NEB Class 12 English flashcards
NEB Class 12 English · Build recall with a focused review session.
32 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Skimming vs scanning
- Skimming reads quickly for general meaning or gist; scanning moves the eyes rapidly to locate specific information such as a name, date, or number without reading every word.
- Inference question rule
- The correct answer follows logically from stated evidence in the passage. If an option requires outside knowledge or a guess beyond the text, it is not the intended answer.
- Not Given option
- In true/false/not-given tasks, 'Not Given' means the passage neither confirms nor contradicts the statement. Real-world truth is irrelevant; only the text decides.
- Vocabulary in context
- To choose a word's meaning, substitute each option into the original sentence and re-read the whole clause. Only the option that preserves the sentence's logic is correct.
- Main idea versus detail
- A main-idea answer summarises the whole passage. A detail option may be factually true but covers only one sentence, so it is a distractor, not the main idea.
- Formal letter layout
- Sender's address, date, receiver's designation and address, salutation, subject line, three-paragraph body, complimentary close 'Yours faithfully', and signature. Contractions and slang are excluded.
- Job application structure
- Opening paragraph names the post and where it was advertised; middle paragraph gives qualifications and experience; closing paragraph requests an interview and thanks the employer politely.
- Inverted pyramid news story
- A news report opens with a lead paragraph answering who, what, when, where, and why, then presents details in descending order of importance so cutting from the bottom loses least.
- Topic sentence function
- The topic sentence states the controlling idea of a body paragraph. Every following sentence should support, illustrate, or explain that idea, giving the essay unity and coherence.
- Cohesive devices
- Linking words such as however, moreover, consequently, in contrast, and for instance connect ideas and show relationships. They replace choppy short sentences in formal writing.
- Register in writing
- Register is the level of formality. Formal letters avoid contractions, slang, and abbreviations; informal letters and personal essays may use contractions and direct address.
- Present perfect use
- Formed with has/have plus past participle, it describes a past action with present relevance or an experience at an unstated time. A stated finished time requires the past simple.
- Third conditional form
- If + past perfect in the condition clause, would have + past participle in the result: 'If she had studied, she would have passed.' It describes an unreal past situation.
- Passive transformation
- Move the active object to subject position and use be + past participle, keeping the original tense: 'They built the bridge' becomes 'The bridge was built'. The agent may be dropped.
- Reported speech backshift
- When the reporting verb is past, shift the reported tense one step back and change pronouns and time words: now to then, tomorrow to the next day, here to there.
- Subject-verb agreement traps
- Ignore phrases between subject and verb. Each, everyone, and nobody take singular verbs; 'a number of' takes a plural verb, while 'the number of' takes a singular verb.
- since versus for
- 'Since' introduces a starting point in time (since 2019, since Monday); 'for' introduces a duration (for three years, for two hours). Both usually pair with perfect tenses.
- Question tag rules
- A positive statement takes a negative tag and a negative statement a positive tag. The tag repeats the auxiliary and pronoun: 'She has left, hasn't she?'
- Relative pronoun choice
- Use who for people, which for things, whose for possession, and where for place. Non-defining clauses take commas and cannot use that as the relative pronoun.
- Tone versus mood
- Tone is the writer's or speaker's attitude towards the subject; mood is the feeling the text creates in the reader. Both are justified by diction and imagery, not guessed.
- Conflict in short stories
- Conflict is the central struggle, classed as person against person, self, society, or nature. Naming it and stating whether it resolves or remains open strengthens analysis answers.
- Figures of speech checklist
- Look for metaphor, simile, personification, alliteration, and symbolism. For each, quote the words and state the effect on meaning or tone, not just the label.
- Stating theme as claim
- A theme answer should assert an idea, for example 'the poem argues that memory outlasts loss', and support it with textual evidence rather than offering a single abstract word.
- Embedding quotations
- Short quotations of three to eight words integrated into your own sentence are more effective than long block quotations. Paraphrase when exact wording is uncertain.
- Poetry form identification
- Identify whether the poem is a sonnet, ode, ballad, or free verse, note the rhyme scheme and stanza pattern, then relate form to meaning, such as a turn at the sonnet's end.
- Polite request exponents
- Requests use Could you...?, Would you mind + -ing?, or I wonder if you could... . Bare imperatives sound abrupt and are usually the impolite distractor in function tasks.
- Declining an invitation
- Decline politely with an apology plus a reason: 'I'm afraid I can't; I have another commitment.' A bare 'No' is impolite and marks the wrong option in dialogue tasks.
- Answering Do you mind
- 'Do you mind if I open the window?' is granted with 'No, not at all.' Answering 'Yes' refuses. This reversed logic is a common trap in language-function questions.
- Making suggestions
- Suggestions use Why don't we + base verb?, How about + -ing?, or Let's + base verb. Agreement is shown with 'That's a good idea'; disagreement with 'I'm not sure that would work'.
- Partial agreement expression
- Expressions such as 'I agree up to a point' or 'I see your point, but...' show partial agreement. They are often the target answer in dialogue-completion exercises.
- Taking a telephone message
- Record the caller's name, number, and message, repeating details to confirm. Relay the message later using reported speech: 'She said she would call back tomorrow.'
- Listening gap-fill strategy
- Read the rubric to predict content and the word class needed, then note names, numbers, and spellings as you listen. Write the exact form required, such as a time or noun.