Schleswig-Holstein Abitur English study materials
Schleswig-Holstein Abitur English study resources

Schleswig-Holstein Abitur English flashcards

Schleswig-Holstein Abitur English · Build recall with a focused review session.

33 cards. Read the term and the definition here. The deck at the top of this page is optional.

Global listening
Listening for the overall meaning, structure and speaker roles of a text rather than individual details. In the Abitur it is the aim of the first playback, before numbers and names are noted.
Selective listening
Listening with a specific question in mind, filtering out irrelevant passages. Used in the second and third playbacks to confirm figures, names, dates and causal links.
Distractor in listening items
A wrong answer option whose words are actually spoken in the audio, often before the correct option. The correct option matches the whole passage, not a single heard phrase.
Hedging
Language that softens a claim, such as "arguably", "perhaps", "to some extent". Hedges signal a speaker's uncertainty or polite disagreement and often carry attitude questions.
Note-taking shorthand
Abbreviations, arrows for cause and effect, and plus or minus signs used while listening. It preserves content without full sentences, which would slow comprehension during playback.
Not stated option
An answer choice in a reading task that the text neither supports nor contradicts. Plausibility from general knowledge does not make it true; the correct label remains "not stated".
Skimming
Reading rapidly for gist, topic sentences and text structure before answering detailed questions. It precedes targeted re-reading and prevents word-by-word translation.
Scanning
Searching a text for a specific keyword, name or number without reading every word. It is the fastest route to the sentence that contains the required evidence.
Reference words
Pronouns and phrases such as "this", "such a move" or "the latter" that point back to earlier content. They must be resolved before judging what a statement claims.
Attribution verbs
Verbs introducing quoted views, e.g. "claims", "concedes", "admits", "insists". They reveal whether the author reports, endorses or distances herself from the quoted position.
Topic sentence
The sentence stating a paragraph's main claim, usually near its beginning. Heading-matching tasks require this claim, not the examples that illustrate it.
Mediation purpose
The stated situation and addressee that determine what a mediation text must contain. Content is selected and re-registered to serve that reader, not translated word for word.
Register shift
Adjusting formality between source and target text, for example turning a formal German official letter into a neutral English email for a student audience.
Cultural gloss
A brief explanation inserted for a culture-specific term such as duale Ausbildung or Betriebsrat, so the target reader can understand it without background knowledge.
Content points
The information units listed or implied in a mediation prompt. All must appear in the target text; omitting one costs marks even if the language is accurate.
Email conventions in English
Salutation, opening reference, body paragraphs, closing formula and signature. These layout elements must be produced in English, with no German conventions left over.
Paraphrase in mediation
Rewording source content when no direct equivalent exists, especially for idioms or culture-bound phrases. Meaning and function are preserved; the original wording is not.
Thesis statement
The central claim of an analytical essay, stated in the introduction. Every body paragraph supports it and the conclusion returns to it with a judgement.
Quote integration
Embedding a short quotation in your own sentence, marking it and giving a line number, then commenting on its function. Uncommented quotations earn no analysis marks.
Narrative perspective
The viewpoint from which a fictional text is told, e.g. first-person, omniscient or limited third-person. It shapes what the reader knows and how characters are judged.
Direct characterisation
Information about a character given explicitly by the narrator or by other figures, such as stated traits, profession or background, as opposed to inference from behaviour.
Indirect characterisation
Revealing character through behaviour, speech, appearance, thoughts or others' reactions. The reader infers traits rather than being told them directly.
Anaphora
Repetition of the same word or phrase at the beginning of successive clauses or sentences, used for emphasis and rhythm in speeches and argumentative texts.
Antithesis
Placing contrasting ideas in parallel structure, e.g. "not because it is easy, but because it is hard". It sharpens a claim by juxtaposing opposites.
Tricolon
A series of three parallel elements, such as three adjectives or three clauses. The pattern is memorable and often closes a rhetorical build-up.
Stellungnahme structure
A clear position, at least two developed arguments with examples, one counter-argument that is refuted, and a concluding judgement. Assertion without support scores low.
Operator in a writing task
The instruction verb, e.g. describe, analyse, discuss, evaluate. It sets the required depth: evaluate demands a judgement, describe does not.
Monologue signposting
Phrases such as "First of all", "What is more", "To sum up" that make the structure of a spoken contribution audible to the examiner and partner.
Turn-taking
The alternating pattern of speaking in a dialogue. In the oral exam it means responding to the partner's point before adding your own and sharing speaking time.
Circumlocution
Describing a missing word instead of stopping, e.g. "the kind of programme where people compete". It keeps fluency when vocabulary fails.
Self-repair
Correcting your own error explicitly with phrases like "or rather" while continuing the sentence. It is expected in spoken exams and preferable to restarting.
Word stress shift
Change of stress when a word changes form, e.g. deVE lop but DEvelopment. Errors here reduce intelligibility more than individual sound errors.
Describing versus interpreting
Separating what a chart or cartoon literally shows from what it means. Material-based oral tasks require description first, then interpretation, then evaluation.