STPM Bahasa Arab 913 flashcards
STPM Bahasa Arab 913 · Build recall with a focused review session.
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- I'rab of sound masculine plural
- Sound masculine plural takes ونَ in the nominative (raf') and ينَ in the accusative and genitive (nasb and jarr). The nun may drop in idafah, leaving و or ي.
- Kana and its sisters
- Verbs such as كان، أصبح، صار، ليس enter a nominal sentence and make the mubtada' their ism in raf' and the khabar in nasb: كان الطالبُ مجتهدًا.
- Inna and its sisters
- Particles أنّ، إنّ، كأنّ، لكنّ، ليت، لعلّ reverse kana's effect: the ism takes nasb and the khabar takes raf': إنّ اللهَ غفورٌ.
- Maf'ul mutlaq function
- A verbal noun (masdar) mansub following its verb to emphasise or specify the manner: فرحتُ فرحًا شديدًا. It is not the direct object.
- Hollow verb jazm marker
- In a hollow verb (الأجوف) whose middle letter is 'illah, the jazm marker is deletion of that middle letter: يقول → لم يقل.
- Tamyiz versus hal
- Tamyiz is a mansub noun removing ambiguity of quantity or substance (اشتريت رطلًا زيتًا); hal describes the state of the subject or object at the action's occurrence.
- Main idea versus supporting detail
- The main idea states what the whole passage asserts; a supporting detail only illustrates it. A correct main-idea option must cover every paragraph, not one example.
- Pronoun reference resolution
- To identify a pronoun's referent (مرجع الضمير), locate the nearest preceding noun agreeing in gender and number that fits the sentence meaning; a later noun is usually a distractor.
- Inference question strategy
- An inference (استنتاج) answer is not printed literally in the text. Eliminate options quoting a sentence verbatim and options adding facts the passage never implies.
- Contrast signal words
- لكن، غير أنّ، بيد أنّ، في المقابل signal a reversal of expectation. The sentence after them often carries the author's real position and the answer to purpose questions.
- Essay introduction function
- The مقدمة states the topic, the writer's thesis, and the plan in two or three lines. It must not contain detailed evidence, which belongs in the عرض paragraphs.
- Formal register markers
- Fusha composition avoids colloquial vocabulary, foreign loanwords with Arabic equivalents, and contractions. Use classical connectors such as ومن ثمّ، علاوة على ذلك، خلاصة القول.
- Counter-argument requirement
- A strong argumentative essay presents the opposing view (الرأي المخالف), then refutes it with evidence. Omitting it weakens the evaluation and content marks.
- Hamzat wasl versus qat'
- Hamzat wasl is pronounced only at the start of speech and drops after a preceding word (استخدم، انطلق). Hamzat qat' is always pronounced (أكرم، إسراف).
- Idafah reversal in translation
- An Arabic possessive construct reads back-to-front in Malay: باب البيت becomes 'pintu rumah'. The second Arabic noun is the possessor and comes first in Malay.
- Arabic adjective position
- The Arabic adjective follows its noun and agrees in definiteness, gender, number, and case. Malay places the adjective before the noun: سيارة جديدة → 'kereta baharu'.
- Verb-initial sentence translation
- An Arabic verbal sentence (jumlah fi'liyyah) usually becomes subject-first in Malay: وصل المسافرون → 'Para pengembara itu telah tiba'.
- Arabic dual in Malay
- Arabic dual forms carry the meaning 'two'. Malay has no dual inflection, so render with 'dua' plus a classifier: طالبان → 'dua orang pelajar'.
- Translating passive voice
- Arabic passive forms (كُتب، يُعتبر، وُجد) map naturally onto Malay di- verbs: ditulis, dianggap, ditemui. Preserve the agent only when the Arabic text states it.
- Mu'allaqat definition
- The Mu'allaqat are seven (some say ten) celebrated pre-Islamic odes. Poets include Imru' al-Qays, Zuhayr, Antara, and Labid; they open with the abandoned-campsite motif.
- Al-Mutanabbi characteristics
- Abbasid poet famed for fakhr and madh, dense hikmah lines, and complex imagery. His verse is a standard source for grammar and balaghah examples in examinations.
- Maqama genre
- A rhymed-prose anecdote with a narrator and a witty rogue hero, developed by al-Hamadhani and al-Hariri. It showcases saj' (rhymed prose) and lexical virtuosity.
- Diwan school poets
- The Diwan school (al-'Aqqad, al-Mazini, Shukri) rejected neo-classical imitation, favoured emotional sincerity and organic unity, and criticised Shawqi's occasional verse.
- Tashbih pillars
- Simile has four pillars: the compared (مشبه), the compared-to (مشبه به), the tool (كـ، مثل، كأنّ), and the shared quality (وجه الشبه). Deleting tool and quality yields baligh simile.
- Isti'ara types
- Metaphor is a simile with one pillar deleted. Tasrihiyya names the borrowed image explicitly; makniyya keeps the original and implies the borrowed one, as in ابتسم الصباح.
- Kinaya definition
- Kinaya mentions something to imply another meaning without a comparison tool, e.g. طويل اليد for generosity or theft by context. It differs from metaphor by lacking explicit comparison.
- Tibaq versus jinas
- Tibaq pairs two opposites (الليل والنهار). Jinas pairs two words similar in form but different in meaning. Both belong to علم البديع and create emphasis or rhythm.
- Qasr construction
- Qasr restricts a predicate to its subject using ما...إلا، إنما، or definite-then-indefinite order: ما نجح إلا المجتهد. It asserts exclusivity and strengthens argument.
- Khabar versus insha'
- Khabar is a statement that can be true or false. Insha' cannot (command, prohibition, question, wish, oath) and is used for persuasion, emotion, or appeal to the reader.
- Zakat rate and nisab
- Zakat on wealth is 2.5% once a lunar year passes above nisab. Zakat fitrah is one sa' of staple food per person, due before the Eid al-Fitr prayer.
- Hajj rites order
- Ihram, tawaf al-qudum, sa'i, then on 8 Dhu al-Hijjah Mina, 9 Arafah, Muzdalifah, stoning of jamarat, sacrifice, and tawaf al-ifada.
- Arabic prosody buhur
- Al-Khalil ibn Ahmad codified sixteen metres (بحور). Each is defined by repeated feet (تفعيلات) such as فعولن، مستفعلن، متفاعلن; scansion identifies metre and rhyme.