KSEAB SSLC TL Persian flashcards
KSEAB SSLC TL Persian · Build recall with a focused review session.
33 cards. Read the term and the definition here. The deck at the top of this page is optional.
- Main idea location
- In most SSLC Persian prose passages the central idea appears in the first or last sentence of the opening paragraph and is restated in the conclusion.
- Vocabulary in context
- Determine an unfamiliar Persian word's meaning from the clause around it, because many words shift sense with context, such as دل meaning heart or courage.
- Evidence-based True/False
- A statement counts as true only if a specific line in the passage states or directly supports it; general knowledge is not acceptable evidence.
- Inference question rule
- Answers to implies or suggests questions must still be traceable to the text; personal opinion or outside knowledge makes the option wrong.
- Lesson-author pairing
- Objective items often ask which writer produced a prescribed lesson, so memorize each title together with its author's name.
- Character trait evidence
- Answer character questions by naming the trait and the specific action in the lesson that demonstrates it, not the trait alone.
- Moral with support
- State the lesson's message in one sentence, then justify it with one incident from the text to earn full marks.
- Narrator versus author
- In first-person lessons the narrator's opinions belong to a character; the lesson's moral may differ from what the narrator believes.
- Radif and qafiya
- Radif is the repeated word or phrase following the rhyme; qafiya is the rhyme sound itself. Both define a ghazal's structure.
- Matla and maqta
- Matla is the opening couplet of a ghazal where both lines rhyme; maqta is the closing couplet, often carrying the poet's name or message.
- Tashbih versus isti'ara
- Tashbih is explicit simile using words like مانند or چون; isti'ara is metaphor, where the comparison is implied without a simile marker.
- Locating a poem's message
- The theme of a prescribed poem is most reliably found in the opening matla or closing maqta, which frame the poet's intent.
- Ezafe construction
- An unstressed -e links a noun to its modifier or possessor, as in کتابِ نو (new book) or خانهٔ علی (Ali's house).
- را marker function
- The suffix را follows a definite direct object and helps identify it, since the verb sits at the end of the Persian clause.
- ماضی نقلی formation
- The present perfect is built from the past participle plus a copula: رفتهام (I have gone), رفتهاست (he has gone).
- Future tense marker
- Persian future uses خواه plus the past stem with personal endings: خواهم رفت (I will go), خواهد آمد (he will come).
- Plural suffixes
- ها is the general plural for things and concepts; ان is used mainly with animate or human nouns and in formal style.
- Enclitic pronouns
- Short pronouns like ـَم، ـَت، ـَش attach to nouns, verbs, and prepositions: کتابم (my book), دیدمش (I saw him).
- Passive with شدن
- Persian passive is formed with the past participle plus forms of شدن: نوشته شد (it was written); the agent may take توسط.
- Persian letter frame
- A formal letter opens with a salutation such as دوست گرامی, has body paragraphs, and closes with با احترام followed by the signature.
- Paragraph unity test
- Every sentence in a paragraph must support its topic sentence; a sentence introducing an unrelated idea should be removed.
- Persian connectors
- Use و, اما, بنابراین, همچنین, در نتیجه to link clauses; one connector per boundary keeps the essay readable.
- Register in writing
- Formal tasks use شما and full verb endings; informal tasks use تو and colloquial forms. The chosen register must stay consistent.
- Essay skeleton
- Introduction with the topic, two or three body paragraphs each holding one idea and one example, then a conclusion restating the position.
- Verb-final translation shift
- Persian places the verb last, so translating into English requires reordering to subject-verb-object while keeping the original tense.
- Ezafe in translation
- Translate an ezafe phrase as noun plus of or possessive: درِ خانه becomes the door of the house or the house's door.
- Idiom equivalence
- Translate idioms by their English equivalent rather than word for word; دست و پا گم کردن means to lose one's nerve.
- Articles from context
- Persian lacks a/an, so English translations must supply articles based on whether the noun is countable and specific.
- Formality matching
- Choose the translation that preserves the source's level of formality, since literal renderings can sound rude or overly casual.
- Persian digits
- The numerals ۰۱۲۳۴۵۶۷۸۹ correspond to 0-9; convert them when a question asks for figures in Latin form.
- Seen passage anchors
- For prescribed lessons, the opening line and closing moral are the most frequently tested points in comprehension questions.
- Title symbolism
- Explain a lesson's title by linking it to the theme, not by restating it literally, since titles often carry symbolic meaning.
- Poetic convention words
- In ghazal vocabulary, وصل means union with the beloved and هجر means separation; interpret such words within the tradition.