KSEAB SSLC FL Sanskrit study materials
KSEAB SSLC FL Sanskrit study resources

KSEAB SSLC FL Sanskrit cheat sheet

KSEAB SSLC FL Sanskrit · Keep the key ideas within reach.

Quick reference

Gadya (Prose)

  • Theme answer formula: state the central idea in one Sanskrit sentence, then cite one specific event or character action from the lesson as proof.

  • Character answer formula: name the character, give two qualities, and support each quality with a specific action or utterance from the passage.

  • Value-based answer: name the value (satyam, dhairyam, ahimsa, dana), then show how the protagonist's choice in the lesson illustrates it.

  • For 'why did X do Y' questions, locate the causal clause marked by iti, yataḥ, or tasmāt and paraphrase it in one short line.

  • Comprehension answers should be brief and in Sanskrit; reuse the passage's own verbs and case forms wherever possible.

  • Distinguish mukhya (literal) from gauna (figurative) meaning; most SSLC prose comprehension questions expect the literal sense.

  • If sandhi or samasa is not asked, do not split or rewrite the whole sentence; answer only the question set.

  • Frequently tested prose values: satya, parisrama, bhakti, mitratva, dana, ksama, svadesa-prema.

Quick reference

Padya (Poetry)

  • Anustubh (sloka): four padas of eight aksaras each; padas two and four usually rhyme; even padas often have a laghu fifth aksara.

  • Vasantatilaka: fourteen aksaras per pada, four padas; built from ta, ta, ja, ja, ga, ga.

  • Indravajra and Upendravajra: eleven aksaras per pada; Indravajra follows ta-ta-ja-ga-ga, Upendravajra follows ja-ta-ja-ga-ga.

  • Mandakranta has seventeen aksaras per pada; Sardulavikridita has nineteen; Malini has fifteen.

  • Upama: comparison using iva, vat, or yatha; both the subject and the object of comparison are stated explicitly.

  • Rupaka: metaphor; the subject is identified with the compared object and no iva or vat appears.

  • Anuprasa: repetition of the same consonant sound; Yamaka: repetition of a syllable group with a different meaning each time.

  • Utpreksa: imagined identification; Atisayokti: hyperbole; Svabhavokti: natural description of a scene or action.

  • Answer verse meaning in three steps: anvaya (prose order), padartha (word meaning), bhava (overall sense).

Quick reference

Vyakarana (Grammar)

  • Savarna-dirgha sandhi: a/ā + a/ā gives ā; i/ī + i/ī gives ī; u/ū + u/ū gives ū, as in rāma + āgataḥ = rāmāgataḥ.

  • Guna sandhi: a/ā + i/ī gives e; a/ā + u/ū gives o; a/ā + ṛ gives ar; a/ā + ḷ gives al.

  • Vrddhi sandhi: a/ā + e/ai gives ai; a/ā + o/au gives au, as in sadā + eva = sadaiva.

  • Yan sandhi: i/ī before a vowel gives y; u/ū gives v; ṛ gives r; ḷ gives l, as in iti + api = ityapi.

  • Ayadi sandhi: e + a gives aya; o + a gives ava; ai + a gives āya; au + a gives āva.

  • Samasa decision rules: Tatpurusa has the last member as principal; Karmadharaya is adjective plus noun; Dvandva has both members principal; Bahuvrīhi names a third entity; Dvigu has a numeral first; Avyayibhava has an indeclinable first.

  • Vibhakti functions: prathamā = kartā; dvitīyā = karma; trtīyā = karana or companionship; caturthī = sampradana; pañcamī = apadana; sasthī = sambandha; saptamī = adhikarana.

  • Krt pratyayas: ktvā = having done; lyap = after a prefix; tumun = to do; satr/sanac = doing; kta/ktavatu = past passive or active; anīya/yat/tavya = fit to be done.

  • Taddhita pratyayas: matup, in, and mayat mean possessing; tal forms abstract nouns; isthan and iyas form comparative and superlative.

Quick reference

Rachana (Composition)

  • Anuccheda-lekha structure: opening statement (aksepa), three to five supporting sentences (vivarana), and a conclusion (upasamhara).

  • Keep one idea per paragraph; each paragraph should run three to five sentences and the whole piece about 80 to 120 words.

  • Patra-lekha format: sender's address, date, receiver's address, salutation, subject, body, closing, and signature.

  • Formal Sanskrit salutations: ārya or pūjya for elders and teachers; priya for friends; mahodaya after a name in the receiver's address.

  • Sentence construction: subject in prathamā, object in dvitīyā, finite verb last; the verb agrees with the subject in person and number.

  • Use connectives ca, api, tu, param, ataḥ, tasmāt, and yathā-tathā to join short sentences and show addition, contrast, or result.

  • Avoid double negation and unnecessary passive; prefer kartari prayoga unless the agent is unknown or deliberately suppressed.

  • For a paragraph on a value, open with 'X nāma ...' and close with a sentence linking the value to daily conduct.

Quick reference

Apathita Amsa (Unseen Passage)

  • Read the unseen passage twice: first for overall meaning, second to mark verb forms, sandhi splits, and the agent of each action.

  • Unseen prose questions usually ask for kartā, kriyā, kāla, sthala, and kim or katham details; answer each in one short line.

  • For an unseen verse, write anvaya first, then padartha, then bhava; do not translate word for word without arranging syntax.

  • If a word is unfamiliar, infer its sense from compound members (pūrvapada and uttarapada), the case ending, and the context.

  • Objective questions: eliminate options that change the tense, the agent, or the number of the verb from what the passage states.

  • Figure-of-speech question in an unseen verse: check for iva or vat (upama), repeated consonants (anuprasa), and exaggeration (atisayokti).

  • Metre question: count aksaras in one pada; 8 anustubh, 11 indravajra or upendravajra, 14 vasantatilaka, 15 malini, 17 mandakranta, 19 sardulavikridita.

  • For 'asya bhavah' questions, answer in a single Sanskrit sentence that states the idea, not a summary of the whole passage.

Quick reference

Anuvada and Shabdakosha (Translation and Vocabulary)

  • Translate Sanskrit to Kannada or English by parsing first: identify kartā (prathamā), karma (dvitīyā), kriyā (verb), then add particles and compounds.

  • Case meanings for translation: dvitīyā = object or motion to; trtīyā = by or with; caturthī = for or to; pañcamī = from; sasthī = of; saptamī = in or on.

  • Words with multiple meanings: go = cow, earth, speech; hari = Visnu, Indra, lion; kara = hand, tax, ray; sama = equal, calm.

  • Upasarga shifts root sense: pra- forward, vi- apart, sam- together, anu- following, apa- away, ni- down.

  • For word-meaning questions, give the sense the word carries in the given passage, not its most common dictionary meaning.

  • Sanskrit to English: keep technical terms such as dharma, karma, and yoga transliterated, adding a short gloss only if needed.

  • Kannada rendering: preserve Sanskrit compound order where natural; split a compound only when the meaning is otherwise unclear.

  • Frequently tested vocabulary: satya (truth), dhairya (courage), jñana (knowledge), bhakti (devotion), ksama (forgiveness), dana (gift).