OSAT Music (CEOE) study plan
OSAT Music (CEOE) · Give each week a clear focus.
8 weeks · About 6 hours per week
Music Theory and Analysis
Diagnose current theory baseline by completing a timed 40-item self-made diagnostic covering intervals, key signatures, and scale construction, then log every miss by error type
Build a personal reference sheet that notates all major and minor key signatures on both treble and bass staves from memory, checking accuracy only after finishing
Drill interval recognition both visually and aurally in 15-minute daily blocks, targeting perfect and imperfect consonances before dissonances
Explain in writing how relative and parallel major/minor keys relate, using three concrete key pairs as examples
Your checkpoint
A dated error log plus a one-page handwritten key-signature and interval reference sheet, photographed and filed
Music Theory and Analysis
Construct and label all four triad qualities plus seventh chords on given roots in root position and all inversions, using figured bass symbols
Analyze 10 short four-part excerpts by labeling Roman numerals, inversions, and non-chord tones
Identify and notate the three forms of minor scales and explain the harmonic rationale for each alteration
Practice cadence identification (authentic, half, plagal, deceptive) across at least 15 short examples
Your checkpoint
A completed Roman-numeral analysis packet of 10 excerpts with cadence labels and a written justification for each non-chord tone classification
Music Theory and Analysis & Music History and Literature
Trace the development of functional harmony from common-practice tonal syntax through late-Romantic chromaticism, citing at least four representative works by composer and genre
Compare and contrast two sonata-form movements by identifying exposition, development, and recapitulation boundaries and labeling the tonal plan of each
Map the Middle Ages, Renaissance, and Baroque periods on a timeline with two defining genres, two composers, and one representative work per period
Identify by ear and by score excerpt at least eight stylistic markers distinguishing Renaissance polyphony from Baroque counterpoint
Your checkpoint
A one-page annotated timeline plus a side-by-side comparison chart of two sonata-form movements with labeled sections and keys
Music History and Literature
Sequence the Classical and Romantic periods chronologically, associating each with major genres, formal innovations, and at least three composers per period
Describe the rise of program music, nationalism, and the tone poem, naming representative works and composers for each trend
Outline the major twentieth-century movements (impressionism, expressionism, neoclassicism, minimalism) with one defining work and technique per movement
Summarize the development of American musical traditions including jazz, musical theater, and art music, naming key figures and works
Your checkpoint
A 12-entry composer-and-work listening log spanning all periods, each entry with a 3-sentence style description written from memory before checking notes
Vocal Performance and Pedagogy
Classify the major voice types by range and tessitura, and match each to appropriate repertoire and transposition decisions
Explain the physiology of breath support, covering the roles of the diaphragm, intercostal muscles, and laryngeal function, in language suitable for secondary students
Diagnose and prescribe remedies for three common vocal faults (breathiness, nasality, pressed tone) using at least two exercises each
Demonstrate and describe proper posture, vowel formation, and diction principles for at least three languages commonly sung in school settings
Your checkpoint
A written vocal-fault troubleshooting guide with three faults, causes, and two remediation exercises per fault, plus a labeled breathing diagram
Vocal Performance and Pedagogy & General Music Curriculum and Instruction
Design a warm-up sequence for a mixed secondary choir that addresses breath, resonance, diction, and blend, sequenced with a stated rationale for each step
Compare the three most common choral voicings and select appropriate literature criteria for each, including range and tessitura limits
Draft a rehearsal plan for a 45-minute choral rehearsal with timed segments, objectives, and an assessment checkpoint
Identify the components of a balanced general music curriculum aligned to national standards, including performing, creating, responding, and connecting
Your checkpoint
A complete 45-minute rehearsal plan plus a warm-up sequence document with rationale annotations for each exercise
General Music Curriculum and Instruction
Write measurable learning objectives for a general music unit using observable verbs and aligned assessment criteria
Construct a rubric for a performance-based assessment that distinguishes at least four levels of achievement
Differentiate instruction for three learner profiles (beginner instrumentalist, English learner, student with hearing loss) within one lesson plan
Select and justify repertoire and materials for a unit that reflects diverse cultural traditions without stereotyping
Your checkpoint
A full unit plan with three measurable objectives, an aligned four-level rubric, and a written differentiation section for three learner profiles
General Music Curriculum and Instruction & Music Education Foundations and Professional Practice
Summarize the historical and philosophical foundations of music education, naming major approaches and their key proponents
Explain legal and ethical responsibilities relevant to music teachers, including copyright, student privacy, and mandated reporting
Describe strategies for advocacy, parent communication, and collaboration with colleagues and administrators
Integrate all five domains by completing a timed 100-item cumulative review and categorizing every error by domain
Your checkpoint
A cumulative review score report with errors categorized by domain and a written remediation plan for the two weakest domains
Milestones
Week 2: Score at least 85% on a self-made 30-item theory quiz covering key signatures, intervals, triads, and inversions, with all misses logged by error type
Week 4: Complete the 12-entry listening log from memory with at least 10 entries correctly matched to period, composer, and style description
Week 6: Deliver a 45-minute rehearsal plan reviewed against a self-made checklist covering objectives, sequencing, assessment, and vocal health, with at least 90% of checklist items met
Week 8: Score at least 80% on the cumulative 100-item review and produce a remediation plan identifying the two weakest domains with concrete next steps