Assam ASSEB HSLC Garment Designing study materials
Assam ASSEB HSLC Garment Designing study resources

Assam ASSEB HSLC Garment Designing flashcards

Assam ASSEB HSLC Garment Designing · Build recall with a focused review session.

32 cards. Read the term and the definition here. The deck at the top of this page is optional.

Structural design
The branch of garment design dealing with the shape, cut and construction of a garment - silhouette, seams, darts and closures - as distinct from applied decoration.
Tech pack
A specification document giving measurements, fabric and trims, construction details, colourways and tolerances; it guides sampling and bulk production and acts as the design-production contract.
Seam gauge
A small metal ruler with a sliding marker used to measure and mark short repeated widths, such as hems, tucks, pleats and buttonhole spacing.
Bent-handled shears
Dressmaking cutting tool whose angled handle lets the lower blade stay flat on the table while the fabric is cut, giving accurate, lifted-free cutting lines.
Pressing versus ironing
Ironing slides the iron across the fabric; pressing lifts and lowers it in place. Pressing with a cloth prevents shine and distortion on wool and synthetics.
Tex and denier
Direct yarn count systems expressing weight per fixed length; a higher tex or denier number means a coarser, heavier yarn.
Twill weave
A weave with a diagonal effect made by passing the weft over two or more warp threads; it drapes well and is used for denim and gabardine.
Burning test for silk
Silk burns slowly with a hair-like smell and leaves a crushable black bead; this distinguishes it from polyester, which melts into a hard bead.
Ease
The difference between a garment measurement and the corresponding body measurement; it covers movement (fitting ease) and the intended silhouette (design ease).
Hip measurement
Body measurement taken around the fullest part of the hips, usually about 18 to 23 centimetres below the natural waistline, used for skirts and trousers.
Nape to waist
Vertical measurement from the prominent bone at the back of the neck down to the natural waistline; it sets the centre back length of a bodice block.
Dart point rule
A dart is stitched from its wide end toward, but never past, the point, which is positioned at the fullest part of the body such as the bust point.
Grading
Systematically increasing or decreasing a fitted pattern through a size range using fixed increments at each landmark, while keeping the base size unchanged.
Seam allowance
Extra width added outside the stitching line to allow joining and finishing; commonly 1 cm on straight seams, 1.5 cm on curves and 4 to 5 cm on hems.
Bias grain
The direction at 45 degrees to the warp and weft; it has the greatest stretch and drape, so bias-cut pieces hang softly and need careful handling.
One-way layout
A fabric layout in which all pattern pieces face the same direction, required for napped fabrics such as corduroy and velvet and for one-way prints.
French seam
A seam that encloses its raw edges inside a double stitched fold; it is neat and strong, suited to lightweight and sheer fabrics.
Flat-fell seam
A strong seam in which one raw edge is folded over the other and stitched twice, leaving no raw edges visible; used on jeans and shirts.
Balanced tension
Correct machine tension shows equal thread loops on both sides of the seam; loops appearing underneath indicate the upper tension is too loose.
Asymmetrical balance
Informal balance where unequal elements on either side of an axis are weighted to look stable, for example a single shoulder trim or off-centre drape.
Golden-mean proportion
A division of a length in roughly 3 to 5 parts, used as a guide for placing jacket length, yokes and borders so the garment looks harmonious.
Value in colour
The lightness or darkness of a colour; tints are made by adding white, shades by adding black, and tones by adding grey.
Complementary scheme
A colour scheme using two hues opposite each other on the colour wheel, producing strong contrast and lively effect when used in the right proportion.
Muga silk
Assam's golden wild silk from Antheraea assamensis, prized for its natural colour and durability; it is a Geographical Indication product of the state.
Eri silk
A non-violent silk from Samia ricini, spun after the moth leaves the cocoon; it is warm, soft and wool-like and is widely woven in Assam.
Mekhela chador
The traditional two-piece Assamese woman's dress of a lower drape (mekhela) and an upper drape (chador), often worn with a riha.
Gamosa
A white Assamese cotton cloth with a red border and woven motifs, used as a towel, waist cloth and symbol of respect and greeting.
Care label symbols
Standard pictograms on garment labels for washing, bleaching, drying, ironing and dry cleaning; dots indicate temperature and a cross means do not.
AQL inspection
Acceptable quality level sampling used in final inspection: a lot passes when the number of defects found in the sample is within the agreed limit.
Break-even quantity
The output at which total revenue equals total cost, calculated as fixed cost divided by selling price minus variable cost per unit.
Shade variation defect
A quality defect where panels of the same garment differ in colour, usually from cutting pieces from different fabric rolls or dye lots.
Croquis
A quick fashion sketch of a stylised figure used to develop garment ideas before technical flats and patterns are made.