OSAT Music (CEOE) study materials
OSAT Music (CEOE) study resources

OSAT Music (CEOE) study plan

OSAT Music (CEOE) · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Music Theory and Analysis

  • Diagnose current theory baseline by completing a timed 40-item self-made diagnostic covering intervals, key signatures, and scale construction, then log every miss by error type

  • Build a personal reference sheet that notates all major and minor key signatures on both treble and bass staves from memory, checking accuracy only after finishing

  • Drill interval recognition both visually and aurally in 15-minute daily blocks, targeting perfect and imperfect consonances before dissonances

  • Explain in writing how relative and parallel major/minor keys relate, using three concrete key pairs as examples

Your checkpoint

A dated error log plus a one-page handwritten key-signature and interval reference sheet, photographed and filed

Week 2

Music Theory and Analysis

  • Construct and label all four triad qualities plus seventh chords on given roots in root position and all inversions, using figured bass symbols

  • Analyze 10 short four-part excerpts by labeling Roman numerals, inversions, and non-chord tones

  • Identify and notate the three forms of minor scales and explain the harmonic rationale for each alteration

  • Practice cadence identification (authentic, half, plagal, deceptive) across at least 15 short examples

Your checkpoint

A completed Roman-numeral analysis packet of 10 excerpts with cadence labels and a written justification for each non-chord tone classification

Week 3

Music Theory and Analysis & Music History and Literature

  • Trace the development of functional harmony from common-practice tonal syntax through late-Romantic chromaticism, citing at least four representative works by composer and genre

  • Compare and contrast two sonata-form movements by identifying exposition, development, and recapitulation boundaries and labeling the tonal plan of each

  • Map the Middle Ages, Renaissance, and Baroque periods on a timeline with two defining genres, two composers, and one representative work per period

  • Identify by ear and by score excerpt at least eight stylistic markers distinguishing Renaissance polyphony from Baroque counterpoint

Your checkpoint

A one-page annotated timeline plus a side-by-side comparison chart of two sonata-form movements with labeled sections and keys

Week 4

Music History and Literature

  • Sequence the Classical and Romantic periods chronologically, associating each with major genres, formal innovations, and at least three composers per period

  • Describe the rise of program music, nationalism, and the tone poem, naming representative works and composers for each trend

  • Outline the major twentieth-century movements (impressionism, expressionism, neoclassicism, minimalism) with one defining work and technique per movement

  • Summarize the development of American musical traditions including jazz, musical theater, and art music, naming key figures and works

Your checkpoint

A 12-entry composer-and-work listening log spanning all periods, each entry with a 3-sentence style description written from memory before checking notes

Week 5

Vocal Performance and Pedagogy

  • Classify the major voice types by range and tessitura, and match each to appropriate repertoire and transposition decisions

  • Explain the physiology of breath support, covering the roles of the diaphragm, intercostal muscles, and laryngeal function, in language suitable for secondary students

  • Diagnose and prescribe remedies for three common vocal faults (breathiness, nasality, pressed tone) using at least two exercises each

  • Demonstrate and describe proper posture, vowel formation, and diction principles for at least three languages commonly sung in school settings

Your checkpoint

A written vocal-fault troubleshooting guide with three faults, causes, and two remediation exercises per fault, plus a labeled breathing diagram

Week 6

Vocal Performance and Pedagogy & General Music Curriculum and Instruction

  • Design a warm-up sequence for a mixed secondary choir that addresses breath, resonance, diction, and blend, sequenced with a stated rationale for each step

  • Compare the three most common choral voicings and select appropriate literature criteria for each, including range and tessitura limits

  • Draft a rehearsal plan for a 45-minute choral rehearsal with timed segments, objectives, and an assessment checkpoint

  • Identify the components of a balanced general music curriculum aligned to national standards, including performing, creating, responding, and connecting

Your checkpoint

A complete 45-minute rehearsal plan plus a warm-up sequence document with rationale annotations for each exercise

Week 7

General Music Curriculum and Instruction

  • Write measurable learning objectives for a general music unit using observable verbs and aligned assessment criteria

  • Construct a rubric for a performance-based assessment that distinguishes at least four levels of achievement

  • Differentiate instruction for three learner profiles (beginner instrumentalist, English learner, student with hearing loss) within one lesson plan

  • Select and justify repertoire and materials for a unit that reflects diverse cultural traditions without stereotyping

Your checkpoint

A full unit plan with three measurable objectives, an aligned four-level rubric, and a written differentiation section for three learner profiles

Week 8

General Music Curriculum and Instruction & Music Education Foundations and Professional Practice

  • Summarize the historical and philosophical foundations of music education, naming major approaches and their key proponents

  • Explain legal and ethical responsibilities relevant to music teachers, including copyright, student privacy, and mandated reporting

  • Describe strategies for advocacy, parent communication, and collaboration with colleagues and administrators

  • Integrate all five domains by completing a timed 100-item cumulative review and categorizing every error by domain

Your checkpoint

A cumulative review score report with errors categorized by domain and a written remediation plan for the two weakest domains

Milestones

Week 2: Score at least 85% on a self-made 30-item theory quiz covering key signatures, intervals, triads, and inversions, with all misses logged by error type

Week 4: Complete the 12-entry listening log from memory with at least 10 entries correctly matched to period, composer, and style description

Week 6: Deliver a 45-minute rehearsal plan reviewed against a self-made checklist covering objectives, sequencing, assessment, and vocal health, with at least 90% of checklist items met

Week 8: Score at least 80% on the cumulative 100-item review and produce a remediation plan identifying the two weakest domains with concrete next steps