarn that can open out and change shape under tension, then return when the force is released. This loop geometry gives knitwear its natural extensibility, whereas woven yarns are locked at right angles and resist stretching.

Question 14Materials, Fibres and Fabrics

Which property of viscose explains why it is often dry-cleaned or washed with care?

  1. It loses a large proportion of its strength when wet Correct answer.
  2. It is highly resistant to alkalis
  3. It has very high elastic recovery
  4. It melts at low iron temperatures

Explanation

Regenerated cellulose fibres such as viscose have low wet strength, so they can stretch, distort or tear when wet and agitated. Careful washing or dry cleaning prevents the fabric from losing shape and surface appearance.

Question 15Materials, Fibres and Fabrics

A designer needs a fabric with excellent drape and a soft handle for a flowing evening dress. Which construction is most suitable?

  1. A tightly woven denim twill
  2. A heavy plain-weave canvas
  3. A needle-punched nonwoven felt
  4. A lightweight satin weave in polyester crepe Correct answer.

Explanation

Drape depends on flexibility, weight and low stiffness, and satin weave with fine crepe yarns produces a smooth, fluid fabric that hangs in soft folds. Heavy canvas, denim and felt are stiff and bulky, so they hold shape rather than flowing.

Question 16Materials, Fibres and Fabrics

What is the function of sizing applied to warp yarns before weaving?

  1. To increase the flammability of the yarn
  2. To coat and strengthen the yarns so they resist abrasion on the loom Correct answer.
  3. To make the yarns more elastic during weaving
  4. To add colour to the finished fabric

Explanation

Warp yarns are subjected to repeated tension and abrasion from loom parts during weaving. Sizing coats them with a starch or synthetic film that increases smoothness and strength, reducing breakage; the size is later removed in desizing.

Question 17Materials, Fibres and Fabrics

Why is elastane usually combined with other fibres rather than used alone in garments?

  1. Elastane cannot be spun into yarn on its own
  2. Elastane is too expensive to be used in pure form in any garment
  3. Pure elastane is not elastic enough for close-fitting clothes
  4. Small percentages give stretch while the companion fibre provides strength and appearance Correct answer.

Explanation

Elastane can stretch to several times its length but has low strength and poor abrasion resistance, and it is costly. Blending a small percentage with cotton, polyester or nylon gives garments stretch and recovery while the main fibre supplies durability, handle and colour.

Question 18Materials, Fibres and Fabrics

Which finish is applied to cotton fabric to reduce shrinkage and creasing by cross-linking cellulose molecules?

  1. Calendering
  2. Singeing
  3. Milling
  4. Resin (easy-care) finish Correct answer.

Explanation

Resin or easy-care finishes use cross-linking chemicals that bond cellulose chains and hold the fabric flat, reducing creasing and shrinkage. The trade-off is some loss of strength and absorbency, which is why the finish must be controlled carefully.

Question 19Materials, Fibres and Fabrics

Which feature distinguishes a filament yarn from a staple yarn?

  1. The filament yarn is always bulkier and warmer
  2. The filament yarn has more protruding fibre ends
  3. The filament yarn is always made from natural fibres
  4. The filament yarn is made from continuous fibres of indefinite length Correct answer.

Explanation

Filament yarns consist of continuous fibres, either natural silk or manufactured extrusion, giving a smooth surface and high strength. Staple yarns are spun from short fibres and have protruding ends, which produce a softer, hairier surface.

Question 20Materials, Fibres and Fabrics

A fabric label states 100 percent acetate. Which care instruction is most appropriate?

  1. Iron at high temperature with a damp cloth
  2. Hand wash cool and iron at low temperature with care Correct answer.
  3. Boil wash and tumble dry at high heat
  4. Bleach regularly with strong chlorine solution

Explanation

Acetate is a regenerated cellulose ester that softens at relatively low temperatures and can be damaged by heat and strong chemicals. Cool hand washing and low-temperature ironing protect its shape and surface, and dry cleaning is often recommended.

Question 21Materials, Fibres and Fabrics

Why does a wool fabric felt when washed in hot water with agitation?

  1. Its fibres melt and fuse together in hot water
  2. Its yarns shrink because the twist untwists
  3. Its cellulose chains cross-link under heat
  4. Its scaled surface and crimp cause fibres to migrate and interlock irreversibly Correct answer.

Explanation

Wool fibres have overlapping surface scales and natural crimp. Heat, moisture and friction make the fibres migrate and the scales ratchet together, locking into a dense mat that cannot be reversed, which is why wool requires cool, gentle washing.

Question 22Materials, Fibres and Fabrics

A garment made from a 65 percent polyester, 35 percent cotton blend is described as easy-care. Which explanation best accounts for this?

  1. Both fibres are thermoplastic, so the blend sets permanently when ironed
  2. Cotton supplies crease recovery while polyester contributes absorbency
  3. Polyester supplies crease recovery and strength while cotton contributes absorbency and comfort Correct answer.
  4. The blend is coated with resin, which provides all the easy-care behaviour

Explanation

In this blend each fibre compensates for the weakness of the other. Polyester's thermoplastic nature gives crease recovery, durability and quick drying, while cotton adds moisture absorbency and a comfortable handle, producing a fabric that is easy to care for and pleasant to wear.

Question 23Materials, Fibres and Fabrics

Why is a twill weave such as denim more durable and less prone to showing soil than a plain weave of similar weight?

  1. Its surface is completely smooth because all floats are hidden
  2. Its weft yarns are always finer than its warp yarns
  3. Its diagonal floats create a compact surface with fewer exposed yarn intersections Correct answer.
  4. Its yarns are chemically bonded at each float

Explanation

Twill weave produces diagonal steps of floats, packing yarns closely and reducing the number of surface interlacement points where soil can lodge and abrasion can begin. The compact, slightly ridged surface wears well, which is why twill is used for workwear and jeans.

Question 24Materials, Fibres and Fabrics

A student compares two fabrics: one is a plain-weave cotton poplin, the other a cotton single jersey. Which statement correctly predicts their behaviour when pulled along the length?

  1. Both extend equally because both are made from cotton
  2. The jersey extends more because its loops can open, while the poplin resists because its yarns are interlaced Correct answer.
  3. The jersey resists more because loop structure locks the yarns rigidly
  4. The poplin extends more because its warp yarns are crimped by the weft

Explanation

Extensibility depends on structure rather than fibre alone. In single jersey the loops can straighten and open under tension, giving noticeable stretch, whereas plain-weave poplin has interlaced warp and weft yarns that limit yarn movement and resist extension.

Question 25Materials, Fibres and Fabrics

Which combination of fibre properties best explains why polyester microfibre fabrics feel soft and can clean surfaces without scratching?

  1. Natural crimp in the filaments creates a fuzzy surface
  2. High moisture absorbency softens the filaments
  3. Very fine filaments give a large surface area and a smooth, flexible handle Correct answer.
  4. Large-diameter filaments give rigidity and sharp edges

Explanation

Microfibres are manufactured with filaments finer than about one decitex, so many fine filaments pack into a yarn and create a large surface area with a soft, pliable handle. The fine filaments are also flexible enough to reach into small gaps without scratching, which suits cleaning cloths.

Question 26Materials, Fibres and Fabrics

Which term describes the natural crimp that gives wool fibres their bulk and elasticity in a fabric?

  1. Crimp inherited from the follicle's wavy growth Correct answer.
  2. Sericin coating
  3. Medulla cavities
  4. Scales lying flat along the shaft

Explanation

Wool fibres grow in a natural wave or crimp because of the way keratin forms in the follicle, and this crimp traps air and gives wool its loft, warmth and elastic recovery. The crimp is a structural feature of the fibre itself, not a surface coating or a hollow core.

Question 27Materials, Fibres and Fabrics

A woven fabric is described as having a 'float' on its surface. What does this mean in terms of weave construction?

  1. A single yarn is knitted into the fabric as a decorative loop
  2. A yarn passes over two or more yarns before passing under one Correct answer.
  3. Two yarns are twisted together before weaving
  4. A yarn is cut and left loose at the selvedge

Explanation

A float occurs when a warp or weft yarn crosses over several yarns of the opposite direction without interlacing, as in satin and some twill weaves. Long floats give a smooth, lustrous face but make the fabric more prone to snagging.

Question 28Materials, Fibres and Fabrics

Which property of silk makes it suitable for lightweight summer blouses and fine lingerie?

  1. Strong elasticity that recovers shape after stretching
  2. Fine filament with high strength and a smooth, cool handle Correct answer.
  3. Good thermal insulation from trapped air
  4. High resistance to sunlight degradation

Explanation

Silk is produced as a continuous filament that can be very fine, and it has high tensile strength for its weight and a smooth surface that feels cool against the skin. These qualities suit light, fluid garments such as blouses and lingerie.

Question 29Materials, Fibres and Fabrics

A student wants to identify an unknown white fibre by burning a small sample. The sample burns with a smell of burning paper and leaves a soft grey ash. Which fibre is most likely present?

  1. Polyester
  2. Wool
  3. Cotton Correct answer.
  4. Nylon

Explanation

Cellulosic fibres such as cotton burn like paper because they are made of cellulose, and they leave a soft, powdery ash. The smell of burning paper is the key clue that distinguishes them from protein and synthetic fibres.

Question 30Materials, Fibres and Fabrics

Why is a cotton fabric described as having good 'moisture regain'?

  1. It repels liquid water so droplets roll off the surface
  2. It conducts heat away from the body faster than any other fibre
  3. It absorbs water vapour into its amorphous regions and releases it again Correct answer.
  4. It dissolves partially when soaked in water

Explanation

Moisture regain is the ability of a fibre to absorb water vapour into the less ordered, amorphous parts of its structure and then release it as the air dries. Cotton's hydroxyl groups attract water, giving it high regain and making it comfortable in warm conditions.

Question 31Materials, Fibres and Fabrics

Which statement best explains why a fabric made from filament yarns has a smoother, more lustrous surface than one made from staple yarns?

  1. Filament yarns have no protruding fibre ends to scatter light at the surface Correct answer.
  2. Staple yarns contain more sizing, which dulls their appearance
  3. Staple yarns are always dyed a darker colour than filament yarns
  4. Filament yarns are always thicker and therefore reflect more light

Explanation

Continuous filament yarns lie flat and even, so light reflects from a smooth surface and creates lustre. Staple yarns have many short fibre ends that stand slightly proud and scatter light, giving a softer, duller appearance.

Question 32Materials, Fibres and Fabrics

A manufacturer wants a fabric for a reusable shopping bag that must be strong, cheap and resistant to tearing. Which fibre and construction would best meet these needs?

  1. Woven polypropylene tape fabric Correct answer.
  2. Nonwoven viscose batting
  3. Knitted cashmere jersey
  4. Fine silk satin

Explanation

Woven polypropylene tape fabric uses strong, wide tapes interlaced in a plain weave, giving high tear strength at low cost and with good water resistance. It is widely used for durable, reusable bags.

Question 33Materials, Fibres and Fabrics

Which feature of a plain weave makes it suitable for a tightly woven cotton shirting fabric?

  1. Each yarn interlocks with its neighbour at every pick, producing a firm, stable cloth Correct answer.
  2. The yarns are bonded with adhesive instead of being interlaced
  3. Long floats on the surface give a glossy finish
  4. Loops of yarn are drawn through previous loops to create stretch

Explanation

In a plain weave the warp and weft alternate over and under one another at every intersection, so the cloth is tightly interlaced, firm and dimensionally stable. This makes it a good base for shirting, which needs to hold its shape.

Question 34Materials, Fibres and Fabrics

A knitted jumper is described as having good 'recovery'. What does this mean in practice?

  1. The garment returns to its original shape after being stretched Correct answer.
  2. The garment resists pilling on the surface
  3. The garment becomes warmer each time it is worn
  4. The garment can be washed at any temperature without shrinking

Explanation

Recovery is the ability of a fabric to return to its original dimensions after stretching, which depends on the elasticity of the yarn and the loop structure. Good recovery keeps cuffs and necklines from becoming baggy.

Question 35Materials, Fibres and Fabrics

A textile technologist compares two fabrics of equal weight: one is a tightly woven cotton canvas, the other a loose plain-weave cotton muslin. Which explanation best accounts for the difference in air permeability?

  1. The canvas has been mercerised, which seals the yarn surface
  2. The muslin contains more synthetic fibre, which blocks air
  3. The muslin has a higher twist, which opens the structure
  4. The canvas has a higher cover factor, so fewer and smaller gaps between yarns restrict airflow Correct answer.

Explanation

Air passes through the spaces between interlacing yarns, so permeability depends mainly on how closely the yarns are packed. A tight canvas has a high cover factor and small interstices, while a loose muslin has larger gaps and lets more air through.

Question 36Materials, Fibres and Fabrics

A designer is choosing a lining for a tailored wool coat worn in winter. Which combination of properties is most important for the lining fabric?

  1. High absorbency and a rough surface to grip the wool
  2. Smooth, low-friction surface with adequate strength and reasonable cost Correct answer.
  3. Heavy weight to add warmth to the coat
  4. Maximum stretch so the lining moves with the body

Explanation

A lining must slide easily over the garment underneath and over the coat's own wool, so a smooth, low-friction surface is essential. It also needs enough strength to withstand wear at stress points and must be affordable, since it is largely hidden.

Question 37Design Process and Design Communication

In the design process for a fashion product, what is the main purpose of a design brief?

  1. To show the fabric supplier's delivery schedule
  2. To record the final selling price of the finished garment
  3. To set out the problem, target market and constraints the designer must work within Correct answer.
  4. To list every stitch type used in the construction of the sample

Explanation

A design brief defines the task: who the product is for, what it must achieve and the limits such as cost, timescale and materials. It guides all later design decisions and is written before sketching begins. It is not a cost sheet, construction sheet or supply schedule.

Question 38Design Process and Design Communication

A designer produces a series of quick pencil drawings exploring many different collar shapes before choosing one. What are these drawings called?

  1. Lay plans
  2. Working drawings
  3. Design development sketches Correct answer.
  4. Toile patterns

Explanation

Design development sketches are rapid exploratory drawings used to generate and compare ideas early in the process. They are loose and numerous rather than precise. Working drawings, lay plans and toiles come later when an idea is being finalised or made up.

Question 39Design Process and Design Communication

Which type of drawing would best communicate the position of a pocket, topstitching and a zip to a sample machinist?

  1. A technical flat drawing with annotations Correct answer.
  2. A fashion illustration with exaggerated proportions
  3. A fabric swatch card
  4. A mood board collage

Explanation

A technical flat is drawn to scale as if the garment were laid flat, with labels giving placement and construction detail. It communicates precise manufacturing information rather than mood or styling. Mood boards and illustrations convey inspiration, not specification.

Question 40Design Process and Design Communication

What is the role of a mood board in the design process?

  1. To calculate the fabric consumption per garment
  2. To replace the need for a design brief
  3. To provide a legal record of the pattern cutter's work
  4. To gather visual research that establishes colour, texture and styling direction Correct answer.

Explanation

A mood board collects images, swatches and references that capture the feeling and visual direction of a collection. It is a research and communication tool that inspires and aligns the design team. It does not calculate consumption or replace formal documents.

Question 41Design Process and Design Communication

In pattern terminology, what does 'grain line' indicate on a pattern piece?

  1. The direction of the fabric's selvedge edge
  2. The position of the buttonhole
  3. The line that must be placed parallel to the fabric's straight grain Correct answer.
  4. The seam allowance width to be added

Explanation

The grain line is a marked arrow on the pattern that must be aligned parallel to the straight grain of the fabric. Correct alignment prevents the garment twisting when worn. It is not the selvedge itself, a seam allowance or a buttonhole marker.

Question 42Design Process and Design Communication

Which colour theory term describes colours that sit opposite each other on the colour wheel, such as red and green?

  1. Analogous colours
  2. Complementary colours Correct answer.
  3. Neutral colours
  4. Monochromatic colours

Explanation

Complementary colours lie directly opposite on the colour wheel and create strong contrast when used together. Analogous colours sit next to each other, and monochromatic schemes use tints and shades of one hue. Neutrals are muted tones such as beige and grey.

Question 43Design Process and Design Communication

A designer needs to show a client how a proposed dress will look on a figure, including drape and proportion. Which presentation method is most suitable?

  1. A costing spreadsheet
  2. A lay plan
  3. A fashion illustration Correct answer.
  4. A specification sheet

Explanation

A fashion illustration shows the garment on a stylised figure, communicating drape, proportion and mood to a client. It is a presentation tool rather than a manufacturing document. Specification sheets, lay plans and costings serve production and business functions.

Question 44Design Process and Design Communication

What is the main purpose of making a toile during design development?

  1. To create the mood board for the collection
  2. To calculate the wholesale price of the garment
  3. To test the fit and shape of a pattern in inexpensive fabric Correct answer.
  4. To produce the final retail sample for photography

Explanation

A toile is a trial version made in cheap fabric such as calico so the fit and silhouette can be checked and adjusted. Faults are corrected on the pattern before cutting the final fabric. It is not a sale sample, a costing tool or a research board.

Question 45Design Process and Design Communication

A designer annotates a technical drawing with the note 'CB zip, 18 cm, concealed'. Why is this annotation important?

  1. It records the designer's personal preference for the collection theme
  2. It shows the retail price of the zip
  3. It replaces the need for a pattern piece
  4. It gives the machinist precise placement and type of fastening Correct answer.

Explanation

Annotations on technical drawings carry manufacturing instructions such as fastening type, position and length. They ensure the sample matches the designer's intention without ambiguity. They do not convey theme, price or replace pattern pieces.

Question 46Design Process and Design Communication

When selecting fabric for a design, which property is most important for a close-fitting jersey dress that must stretch and recover?

  1. Heavy weight and rigidity
  2. High stiffness
  3. Good elasticity and recovery Correct answer.
  4. Low dye affinity

Explanation

A close-fitting dress needs fabric that stretches with the body and returns to shape, so elasticity and recovery are essential. Stiff or rigid fabrics restrict movement and bag at the knees and elbows. Dye affinity affects colour, not fit.

Question 47Design Process and Design Communication

A designer uses a repeating motif of small flowers across a printed fabric. What is this type of design called?

  1. A placement print
  2. A border print
  3. An all-over repeat print Correct answer.
  4. A panel print

Explanation

An all-over repeat print covers the whole fabric with a motif that repeats at regular intervals. Placement prints are positioned on specific garment areas, border prints run along the selvedge, and panel prints are designed for a single panel.

Question 48Design Process and Design Communication

During evaluation of a final garment against the design brief, which evidence would be most useful?

  1. The designer's favourite colour choices
  2. The number of sketches made during development
  3. The supplier's fabric catalogue
  4. Photographs of the garment on the target customer plus fit-test feedback Correct answer.

Explanation

Evaluation compares the finished product with the brief's requirements, so evidence of fit on the intended wearer and user feedback is directly relevant. Photographs and fit-test notes show whether the design meets its purpose. Sketch counts and catalogues do not demonstrate fitness for purpose.

Question 49Design Process and Design Communication

In a fashion drawing, what does the term 'croquis' refer to?

  1. A colour matching system used in dyeing
  2. A quick sketch of an elongated figure used as a base for design ideas Correct answer.
  3. A fabric sample attached to a specification sheet
  4. A detailed measurement chart for pattern grading

Explanation

A croquis is a stylised, elongated figure sketch that designers trace or redraw as a base for illustrating garments. It speeds up design development by providing a consistent figure proportion. It is not a measurement chart, swatch or dyeing system.

Question 50Design Process and Design Communication

A designer wants to communicate the exact shade chosen for a collection to a manufacturer. Which method is most reliable?

  1. Describing the colour as 'soft coral' in an email
  2. Sending a Pantone or standard colour reference number Correct answer.
  3. Referring to a previous season's garment
  4. Attaching a photograph taken in daylight

Explanation

A standard colour reference such as Pantone gives an exact, reproducible specification that both parties can match. Verbal descriptions, photographs and memories of past garments are open to interpretation and lighting differences. Precise references reduce production error.