Adobe After Effects ACP study materials
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Adobe After Effects ACP study plan

Adobe After Effects ACP · Give each week a clear focus.

8 weeks · About 7 hours per week

Week 1

Project setup, interface, and workflow & Compositing layers, keyframes, and animation

  • Configure project settings (frame rate, resolution, bit depth, color management) for three distinct delivery targets and save each as a reusable template

  • Rebuild a custom workspace, then demonstrate ten core shortcuts and panel workflows while narrating each step

  • Assemble a 15-second composition from scratch using solid, text, and footage layers with blending modes and track mattes

  • Animate position, scale, rotation, and opacity with keyframes, then refine timing with ease handles and the Graph Editor

  • Organize the project with folders, labels, and two pre-compositions to establish a repeatable workflow

Your checkpoint

A saved .aep containing a 15-second animated title composition, organized into labeled folders, plus a one-page settings cheat sheet covering the three delivery targets

Week 2

Compositing layers, keyframes, and animation

  • Parent layers into a rig and control it with a null object and pickwhipped expressions, including a loopOut cycle

  • Apply keyframe assistants (Easy Ease, roving keyframes) and convert one animation to an expression-driven wiggle

  • Time-remap a footage clip and control playback speed with keyframes on the time-remap property

  • Build a pre-composition hierarchy that lets one timing change cascade through three scenes

  • Animate text and shape layers on separate tracks and stagger their timing for a choreographed sequence

Your checkpoint

A 30-second animated explainer composition containing at least one expression, one time-remapped clip, and a parented rig, exported as a review-quality H.264 file

Week 3

Importing, organizing, and managing assets & Compositing layers, keyframes, and animation

  • Import a layered PSD and a layered AI file using correct import options (composition vs. footage, merged layers, crop layers)

  • Set up a proxy workflow, generate proxies, and toggle between proxy and full-resolution footage

  • Establish an asset folder and naming convention, then apply labels and use the search field to isolate assets by type

  • Use Collect Files to gather the project and all source assets into a single delivery folder

  • Relink deliberately missing footage and confirm the composition renders identically after relinking

Your checkpoint

An organized project containing at least 20 assets with proxies generated, a documented naming convention, and a fully collected output folder that reopens without missing-file warnings

Week 4

Masks, effects, and presets

  • Draw and refine masks with all mask modes, feather, and expansion, then animate a mask path to create a reveal

  • Combine multiple masks on one layer and control them with mask modes and inversion

  • Apply adjustment layers and effect stacks, then reorder and animate effect properties with keyframes

  • Save, organize, and reuse animation presets, and apply a third-party-style preset chain to a new layer

  • Build a transition sequence driven entirely by animated masks and effect animation

Your checkpoint

A 20-second mask-driven transition reel with three saved custom presets stored in a personal presets folder and reused at least once each

Week 5

Motion graphics, shape layers, and typography

  • Construct shape layers using path operators (Merge Paths, Offset Paths, Repeater) and convert a text layer to shapes

  • Animate a shape-based logo reveal using trim paths and a repeater with offset keyframes

  • Set typography using the Character and Paragraph panels, then animate text with two text animators

  • Use per-character 3D animation and a text animator selector with range keyframes

  • Align elements with guides, grids, and snapping to produce a clean, grid-based layout

Your checkpoint

A 15-second logo sting built from shape layers and text animators, with a documented grid layout and a trim-path reveal timed to an audio cue

Week 6

3D space, tracking, and advanced compositing & Masks, effects, and presets

  • Enable 3D on layers, add a camera and lights, and choreograph a camera move with depth of field

  • Extrude 3D text with the Cinema 4D renderer and apply a bevel and material

  • Track a planar surface with the 3D Camera Tracker, attach a replacement element, and verify the solve's stability

  • Perform a point-tracked screen replacement, then corner-pin the inserted footage to match perspective

  • Add atmospheric effects (fog, glow, light wrap) that sell the composite's depth and integration

Your checkpoint

A 15-second tracked screen replacement plus a separate 3D camera move with extruded text, both exported as review files with a short note on tracking accuracy

Week 7

Rendering, exporting, and output for delivery & Project setup, interface, and workflow

  • Configure output modules and the render queue for H.264, ProRes 422, and a PNG sequence with matching color and frame-rate settings

  • Export an alpha-channel deliverable and verify transparency in a second application

  • Send a composition to Media Encoder, queue a batch of two outputs, and confirm the watch-folder behavior

  • Audit project settings and clean the project (remove unused footage, reduce project to a delivery copy)

  • Re-time a prior deliverable for a different frame rate and document the resulting changes

Your checkpoint

One finished composition delivered in three formats (H.264 web, ProRes master, PNG sequence with alpha) plus a completed render-settings reference sheet

Week 8

Project setup, interface, and workflow & Importing, organizing, and managing assets & Compositing layers, keyframes, and animation & Masks, effects, and presets & Motion graphics, shape layers, and typography & 3D space, tracking, and advanced compositing & Rendering, exporting, and output for delivery

  • Complete a full-length timed mock exam and log every missed question by domain

  • Rebuild the two lowest-scoring domain tasks from a blank project without notes

  • Review the error log and rewrite each missed concept as a one-sentence rule

  • Re-run the timed mock exam sections that scored below 80 percent and compare results

  • Assemble a final portfolio folder with four polished deliverables and consistent naming

Your checkpoint

A mock exam score of at least 85 percent plus a written error log with corrected rules and a final portfolio folder of four deliverables

Milestones

Week 2: Parented rig, expression, and time-remapped clip all function in the 30-second explainer; playback is smooth and no keyframes were left on default interpolation by accident

Week 4: Score at least 80 percent on a 25-question self-quiz covering domains 1-4, and resolve the three weakest topics with a written correction note

Week 6: The 3D Camera Tracker solve holds for the full shot with no visible drift, and the screen replacement stays pinned through a camera move

Week 8: Achieve at least 85 percent on the full timed mock exam, with every missed item rewritten as a corrected rule and no domain below 70 percent