TASC Media Production study materials
TASC Media Production study resources

TASC Media Production study plan

TASC Media Production · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Media Production

  • Map the full Media Production domain into a personal checklist of pre-production, production, and post-production subtopics, marking each as strong, shaky, or unknown.

  • Define and write out the three production phases in your own words, listing at least four concrete tasks that belong to each phase.

  • Identify the roles on a standard production crew and describe in one sentence what each role hands off to the next.

  • Set up a study log and a terminology notebook that you will update every week.

Your checkpoint

A one-page domain map with every subtopic rated strong/shaky/unknown, plus a starter glossary of 20 production terms with your own definitions.

Week 2

Media Production

  • Explain the stages of script development from concept to shooting script, and describe what changes at each stage.

  • Compare three script formats (narrative, documentary, and PSA/corporate) and note how their structures differ.

  • Draft a one-page treatment and a two-column shot list for a 60-second scene of your own invention.

  • Label every element of a standard script page, including scene headings, action lines, dialogue, and transitions.

Your checkpoint

A complete short-form script package: one-page treatment, formatted script, and matching shot list for the same 60-second scene.

Week 3

Media Production

  • Describe camera operation fundamentals, including exposure triangle settings, focus, and white balance, and explain when to adjust each.

  • Compare five shot types and three camera angles, and state the narrative purpose of each.

  • Explain the rule of thirds, leading lines, and headroom, and apply them to sketch three composed frames.

  • Outline a basic three-point lighting setup and describe how key-to-fill ratio changes mood.

Your checkpoint

A visual grammar reference sheet pairing each shot type, angle, and lighting setup with a hand-drawn frame sketch and a one-line purpose statement.

Week 4

Media Production

  • Explain the purpose and workflow of a paper edit and an edit decision list.

  • Describe the difference between continuity editing and montage, and give an original example of each.

  • Sequence five shots into a coherent scene and justify each cut using a named editing principle.

  • Identify common audio problems in production and describe one fix for each.

Your checkpoint

A written edit plan for a 90-second sequence that includes an ordered shot list, cut justifications, and an audio treatment note for each shot.

Week 5

Media Production

  • Explain the roles of producer, director, and editor across the production timeline and where their responsibilities overlap.

  • Build a production schedule and call sheet for a hypothetical two-day shoot with at least six crew members.

  • List the legal and ethical checkpoints for a production, including releases, permissions, and fair-use considerations.

  • Describe a basic budget structure with at least five line items and explain what drives each cost.

Your checkpoint

A complete pre-production packet: schedule, call sheet, budget outline, and a release/permissions checklist.

Week 6

Media Production

  • Trace a signal path from microphone or camera through recording, editing, and export, naming each stage.

  • Compare common video codecs and container formats and match three delivery scenarios to appropriate export settings.

  • Explain resolution, frame rate, bit depth, and bitrate, and describe how each affects file size and quality.

  • Describe standard audio levels and loudness practices for broadcast and web delivery.

Your checkpoint

A technical spec sheet listing export settings for three delivery scenarios (web, broadcast, archive), each with a one-paragraph justification.

Week 7

Media Production

  • Distinguish among the major distribution channels and explain the technical and content requirements of each.

  • Describe how audience, platform, and runtime shape editorial and technical decisions.

  • Analyze three short productions of different genres and identify the production choices that signal each genre.

  • Draft a distribution plan for one project, matching platform to audience with stated reasoning.

Your checkpoint

A distribution plan for one project that names the target audience, primary and secondary platforms, required specs, and a rationale for each choice.

Week 8

Media Production

  • Consolidate all weekly notes into a single condensed review sheet covering the entire domain.

  • Answer 60 practice questions under timed conditions and log every miss by subtopic.

  • Re-teach the three weakest subtopics in writing, explaining each as if to a beginner.

  • Simulate a full timed section and record your pacing strategy.

Your checkpoint

A final review sheet plus a scored practice log showing accuracy by subtopic and a written remediation note for each weak area.

Milestones

Week 2: Domain map is complete and you can produce a formatted short script with a matching shot list without notes.

Week 4: You can explain pre-production through post-production workflow end to end and justify every cut in a written edit plan.

Week 6: You can state export settings and their tradeoffs for three delivery scenarios and explain the full signal path from capture to delivery.

Week 8: Timed practice accuracy is at or above your target, and every missed subtopic has a written remediation note.