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UPMSP High School Kashmiri study materials
UPMSP High School Kashmiri study resources

UPMSP High School Kashmiri practice questions

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Question 1Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar (prose) ki buniyadi taur par kis do sanfi (genre) ke darmiyan farq rakhti hai?

  1. Ghazal aur qasida
  2. Marsiya aur soz
  3. Nasar aur nazm Correct answer.
  4. Afsana aur dastan

Explanation

Nasar aur nazm adab ki do buniyaadi sanfein hain; nasar mein jumle aam taur par wazn aur qafiya ki paband nahi hote, jabke nazm mein bahr, radif aur qafiya ka nizam hota hai. Isi farq ki bina par Kashmiri adab mein nasar ko alag shakhs maana jata hai.

Question 2Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'mazmoon' ki asasi khasusiyat kya hai?

  1. Yeh lazmi taur par mukhammas shakal mein hota hai
  2. Yeh sirf kahani bayan karta hai
  3. Yeh kisi ek mauzu par tafseel se soch aur tabsara pesh karta hai Correct answer.
  4. Yeh sirf mukalma ki shakal mein likha jata hai

Explanation

Mazmoon ka markazi maqsad kisi ek mauzu par mustanad aur tafseeli guftugu karna hota hai, jis mein musannif ki raay aur dalail wazeh hote hain. Kahani bayan karna afsane ka kaam hai, is liye mazmoon ko us se alag pehchana jata hai.

Question 3Prose (Nasar) - comprehension and textual analysis

Kashmiri afsane mein 'plot' ya waqiati tanzim ka kya kaam hota hai?

  1. Sirf mahaul bayan karna
  2. Waqiat ko sabab-o-natij ki zanjeer mein jorna Correct answer.
  3. Lafzon ka wazan tolna
  4. Shayari ki bahr qaim karna

Explanation

Plot waqiat ko aisi tarteeb deta hai ke har waqia sabab-o-natij ke taur par agle waqia ko janam deta hai aur akhir mein hal tak pohanchta hai. Isi tarteeb se afsana be-tarteeb bayan se alag hokar ek mukammal sanfa banta hai.

Question 4Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'tanqeed' ka buniyadi maqsad kya hota hai?

  1. Sirf kahani ka khulasa likhna
  2. Musannif ki zaati dushmani nikalna
  3. Nazm ko nasar mein tabdeel karna
  4. Tahreer ki khoobi aur khami ko dalail ke sath parkhna Correct answer.

Explanation

Tanqeed ka maqsad kisi tahreer ke muhasin aur aib ko mawazna aur dalail ki roshni mein parkhna hota hai, taake qari ko uski qadr samajh aaye. Zaati ranjish ya sirf khulasa likhna tanqeed ke mayar se girna hai.

Question 5Prose (Nasar) - comprehension and textual analysis

Kisi Kashmiri nasri ibarat mein 'muhawara' ke istemal ka asal faida kya hai?

  1. Qawaid-e-nahw ko badalna
  2. Mani ko mukhtasar aur asar-angez banana Correct answer.
  3. Harf-e-illat ki ginti barhana
  4. Jumle ko lamba karna

Explanation

Muhawara apne manwi bojh ke sath chand alfaz mein ek mukammal tasawwur pesh karta hai, jis se ibarat mein ikhtisar aur asar paida hota hai. Isi wajah se nasri nigarish mein muhawara ek aham sanati waseela samjha jata hai.

Question 6Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'khaka' (sketch) aur mukammal sawaneh-e-hayat mein buniyadi farq kya hai?

  1. Khaka kisi shakhs ki khasusiyat par markuz hota hai, sawaneh-e-hayat tafseeli tareekh deta hai Correct answer.
  2. Khaka sirf manzoom hota hai
  3. Sawaneh-e-hayat mein koi haqeeqat nahi hoti
  4. Khaka sirf murdon par likha jata hai

Explanation

Khaka kisi shakhs ki shakhsiyat ke chand numayan pehluon ko asar-angez andaz mein ubharta hai, jabke sawaneh-e-hayat tareekhon aur waqiat ki tafseel ke sath poori zindagi bayan karta hai. Isi ikhtisar aur markaziyat ki bina par khaka alag sanfa hai.

Question 7Prose (Nasar) - comprehension and textual analysis

Kashmiri nasri ibarat mein 'jaiza' (review) likhte waqt sab se zaroori cheez kya hai?

  1. Kitab ka mukammal naqal karna
  2. Qari ko kitab parhne se rokna
  3. Kitab ke mazmoon ka munsifana aur mutawazan jaiza dena Correct answer.
  4. Sirf musannif ki tareef karna

Explanation

Jaiza ka maqsad kitab ke mazmoon, uske muhasin aur khamiyat ka mutawazan aur munsifana jaiza pesh karna hota hai, taake qari apna faisla khud kar sake. Sirf tareef ya naqal karna jaize ke maqsad se inheraaf hai.

Question 8Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ki ibarat mein 'rabt' (cohesion) paida karne ka asasi zariya kya hai?

  1. Rabt-e-alfaz aur munasib hawala-alfaz ka istemal Correct answer.
  2. Har jumle ko naye sarchashme se shuru karna
  3. Sirf mazboot alfaz ka intikhab
  4. Jumlon ko be-tarteeb rakhna

Explanation

Rabt-e-alfaz aur hawala-alfaz (jaise 'is liye', 'lekin', 'is ke bar-aks') jumlon ko aapas mein jorte hain, jis se parhne wale ko mazmoon ki ravani samajh aati hai. In ke baghair jumle alag alag jaziron ki tarah rehte hain.

Question 9Prose (Nasar) - comprehension and textual analysis

Ek Kashmiri nasri ibarat mein likha hai: 'Wan wanas manz bulbul chhu nendran.' Is jumle ka mani kis had tak wazeh hai?

  1. Yeh jumla sirf sawal ke taur par samjha ja sakta hai
  2. Yeh ek izafi bayan hai jis mein mahaul aur haalat ka pata chalta hai Correct answer.
  3. Yeh bilkul wazeh hai ke bulbul so rahi hai
  4. Yeh jumla sarasar be-mani hai

Explanation

Jumla bulbul ke so rahne ki haalat bayan karta hai aur us ke gird ka mahaul (wan wanas, yani jungle) bhi pesh karta hai. Is liye yeh ek izafi (descriptive) bayan hai jo manzar aur haalat dono ki ittila deta hai.

Question 10Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'tashbeeh' aur 'istiara' mein buniyadi farq kya hai?

  1. Istiara mein hamesha tafseel se muqabla kiya jata hai
  2. Tashbeeh mein hamesha 'jaise' ka lafz nahi aata
  3. Tashbeeh mein mushabbih-o-mushabbih-bihi dono maujood hote hain, istiare mein ek ko hazf kar diya jata hai Correct answer.
  4. Tashbeeh sirf shayari mein hoti hai, istiara sirf nasar mein

Explanation

Tashbeeh mein mushabbih aur mushabbih-bihi dono ka zikr hota hai aur adat-e-tashbeeh (jaise, manind) bhi aa sakti hai. Istiare mein ek taraf ko hazf kar ke doosri ko mustaar (borrowed) maani mein istemal kiya jata hai, is liye yeh tashbeeh se mukhtasar aur zyada asar-angez hoti hai.

Question 11Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'majazi mani' aur 'haqeeqi mani' ka farq kis misal se wazeh hota hai?

  1. 'Aag' ka koi haqeeqi mani nahi hota
  2. 'Aag' ka lafz hamesha jalti hui aag ke liye aata hai
  3. Majazi mani sirf ilm-e-nahw ka mawzu hai
  4. 'Aag' haqeeqi taur par jalti hui aag hai, magar 'gham ki aag' majazi mani rakhta hai Correct answer.

Explanation

Haqeeqi mani lafz ke asal aur mahsoos mani ko kehte hain, jaise jalti hui aag; jab wohi lafz kisi jazbe ya haalat par lagaya jaye to woh majazi mani ban jata hai. Is farq ko samajhna nasri ibarat ke asli matlab tak pohanchne ke liye zaroori hai.

Question 12Prose (Nasar) - comprehension and textual analysis

Kashmiri nasri ibarat mein 'hazf' (ellipsis) ka maqsad aam taur par kya hota hai?

  1. Qawaid-e-imla ko todna
  2. Mani ko mubham karna
  3. Takrar se bach kar ibarat ko mukhtasar aur tez banana Correct answer.
  4. Jumle ko ghair-wazeh banana

Explanation

Hazf mein woh alfaaz chhor diye jate hain jo siyaq se khud samajh aa jate hain, jis se takrar khatam hoti hai aur ibarat tez aur pur-kashish banti hai. Magar hazf ki had se tajawuz mani ko mubham kar deta hai, is liye ehtiyat zaroori hai.

Question 13Prose (Nasar) - comprehension and textual analysis

Kashmiri afsane mein 'kirdar' ki taraqqi (character development) kis se zaahir hoti hai?

  1. Kirdar ke faislon aur radd-e-amal mein waqt ke sath tabdeeli se Correct answer.
  2. Sirf mukalmon ki ginti se
  3. Sirf kirdar ka naam badalne se
  4. Sirf mahaul ki tafseel se

Explanation

Kirdar ki taraqqi tab wazeh hoti hai jab uske faisle, rawaiye aur radd-e-amal waqt ke sath badalte hain aur kahani ke waqiat uski soch ko badalte hain. Naam badalna ya sirf mahaul bayan karna kirdar ki andaruni tabdeeli nahi dikhata.

Question 14Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'mukalma' (dialogue) likhte waqt sab se aham baat kya hai?

  1. Mukalme mein sirf musannif ki raay dalna
  2. Har kirdar ko ek hi andaz mein bolwana
  3. Mukalme ko lamba aur be-tarteeb rakhna
  4. Har kirdar ki zuban uski shakhsiyat aur haalat ke mutabiq hona Correct answer.

Explanation

Mukalme ki asal qeemat yeh hai ke har kirdar apni shakhsiyat, taleem aur haalat ke mutabiq bolay, taake woh haqeeqi mehsoos ho. Sab ko ek hi andaz mein bolwana mukalme ko be-jan aur ghair-qabil-e-yaqeen bana deta hai.

Question 15Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'nasri nazm' (prose poem) ki khasusiyat kya hai?

  1. Woh nasar ki shakal mein hoti hai magar shayarana kashef aur sanaton ko apnati hai Correct answer.
  2. Woh sirf sawaneh-e-hayat hoti hai
  3. Woh hamesha mazahiya hoti hai
  4. Woh bahr aur qafiya ki paband hoti hai

Explanation

Nasri nazm bahr aur radif-qafiya ki paband nahi hoti, magar is mein tasawwur ki kashef, sanatein aur shayarana lehja maujood hota hai. Isi wajah se yeh khalis nasar aur manzoom nazm ke darmiyan ek alag sanfa samjhi jati hai.

Question 16Prose (Nasar) - comprehension and textual analysis

Kashmiri nasri ibarat mein 'tashkeel' (parallelism) ka asar kis se paida hota hai?

  1. Alfaaz ka be-tarteeb istemal
  2. Har jumle ka mukhtalif lambai ka hona
  3. Sanaton ka bilkul na hona
  4. Jumlon ke arkān ka aapas mein hum-awaz ya hum-tarteeb hona Correct answer.

Explanation

Tashkeel tab hoti hai jab do ya zyada jumlon ke arkān awaz, tarteeb ya lambai mein aapas mein hum-ahang hon, jis se ibarat mein ravani aur wazan paida hota hai. Be-tarteeb ya mukhtalif lambai wale jumle is asar ko khatam kar dete hain.

Question 17Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'maqala' aur 'mazmoon' mein farq kis bina par kiya jata hai?

  1. Mazmoon mein dalail ki koi zaroorat nahi hoti
  2. Maqala hamesha kahani ki shakal mein hota hai
  3. Maqala sirf shayari mein likha jata hai
  4. Maqala aam taur par mustanad aur tafseeli tahqeeq hota hai, mazmoon zyada zaati aur asar-angez hota hai Correct answer.

Explanation

Maqala aam taur par tahqeeq, hawalajaat aur tafseel par mabni hota hai, jabke mazmoon mein musannif ki zaati raay aur asar-angez andaz zyada numayan hota hai. Dono nasri asnaaf hain magar maqsad aur mayar mein mukhtalif hain.

Question 18Prose (Nasar) - comprehension and textual analysis

Kashmiri nasri ibarat mein 'talmeeh' (allusion) ka sahi istemal kis par mabni hota hai?

  1. Sirf tareekhi tareekhon ki lambi fehrist
  2. Naye aur ghair-maroof alfaaz ka ijad
  3. Kisi mashhoor waqia ya shakhs ki taraf ishara, jise qari pehchan sake Correct answer.
  4. Lafzon ka wazan tolna

Explanation

Talmeeh mein musannif kisi mashhoor waqia, shakhs ya asar ki taraf chhota sa ishara karta hai aur qari apni maloomat se uska mani poora karta hai. Is liye talmeeh ka asar qari ki pehchan par mabni hota hai, aur ghair-maroof ishara apna maqsad kho deta hai.

Question 19Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'zuban-e-nasar' aur 'zuban-e-sheyr' ka farq kis pehlu mein zyada wazeh hota hai?

  1. Dono mein koi farq nahi
  2. Nasar mein hamesha qafiya hota hai
  3. Sheyr mein jumle lambay hote hain
  4. Nasar mein jumlon ki tarteeb aur ravani aham hoti hai, sheyr mein bahr aur qafiya Correct answer.

Explanation

Nasar mein mani ki wazeh tarteeb, jumlon ki ravani aur rabt aham hota hai, jabke sheyr mein bahr, radif aur qafiya ka nizam mani ke sath mil kar asar paida karta hai. Isi bina par nasri aur shayarana zuban ke dhang alag hote hain.

Question 20Prose (Nasar) - comprehension and textual analysis

Ek Kashmiri nasri ibarat mein musannif ne kisi purane shakhs ka zikr karte hue uski aawaz ko 'chhu-hur' (chhoti chhoti) bataya. Is sanat ka kya naam hai?

  1. Istiara
  2. Kinaya Correct answer.
  3. Tashbeeh
  4. Tajnees

Explanation

Kinaya mein baat ko seedha na keh kar uske asar ya nishan se ishara kiya jata hai; yahan aawaz ki narmi aur kamzori ka pata uske chhote-pan se chalta hai. Yeh tashbeeh ya istiara se alag hai kyunke is mein koi muqabla ya mustaar lafz nahi, bal ke ishara hai.

Question 21Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'siyaq-o-sabaq' (context) ki ahmiyat kis misal se samjhi ja sakti hai?

  1. Ek hi lafz mukhtalif siyaq mein mukhtalif mani de sakta hai Correct answer.
  2. Ek lafz ka mani hamesha ek hi rehta hai
  3. Siyaq sirf shayari mein aham hota hai
  4. Siyaq ka mani se koi talluq nahi

Explanation

Lafz ka mani akela tay nahi hota; woh jis jumle aur mahaul mein aaye, usi ke mutabiq uski tafseer hoti hai, jaise 'aag' jalti hui aag bhi ho sakti hai aur gham ki shiddat bhi. Is liye nasri ibarat ki sahi fahm ke liye siyaq-o-sabaq ko dekhna zaroori hai.

Question 22Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein 'sanat-e-tazaad' (contrast) ka asar kis tarah ubharta hai?

  1. Sirf hum-mani alfaaz ka istemal
  2. Sanaton se bilkul parhez
  3. Do mutazad tasawwurat ko qareeb rakh kar ek doosre ko wazeh karna Correct answer.
  4. Jumlon ko be-tarteeb rakhna

Explanation

Tazaad mein do mutazad khayal ya alfaaz ko qareeb rakha jata hai, jis se har ek ka mani doosre ki roshni mein zyada wazeh aur asar-angez ho jata hai. Hum-mani alfaaz ka istemal iske ulta hai aur tazaad ka asar paida nahi karta.

Question 23Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ke kisi mazmoon mein musannif pehle apna daawa rakhta hai, phir uske khilaf dalil, aur akhir mein apna mauqif mazboot karta hai. Is tarteeb ka kya naam hai?

  1. Tarteeb-e-tashreeh
  2. Tarteeb-e-makani
  3. Tarteeb-e-istidlal Correct answer.
  4. Tarteeb-e-zamani

Explanation

Tarteeb-e-istidlal mein daawa, uske khilaf aitraaz aur phir uska radd karke mauqif ko mazboot kiya jata hai, jis se qari ko mantiqi tarteeb nazar aati hai. Zamani aur makani tarteeb waqiat ya maqamat ki tarteeb bayan karti hain, dalail ki nahi.

Question 24Prose (Nasar) - comprehension and textual analysis

Ek Kashmiri nasri ibarat mein jumle chhote hain, sanatein kam hain, aur har jumla seedha maqsad par jata hai. Is andaz-e-bayan ko kis naam se pehchana jata hai?

  1. Saada aur barah-e-rast andaz Correct answer.
  2. Shayarana aur mubham andaz
  3. Mazahiya andaz
  4. Pur-takalluf andaz

Explanation

Jab jumle chhote hon, sanatein kam hon aur mani seedha wazeh ho, to us andaz ko saada aur barah-e-rast kehte hain, jo ilm-o-taleem ke mazmoon mein aam hai. Pur-takalluf ya mubham andaz mein iske barkhilaf lambi ibarat aur sanaton ki bharmar hoti hai.

Question 25Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ke tanqeedi mazmoon mein kisi afsane ka 'maqsad-e-hayat' bayan karte waqt sab se mazboot dalil kis qism ka hota hai?

  1. Afsane ke unwan ki lambai par mabni dalil
  2. Afsane ke safhaat ki ginti par mabni dalil
  3. Musannif ki shohrat par mabni dalil
  4. Afsane ke andar ke saboot se madad liya gaya dalil Correct answer.

Explanation

Tanqeedi mazmoon mein daawa tabhi qabil-e-qabool hota hai jab usay matn ke andar ke saboot se sahara diya jaye, yani kirdar ke amal, guftar ya takraar se hawala diya jaye. Shohrat, unwan ya safhaat ki ginti matn ka mani nahin batate, is liye woh dalil nahin kehlate.

Question 26Prose (Nasar) - comprehension and textual analysis

Kashmiri nasri ibarat mein musannif kisi waqia ko bayan karte hue achanak purane zamane ki taraf laut jata hai. Is andaz-e-bayan ko kya kehte hain?

  1. Tazaad, yani mukhalifat
  2. Talmeeh, yani ishara
  3. Tashbeeh, yani upma
  4. Flashback, yani maazi ki taraf ruju Correct answer.

Explanation

Jab nasar mein haal ka silsila tor kar guzre hue waqia ki taraf ruju kiya jaye to ise flashback ya maazi ki taraf ruju kaha jata hai; is se kirdar ka pichla pas-manzar wazeh hota hai. Tashbeeh, talmeeh aur tazaad sab bayan ke sanati ya uslubi hathon mein aate hain, waqt ke safar ko nahin batate.

Question 27Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ke kisi safarname mein musannif jagah ka naqsha zuban se kyun banata hai?

  1. Taa ke mukalma kam likhna pare
  2. Taa ke safhaat ki tadaad barh jaye
  3. Taa ke tanqeed se bach jaye
  4. Taa ke qari khud wahan mojood hone ka ehsaas kar sake Correct answer.

Explanation

Safarname ka maqsad qari ko us maqam ka tasawwur dena hota hai, is liye raste, mausam, khushbu aur aawazon ka tafseeli zikr kiya jata hai. Is tafseel se qari mein hazri ka ehsaas paida hota hai, jo safarname ki asal kamyabi hai.

Question 28Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein kisi kirdar ki zuban us ke pas-manzar ke mutabiq badalne lage to is se kya sabit hota hai?

  1. Ibarat mein rabt ka khatma
  2. Waqia ki ahmiyat ka khatma
  3. Musannif ki apni zuban ki kamzori
  4. Kirdar ki muhaveri pehchan aur asliyat Correct answer.

Explanation

Kirdar ka lehja, lafz aur muhavera us ki parwarish, pesha aur ilaqe ki nishani hota hai; zuban ka badalna kirdar ki asliyat ko sabit karta hai. Is ke barkhilaf musannif ki apni zuban ka dakhil hona kirdar ki pehchan ko dhundla karta hai.

Question 29Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ke mazmoon mein agar musannif har jumle ko 'main', 'main' se shuru kare to qari par kya asar parta hai?

  1. Ibarat zyada aasan ho jati hai
  2. Dalil zyada mazboot ho jati hai
  3. Mazmoon ka unwan badal jata hai
  4. Musannif khud pasand aur tang-nazar maloom hota hai Correct answer.

Explanation

Baar baar 'main' ka istemal ibarat ko ana-parast banata hai aur qari ko lagta hai ke musannif sirf apne bare mein soch raha hai. Aasan hona, dalil ka mazboot hona ya unwan ka badalna in mein se koi is andaz ka nateeja nahin.

Question 30Prose (Nasar) - comprehension and textual analysis

Kashmiri nasri ibarat mein kisi lafz ko baar baar dohrane ka koi jaiz sabab kab ban sakta hai?

  1. Jab safhaat bharne ki zarurat ho
  2. Jab woh lafz mazmoon ka markazi tasawwur ho aur us ka dohrana zor paida kare Correct answer.
  3. Jab qari ko ibarat mushkil maloom ho
  4. Jab musannif ko naya lafz yaad na aaye

Explanation

Takrar tab takbeer kehlati hai jab woh mazmoon ke markazi tasawwur ko zor deti hai, jaise kisi afsane ka koi lafz baar baar aa kar us ka mausiqi paida kare. Yaad na aana, safhaat barhana ya ibarat ko mushkil banana takrar ke jaiz asbaab nahin.

Question 31Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ke kisi mazmoon mein pehla para aam bayan deta hai aur doosra para usi bayan ki misal deta hai. Is tarteeb ka kya faida hai?

  1. Dono para ek hi baat dohrate hain
  2. Pehle usool, phir saboot, is se qari ka yaqeen barhta hai Correct answer.
  3. Doosra para pehle para ko rad karta hai
  4. Pehle saboot, phir usool, is se ibarat lambi hoti hai

Explanation

Aam bayan ke baad misal dena qari ko pehle usool samjhata hai aur phir us par yaqeen dilata hai, yani usool aur saboot ka tarteeb qaim hota hai. Is ke barkhilaf rad karna ya sirf dohrana mazmoon ko aage nahin barhata.

Question 32Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein kisi afsane ka 'markazi kirdar' kis se pehchana jata hai?

  1. Jo afsane mein sab se aakhri mein aata ho
  2. Jis ke faislon se afsane ka waqia aage barhta ho Correct answer.
  3. Jo afsane mein sab se pehle aata ho
  4. Jo afsane mein sab se zyada bolta ho

Explanation

Markazi kirdar woh hota hai jis ke faisle, kashmakash ya tabdeeli se afsane ka silsila aage barhta hai; is se afsane ka maqsad us ki manzil se judta hai. Zyada bolna, pehle aana ya aakhir mein aana apne aap mein markaziyat sabit nahin karta.

Question 33Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ke kisi mazmoon mein musannif apne mukhalif ke aitrazaat ko bayan kar ke un ka jawab deta hai. Is uslub ka kya naam hai?

  1. Mukalma likhna
  2. Sirf apni baat dohrana
  3. Safarnama likhna
  4. Aitrazaat ka jawab de kar apna mauqif mazboot karna Correct answer.

Explanation

Mukhalif ke aitrazaat ko pehle insaf se bayan karna aur phir un ka jawab dena mazmoon ko mazboot karta hai, kyunki qari ko lagta hai ke musannif ne doosri raay suni hai. Sirf apni baat dohrana is ke barkhilaf kamzori hai, aur mukalma ya safarnama alag asnaaf hain.

Question 34Prose (Nasar) - comprehension and textual analysis

Kashmiri nasri ibarat mein 'wahid' aur 'jam'a' ka ghalat istemal kis cheez ko kharab karta hai?

  1. Ibarat ke safhaat ki ginti ko
  2. Ibarat ke musannif ki umar ko
  3. Ibarat ki wazahat aur rabt ko Correct answer.
  4. Ibarat ke unwan ko

Explanation

Wahid aur jam'a ka ghalat istemal qari ko uljha deta hai ke faail ek hai ya kai, is se ibarat ki wazahat aur rabt dono mutasir hote hain. Unwan, safhaat ki ginti aur musannif ki umar ka is qawaid se koi taalluq nahin.

Question 35Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ke kisi mazmoon mein musannif ne kisi mashhoor kahawat ko sirf is liye dakhil kiya ke woh purani lagti hai, magar us ka mazmoon se koi taalluq nahin. Is ka kya nateeja hoga?

  1. Qari ka yaqeen barh jayega
  2. Ibarat zyada wazeh ho jayegi
  3. Mazmoon ka dawa khud sabit ho jayega
  4. Ibarat mein bharee-pan aur be-rabti paida hogi Correct answer.

Explanation

Kahawat apni jagah tabhi sahi hoti hai jab woh mazmoon ke dawa ko samjhaye ya us ki tasdeeq kare; be-taalluq dakhil karna sirf bharee-pan aur be-rabti paida karta hai. Wazahat, dawa ka saboot aur yaqeen in teenon ke liye kahawat ka mazmoon se judna zaroori hai.

Question 36Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ke kisi mazmoon mein har para pichle para ke aakhri khayal se shuru hota hai. Is uslub se kya paida hota hai?

  1. Mazmoon mein takrar ka khatma
  2. Har para ka alag unwan
  3. Ibarat mein tazaad ka khatma
  4. Paron ke darmiyan zanjeeri rabt Correct answer.

Explanation

Jab har naya para pichle para ke aakhri khayal ko pakar kar aage barhta hai to paron ke darmiyan zanjeeri rabt paida hota hai aur qari ka safar tootta nahin. Alag unwan, tazaad ka khatma ya takrar ka khatma is uslub ka nateeja nahin.

Question 37Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein kisi afsane ka anjaam khula chhor diya jaye to qari par kya asar hota hai?

  1. Woh afsane ki zuban ko samajh nahin pata
  2. Woh khud mana talash karta hai aur afsana yaad reh jata hai Correct answer.
  3. Woh afsane ka unwan bhool jata hai
  4. Woh afsane ko adhoora samajh kar chor deta hai

Explanation

Khula anjaam qari ko sochne par majboor karta hai aur woh apne tajurbe ke mutabiq mana talash karta hai, is liye afsana zehen mein zinda reh jata hai. Is ka matlab yeh nahin ke afsana adhoora hai, kyunki adhoora-pan silsile ke tootne se hota hai, anjaam ke khule rehne se nahin.

Question 38Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ke kisi tanqeedi mazmoon mein agar sirf kirdaron ke naam ginaye jayen aur un ka kirdar bayan na kiya jaye to tanqeed mein kya kami reh jati hai?

  1. Kirdaron ke namon ki tarteeb
  2. Afsane ke safhaat ki ginti
  3. Kirdaron ke amal aur maqsad ka tajziya Correct answer.
  4. Afsane ke unwan ki wazahat

Explanation

Tanqeed mein naam ginana kaafi nahin; asal kaam kirdar ke amal, maqsad aur tabdeeli ka tajziya karna hai, warna tanqeed fehrist ban kar reh jati hai. Namon ki tarteeb, safhaat ki ginti aur unwan ki wazahat tanqeed ka asal maqsad nahin.

Question 39Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar ki ibarat mein 'chhu-hur' jaise chhote chhote lafzon ka istemal kisi buzurg ki aawaz bayan karte waqt kya asar deta hai?

  1. Aawaz ki kamzori aur lar-kharati ka ehsaas Correct answer.
  2. Aawaz ki khamoshi ka ehsaas
  3. Aawaz ki tezi ka ehsaas
  4. Aawaz ki ghar-gharati ka ehsaas

Explanation

Chhote chhote lafz aawaz ke kaanpne aur lar-kharane ka ehsaas dete hain, jo buzurgi ki nishani hai. Ghar-gharati, tezi aur khamoshi in teenon ke liye doosre lafz darkar hote hain, is liye yeh is andaz ke mutabiq nahin.

Question 40Prose (Nasar) - comprehension and textual analysis

Kashmiri nasar mein kisi mazmoon ka 'unwan' kis se tay hona chahiye?

  1. Mazmoon ke markazi khayal se Correct answer.
  2. Mazmoon ke pehle jumle se
  3. Mazmoon ke aakhri jumle se
  4. Mazmoon ke sab se lambe para se

Explanation

Unwan mazmoon ka darwaza hota hai, is liye woh markazi khayal ko mukhtasar andaz mein sametna chahiye taa ke qari ko pata chale ke andar kya hai. Pehla jumla, aakhri jumla ya sab se lamba para unwan ka paimana nahin ban sakte.

Question 41Poetry (Nazm) - appreciation and interpretation

Kashmiri nazm (نظم) mein 'qafia' (قافیہ) ka kya kaam hota hai?

  1. Nazm ke markazi khayal ko raddi karne ka zariya
  2. Har misre ke aakhir mein aane wale hum-awaz alfaz ko qafia kehte hain Correct answer.
  3. Sirf ghazal ke matle mein istemal hone wala lafz
  4. Nazm ke unwan ko badalne ka tareeqa

Explanation

Nazm ki tashkeel mein qafia woh hum-awaz lafz hote hain jo misron ke aakhir mein aate hain aur aawaz ka ek aahang paida karte hain. Yeh aahang nazm ko sunne aur yaad rakhne mein madad deta hai. Ghazal ka matla qafia ka ek khaas maqam hai, magar qafia khud aakhir mein aane wale hum-awaz alfaz ka naam hai.

Question 42Poetry (Nazm) - appreciation and interpretation

Kashmiri nazm mein 'radif' (ردیف) kis cheez ko kehte hain?

  1. Nazm ke shayar ka takhallus
  2. Woh lafz jo qafia ke baad har misre mein dohraya jaye Correct answer.
  3. Nazm ka sab se lamba misra
  4. Woh lafz jo qafia se pehle aata hai

Explanation

Radif woh lafz ya alfaz hain jo qafia ke foran baad aate hain aur har misre mein bilkul ek jaise dohraye jate hain. Is dohrai se nazm mein ek musalsal aahang aur zor paida hota hai. Qafia se pehle aane wale lafz ko radif nahi kehte.

Question 43Poetry (Nazm) - appreciation and interpretation

Kashmiri mein 'nazm' ki asli shan kya hai jo use ghazal se alag karti hai?

  1. Har sher ka apna alag alag mawzu hona
  2. Sirf ishq-o-gham ka bayan
  3. Ek hi markazi khayal ka musalsal aur tarteeb-war bayan Correct answer.
  4. Bahar ka laazmi hona har surat mein

Explanation

Nazm mein aam tor par ek markazi khayal hota hai jise shayar musalsal aur tarteeb ke saath pesh karta hai. Ghazal mein har sher apna alag mawzu rakh sakta hai, is liye wahan khayal ki musalsali laazmi nahi. Yehi ek markazi khayal ki musalsali nazm ki khaas shan hai.

Question 44Poetry (Nazm) - appreciation and interpretation

Kashmiri shairi mein 'azad nazm' (آزاد نظم) ki pehchaan kya hai?

  1. Bachon ke geeton tak mehdood hona
  2. Bahar ki paband se azad hone ke saath wazan ka khayal rakhna Correct answer.
  3. Qafia aur radif ka laazmi hona har misre mein
  4. Sirf chaar misron tak mehdood hona

Explanation

Azad nazm mein shayar bahar ki sakht paband se azad hota hai, magar woh lafzon ka wazan aur aahang aam tor par barqarar rakhta hai. Is liye azadi ka matlab be-wazan hona nahi, balki bahar ki shart se nikalna hai. Qafia aur radif yahan laazmi nahi rehte.

Question 45Poetry (Nazm) - appreciation and interpretation

Kashmiri nazm mein 'tashbeeh' (تشبیہ) ka sahi matlab kya hai?

  1. Nazm ka aakhir mein nateeja likhna
  2. Kisi cheez ki nafi karna
  3. Ek cheez ko doosri cheez ke saath mushabah qarar dena Correct answer.
  4. Misron ko tawanai se lamba karna

Explanation

Tashbeeh ka matlab hai ek cheez ko kisi sift mein doosri cheez ke saath mushabah qarar dena, jaise chaand jaisa chehra. Yeh ilm-e-bayan ka ek ahem sabaq hai jo nazm ki khoobsurti barhata hai. Nafi karna ya misra lamba karna tashbeeh se taluq nahi rakhta.

Question 46Poetry (Nazm) - appreciation and interpretation

Kashmiri nazm mein 'majaz-e-mursal' (مجاز مرسل) kab waqia hota hai?

  1. Jab lafz apne asal matlab ke ilawa taluq ki bina par doosra matlab de Correct answer.
  2. Jab misron ka qafia toot jaye
  3. Jab lafz apna asal matlab hi rakhe
  4. Jab nazm ka unwan badal diya jaye

Explanation

Majaz-e-mursal mein lafz apne asal matlab ke ilawa kisi taluq, jaise juz aur kul ya sabab aur musabbab, ki bina par doosra matlab deta hai. Tashbeeh ki tarah yahan bhi lafz asal matlab se aage jata hai, magar taluq ki surat mein. Agar lafz apna asal matlab hi rakhe to majaz ka sawal paida nahi hota.

Question 47Poetry (Nazm) - appreciation and interpretation

Kashmiri nazm mein 'kinaya' (کنایہ) ko kaise pehchana jata hai?

  1. Lafz doosre lafz ka mutazad ho
  2. Lafz apna matlab bilkul saaf aur seedha de
  3. Lafz apna zahiri matlab de magar asal maqsad ishara se samajh aaye Correct answer.
  4. Lafz ka koi matlab hi na ho

Explanation

Kinaya mein lafz apna zahiri matlab to deta hai, magar shayar ka asal maqsad ishare se samajh aata hai. Yeh kinaya ko sarih bayan se alag karta hai, jahan matlab bilkul saaf hota hai. Kinaya nazm mein ek narm aur pur-asar andaaz paida karta hai.

Question 48Poetry (Nazm) - appreciation and interpretation

Kashmiri nazm mein 'tashkeel' (تشکیل) ke maani kya hain?

  1. Nazm ke ajza ko tarteeb se jorh kar poora banana Correct answer.
  2. Nazm ko nasar mein badalna
  3. Nazm ke alfaz ko raddi karna
  4. Sirf qafia chunna

Explanation

Tashkeel ka matlab hai nazm ke ajza, yani misre, band aur khayal, ko tarteeb se jorh kar ek poora banana. Yeh amal nazm ke dhanche aur bahao ko tay karta hai. Sirf qafia chunna ya nazm ko nasar mein badalna tashkeel ke maani nahi.

Question 49Poetry (Nazm) - appreciation and interpretation

Kashmiri nazm ke 'band' (بند) se kya murad hai?

  1. Nazm ka sirf pehla misra
  2. Misron ka ek group jo nazm mein alag alag hisson mein banta hai Correct answer.
  3. Nazm ka unwan
  4. Nazm ke shayar ka naam

Explanation

Band misron ka ek group hota hai jo nazm ko alag alag hisson mein taqseem karta hai. Har band aam tor par ek khayal ya ek manzar pesh karta hai aur poore band ke darmiyan taluq hota hai. Pehla misra, unwan ya shayar ka naam band ke maani nahi.

Question 50Poetry (Nazm) - appreciation and interpretation

Kashmiri nazm mein 'mazmoon' (مضمون) ka kya matlab hai?

  1. Nazm ka bahar
  2. Nazm ka aakhri lafz
  3. Nazm ka markazi khayal ya mawzu Correct answer.
  4. Nazm ka qafia

Explanation

Mazmoon nazm ka markazi khayal ya mawzu hota hai jise shayar pesh karna chahta hai. Yeh nazm ki ruh hota hai aur baqi ajza isi ke ird-gird ghoomte hain. Qafia, aakhri lafz aur bahar mazmoon se alag shairi istilahaat hain.