Schleswig-Holstein Abitur English flashcards
Schleswig-Holstein Abitur English · Build recall with a focused review session.
33 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Global listening
- Listening for the overall meaning, structure and speaker roles of a text rather than individual details. In the Abitur it is the aim of the first playback, before numbers and names are noted.
- Selective listening
- Listening with a specific question in mind, filtering out irrelevant passages. Used in the second and third playbacks to confirm figures, names, dates and causal links.
- Distractor in listening items
- A wrong answer option whose words are actually spoken in the audio, often before the correct option. The correct option matches the whole passage, not a single heard phrase.
- Hedging
- Language that softens a claim, such as "arguably", "perhaps", "to some extent". Hedges signal a speaker's uncertainty or polite disagreement and often carry attitude questions.
- Note-taking shorthand
- Abbreviations, arrows for cause and effect, and plus or minus signs used while listening. It preserves content without full sentences, which would slow comprehension during playback.
- Not stated option
- An answer choice in a reading task that the text neither supports nor contradicts. Plausibility from general knowledge does not make it true; the correct label remains "not stated".
- Skimming
- Reading rapidly for gist, topic sentences and text structure before answering detailed questions. It precedes targeted re-reading and prevents word-by-word translation.
- Scanning
- Searching a text for a specific keyword, name or number without reading every word. It is the fastest route to the sentence that contains the required evidence.
- Reference words
- Pronouns and phrases such as "this", "such a move" or "the latter" that point back to earlier content. They must be resolved before judging what a statement claims.
- Attribution verbs
- Verbs introducing quoted views, e.g. "claims", "concedes", "admits", "insists". They reveal whether the author reports, endorses or distances herself from the quoted position.
- Topic sentence
- The sentence stating a paragraph's main claim, usually near its beginning. Heading-matching tasks require this claim, not the examples that illustrate it.
- Mediation purpose
- The stated situation and addressee that determine what a mediation text must contain. Content is selected and re-registered to serve that reader, not translated word for word.
- Register shift
- Adjusting formality between source and target text, for example turning a formal German official letter into a neutral English email for a student audience.
- Cultural gloss
- A brief explanation inserted for a culture-specific term such as duale Ausbildung or Betriebsrat, so the target reader can understand it without background knowledge.
- Content points
- The information units listed or implied in a mediation prompt. All must appear in the target text; omitting one costs marks even if the language is accurate.
- Email conventions in English
- Salutation, opening reference, body paragraphs, closing formula and signature. These layout elements must be produced in English, with no German conventions left over.
- Paraphrase in mediation
- Rewording source content when no direct equivalent exists, especially for idioms or culture-bound phrases. Meaning and function are preserved; the original wording is not.
- Thesis statement
- The central claim of an analytical essay, stated in the introduction. Every body paragraph supports it and the conclusion returns to it with a judgement.
- Quote integration
- Embedding a short quotation in your own sentence, marking it and giving a line number, then commenting on its function. Uncommented quotations earn no analysis marks.
- Narrative perspective
- The viewpoint from which a fictional text is told, e.g. first-person, omniscient or limited third-person. It shapes what the reader knows and how characters are judged.
- Direct characterisation
- Information about a character given explicitly by the narrator or by other figures, such as stated traits, profession or background, as opposed to inference from behaviour.
- Indirect characterisation
- Revealing character through behaviour, speech, appearance, thoughts or others' reactions. The reader infers traits rather than being told them directly.
- Anaphora
- Repetition of the same word or phrase at the beginning of successive clauses or sentences, used for emphasis and rhythm in speeches and argumentative texts.
- Antithesis
- Placing contrasting ideas in parallel structure, e.g. "not because it is easy, but because it is hard". It sharpens a claim by juxtaposing opposites.
- Tricolon
- A series of three parallel elements, such as three adjectives or three clauses. The pattern is memorable and often closes a rhetorical build-up.
- Stellungnahme structure
- A clear position, at least two developed arguments with examples, one counter-argument that is refuted, and a concluding judgement. Assertion without support scores low.
- Operator in a writing task
- The instruction verb, e.g. describe, analyse, discuss, evaluate. It sets the required depth: evaluate demands a judgement, describe does not.
- Monologue signposting
- Phrases such as "First of all", "What is more", "To sum up" that make the structure of a spoken contribution audible to the examiner and partner.
- Turn-taking
- The alternating pattern of speaking in a dialogue. In the oral exam it means responding to the partner's point before adding your own and sharing speaking time.
- Circumlocution
- Describing a missing word instead of stopping, e.g. "the kind of programme where people compete". It keeps fluency when vocabulary fails.
- Self-repair
- Correcting your own error explicitly with phrases like "or rather" while continuing the sentence. It is expected in spoken exams and preferable to restarting.
- Word stress shift
- Change of stress when a word changes form, e.g. deVE lop but DEvelopment. Errors here reduce intelligibility more than individual sound errors.
- Describing versus interpreting
- Separating what a chart or cartoon literally shows from what it means. Material-based oral tasks require description first, then interpretation, then evaluation.