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Port Access on Contact Precautions

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Port Access on Contact Precautions

Leo is a 6-year-old with acute lymphoblastic leukemia. He is in a single room on contact precautions for suspected Clostridioides difficile. He needs a port access in 20 minutes. He has screamed and pulled away during the last two accesses. His mother is present and asks you to “make him calm.” The nurse needs him to hold still for 60 seconds. Leo loves a call-and-response song about a rocket. He can count to 20 and can choose between two instruments. You have a guitar, a small sanitizable drum, and a tambourine; the unit allows only items that can be wiped with hospital disinfectant. He has not received anxiolytic medication.

1. What factors must you assess before choosing an active versus receptive intervention, and what contraindications or precautions matter here?

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Assess Leo’s developmental understanding, prior procedural distress, current pain, fear, coping style, what has helped before, his mother’s role, his ability to assent, the nurse’s plan, and the time available. Ask whether he is acutely ill, short of breath, or in unmanaged pain. Active instrument play can increase arousal and interfere with holding still, but it can also provide control and compete with pain signals. Receptive singing may be calming but may not hold his attention.

Contact precautions require dedicated or disinfectable items, hand hygiene, and no shared porous materials. Keep objects off the bed and away from the sterile field. The guitar may be difficult to clean, so keep it away from the procedure area. Do not force the mother to restrain Leo. Contraindications include lack of assent, severe distress that music would intensify, or a medical emergency. The choice should follow assessment, not the mother’s request to “make him calm.”

2. Plan the 20-minute sequence from greeting through port access and recovery. Justify the timing and the role of the mother.

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0–5 minutes: greet Leo, perform hand hygiene, show two cleanable instruments, and let him choose. Sing a hello song with his name and explain, “In 20 minutes the nurse will count to 60. We will sing the rocket song.”

5–10 minutes: practice call-and-response, count to 20, teach one slow breath, and agree on a stop signal.

10–15 minutes: as the nurse prepares, reduce talking and begin the rocket song at about 80 bpm, pausing for Leo’s response. The mother sits at the head of the bed, coaches breathing, and offers comfort-not restraint.

15–20 minutes: during access, continue the song, count with him, and praise specific behavior. Afterward, sing a short “done” song and offer a choice.

Justification: predictability, control, and familiarity reduce fear; active engagement can compete with pain; practicing before the procedure builds coping. The mother is a support person, not a restraint device. If Leo becomes distressed, simplify and follow his assent.

3. Leo says, “Stop, I don’t want it,” just before the needle. What do you do?

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Stop the music and say, “You said stop. I hear you.” Do not restart unless he agrees. Tell the nurse and mother. If it is safe, the procedure should pause so the team can address his fear. Do not use music to force compliance or drown out his protest.

Support him: “It’s okay to be scared. You can squeeze my hand.” If the team proceeds under parental consent, continue only a quiet supportive presence or a song he assents to; if he continues to refuse, stop the music. Document his exact words, your actions, and who was informed. Debrief with Leo and his mother and plan more preparation for next time, possibly with child life. Report any coercion to your supervisor.