Haryana BSEH Senior Secondary NSQF Media and Entertainment study materials
Haryana BSEH Senior Secondary NSQF Media and Entertainment study resources

Haryana BSEH Senior Secondary NSQF Media and Entertainment study plan

Haryana BSEH Senior Secondary NSQF Media and Entertainment · Give each week a clear focus.

8 weeks · About 7 hours per week

Week 1

Introduction to the Media and Entertainment Industry & Camera Operations, Framing and Lighting Basics

  • Map the production chain from commissioning to delivery, and name the crew role responsible for each handoff on a one-page chart

  • Identify the three camera controls that change exposure and demonstrate each on a locked-off shot

  • Compose and shoot the six standard shot sizes from a written shot list without reframing errors

  • Apply the 180-degree rule and lead-room principle while shooting a two-person conversation

Your checkpoint

A shot-size reference card (six frames pulled from your own footage) plus a labelled crew/role chart covering pre-production, production and post-production

Week 2

Camera Operations, Framing and Lighting Basics & Audio Recording, Sound Design and Editing Fundamentals

  • Set a three-point lighting setup and record the exposure and white-balance values used for the key, fill and back light

  • Capture clean dialogue outdoors using a lavalier and a boom, and log the gain, distance and wind protection for each take

  • Diagnose and fix three common audio faults: clipping, room hum and off-axis muffling

  • Match colour temperature between two light sources so skin tones stay consistent across a scene

Your checkpoint

A 60-second lit interview clip with an accompanying settings log sheet listing camera exposure, white balance, mic type, gain and distance for every take

Week 3

Audio Recording, Sound Design and Editing Fundamentals & Video Editing and Post-Production Workflows

  • Clean raw dialogue by removing breaths, clicks and room tone gaps, and rebuild a continuous ambience bed

  • Organise a project into bins and folders, and set a consistent sequence and file-naming convention

  • Assemble a rough cut using three-point edits and mark each cut decision in a written edit log

  • Balance dialogue, music and effects so dialogue stays intelligible under the music

Your checkpoint

A two-minute rough cut with a separate audio mix session and a written edit log listing every cut with its reason

Week 4

Video Editing and Post-Production Workflows

  • Refine the rough cut into a fine cut by trimming, tightening pacing and adding transitions only where motivated

  • Apply a title, lower-third and end-credit sequence with legible sizing and safe margins

  • Colour-correct each shot for exposure and white balance, then apply a consistent look across the sequence

  • Export the master in two delivery formats and verify frame rate, resolution and audio levels against a written spec

Your checkpoint

A finished three-minute video exported in both a high-quality master and a compressed web version, with a signed-off delivery checklist

Week 5

Graphics, Animation and Visual Design Fundamentals & Workplace Communication, Soft Skills and Professional Conduct

  • Build a reusable title and lower-third template in a graphics tool using grid, hierarchy and contrast rules

  • Convert your footage into a short animated sequence using keyframes for position, scale and opacity

  • Explain a technical production decision to a non-technical client in under two minutes and confirm understanding

  • Draft and send a professional client update email covering status, blockers and next steps

Your checkpoint

A 15-second animated promo built from your own footage plus a professionally written client status email and a title-template file

Week 6

Occupational Safety, Health and Hygiene in Media Workspaces & Production Planning, Documentation and Media Law/Ethics Basics

  • Carry out a written risk assessment for a shoot location covering cabling, tripods, lighting heat and power load

  • Demonstrate correct lifting, cable routing and safe battery handling, and record the control measures taken

  • Write a full production plan covering budget lines, schedule, crew, permissions and contingency

  • Prepare a location release, talent consent and music-licensing checklist that matches what you actually shot

Your checkpoint

A production bible for one shoot containing the risk assessment, schedule, budget sheet and all signed-style consent and release templates

Week 7

Basic Digital Literacy and IT Skills for Media Production & Employability, Entrepreneurship and Practical Project Work

  • Set up a folder-and-naming structure for a project and create a versioned backup on a second drive

  • Use spreadsheets to build a simple budget and shot-status tracker with working formulas

  • Price a small video package for a local client by costing equipment, hours and revision rounds

  • Assemble a three-piece portfolio with a written case note on your role and the outcome for each piece

Your checkpoint

A backed-up project archive, a working budget/tracker spreadsheet and a three-item portfolio page with pricing sheet

Week 8

Video Editing and Post-Production Workflows & Employability, Entrepreneurship and Practical Project Work

  • Take a mock paper covering all ten domains under timed conditions and log every wrong answer by domain

  • Re-edit your weakest shot sequence to fix the three specific faults identified in the mock review

  • Deliver the final project to a reviewer, incorporate one round of feedback and re-export

  • Pitch the finished project in a five-minute presentation covering brief, process and result

Your checkpoint

A final corrected project export, a per-domain error tracker showing improvement over the mock, and a delivered five-minute pitch

Milestones

Week 2: You can shoot and light a talking-head interview on your own, and your settings log shows repeatable exposure, white balance and audio levels across takes

Week 4: A finished three-minute video is exported in two formats and passes the delivery checklist with no unresolved exposure, audio or title faults

Week 6: The production bible is complete enough that a stranger could run the shoot safely and legally from the documents alone

Week 8: Mock-paper score across all ten domains is recorded, and every domain scoring below 60 percent has a written remediation note and a dated re-test