JCE Clothing and Textiles study materials
JCE Clothing and Textiles study resources

JCE Clothing and Textiles cheat sheet

JCE Clothing and Textiles · Keep the key ideas within reach.

Quick reference

Fibres, Yarns and Fabric Construction

  • Fibre classification: natural (cellulosic: cotton, linen, ramie; protein: wool, silk) vs manufactured (regenerated: viscose, acetate; synthetic: polyester, nylon, acrylic, elastane).

  • Staple fibres are short (cotton 1.5-6 cm, wool 3-40 cm) and need twist to form yarn; filament fibres are continuous and can be used flat or textured.

  • Yarn twist: S-twist vs Z-twist direction; higher twist (tighter) gives stronger, smoother, less absorbent yarn; low twist gives softer, bulkier handle.

  • Yarn count systems: cotton count (Ne) = number of 840-yard hanks per pound (higher = finer); denier = grams per 9,000 m (higher = coarser); tex = grams per 1,000 m.

  • Weave structures: plain (1/1, strongest, least drape), twill (diagonal, 2/1 or 3/1, durable), satin (floats, lustrous, snag-prone), plus pile and jacquard.

  • Knits: weft knit (single jersey, interlock, rib) stretches crosswise; warp knit (tricot, raschel) is more stable; wales run lengthwise, courses run crosswise.

  • Non-woven fabrics are bonded by mechanical (needle-punch), thermal, or chemical means; no yarn structure, so no grainline and limited drape.

  • Fabric weight is quoted in g/m² (GSM); typical shirting 100-150 GSM, denim 300-450 GSM, coating fabrics 400+ GSM.

Quick reference

Fabric Finishes

  • Mechanical finishes: calendering (glazing, schreiner, embossing), raising/napping, sanforizing (shrinkage control to under 1%), and compressive shrinking.

  • Chemical finishes: mercerizing (caustic soda on cotton under tension - increases lustre, strength and dye uptake), resin/crease-resistant, water-repellent, flame-retardant, anti-static.

  • Functional finishes: soil-release, antimicrobial, UV-protective (UPF rating), moisture-wicking, and enzyme (bio-polishing) for pill reduction.

  • Durable press vs easy-care: durable press cures resin into the fabric for permanent creases; easy-care is a milder, less durable effect.

  • Water repellency differs from waterproofing: repellent finishes (e.g. fluorocarbon, wax) bead water but allow vapour; waterproof coatings block liquid but trap heat.

  • Flame-retardant finishes may be durable (inherent or chemically bound) or non-durable (water-soluble salts that wash out) - check care label for laundering limits.

  • Resin finishes on cotton reduce tensile and tear strength and can release formaldehyde; low-formaldehyde and formaldehyde-free options exist.

  • Finishes can be applied at fibre, yarn, fabric or garment stage - garment dyeing/finishing allows smaller lots and faster response to trends.

Quick reference

Dyeing and Printing

  • Dye-fibre affinity: direct/reactive dyes for cellulose; acid dyes for wool and silk; disperse dyes for polyester and other synthetics; vat dyes for denim (indigo).

  • Dyeing methods: stock (fibre), yarn, piece (fabric), and garment dyeing; each stage affects penetration, uniformity and cost.

  • Reactive dyes form covalent bonds with cellulose - excellent wash fastness; direct dyes are simpler but have poorer wet fastness unless after-treated.

  • Fastness properties to check: wash, light, rubbing (crocking), perspiration, and chlorine; rated 1-5 (grey scale) or 1-8 (blue wool light scale).

  • Printing methods: block, screen (flat or rotary), roller, transfer (sublimation on polyester), digital inkjet, and resist methods (batik, tie-dye).

  • Pigment printing uses binders rather than dye-fibre bonds; it sits on the surface, giving good light fastness but stiffer handle and lower rub fastness.

  • Registration is the alignment of successive print colours; misregistration shows as gaps or overlaps at colour boundaries.

  • Metamerism: two samples can match under one light source but differ under another - always confirm colour match under the specified illuminant (e.g. D65).

Quick reference

Pattern Drafting, Adaptation and Fit

  • Body measurements for drafting: bust/chest, waist, hip, back neck to waist, nape to waist, shoulder, sleeve length, and dart/apex positions.

  • Ease = garment measurement minus body measurement; wearing ease allows movement, design ease creates the silhouette; woven blouses use roughly 5-10 cm bust ease.

  • Basic blocks (bodice, skirt, sleeve, trouser) are drafted to a standard figure and then adapted by slash-and-spread or pivot methods.

  • Dart manipulation: a dart can be moved to any position around the bust apex without changing fit, provided the apex point is retained.

  • Full bust adjustment adds width and length to the front bodice; a small bust adjustment removes it; both keep the side seam balanced.

  • Grainline must run parallel to the centre front/back; off-grain cutting causes twisting, hanging and seam puckering.

  • Pattern symbols: notches (match points), grainline arrow, fold line, dart legs and point, buttonhole placement, and seam allowance (commonly 1.5 cm, 1 cm at necklines, 2.5-4 cm at hems).

  • Fit diagnosis: horizontal drag lines indicate tightness, vertical folds indicate excess, and diagonal wrinkles indicate twist or imbalance between front and back.

Quick reference

Garment Construction Techniques and Equipment

  • Seam types: plain (open/closed), French (encloses raw edges, best on lightweight), flat-felled (strong, used on denim), overlock, and bound seams.

  • Stitch types by ISO 4915: lockstitch 301 (straight sewing), overlock 504/514 (edge neatening), coverstitch 406 (hems on knits), chainstitch 401 (stretch seams).

  • Seam allowance finishes: overlocking, zigzag, pinking, binding, French seam, or flat-felling - choose according to fabric ravelling and garment quality.

  • Machine tension: balanced when upper and lower threads meet inside the fabric; loops underneath indicate upper tension too loose or bobbin too tight.

  • Needle selection: universal for wovens, ballpoint/jersey for knits, sharp/microtex for denim and leather, stretch needle for elastane; size 70/10 for fine, 100/16 for heavy.

  • Interfacing: fusible (iron-on) vs sew-in; apply fusible with correct temperature, pressure and time to avoid bubbling or strike-through.

  • Pressing is construction: press as you sew, use a clapper and tailor's ham for shaped areas; pressing differs from ironing (which stretches and distorts).

  • Equipment: industrial lockstitch, overlocker, coverstitch, blind hemmer, buttonholer, and cutting tools (shears, rotary cutter, pattern notcher).

Quick reference

Textile and Garment Care

  • Care label symbols cover five operations: washing (washtub with dots/temperature), bleaching (triangle), drying (square with circle or lines), ironing (iron with dots), and professional care (circle; P = perchloroethylene, F = hydrocarbon).

  • A cross through a symbol means do not perform that operation; a bar under the washtub means mild/gentle cycle; two bars mean very mild.

  • Water temperature dots: one dot = cold/30 °C, two = warm/40 °C, three = hot/60 °C, four = very hot/95 °C (symbol conventions vary; follow the label).

  • Wool requires neutral detergent, low agitation and flat drying to prevent felting; silk needs mild detergent and no direct sunlight.

  • Chlorine bleach damages wool, silk and elastane; oxygen (colour-safe) bleach is suitable for most coloured cellulosics.

  • Dry-cleaning solvents: perchloroethylene (P) for most fabrics; hydrocarbon (F) for delicate trims and beads; some garments are dry-clean only due to trim or interfacing.

  • Ironing temperatures: nylon/acetate low (~110 °C), wool/silk medium (~150 °C), cotton/linen high (~200 °C); use a pressing cloth on synthetics.

  • Shrinkage tolerance: woven cotton may shrink 3-5% unless sanforized; knits and viscose can shrink more - pre-wash fabric before cutting.

Quick reference

Laundry and Maintenance

  • Sorting rules: by colour (white, light, dark), fabric type, and degree of soiling; wash new dark garments separately to avoid dye transfer.

  • Detergent chemistry: surfactants lift soil, builders soften water, enzymes break down protein (protease) and starch (amylase) soils; do not use enzyme detergent on wool or silk.

  • Water hardness affects detergent dose - hard water needs more detergent or a builder; soft water risks over-sudsing.

  • Stain removal order: remove excess, blot (do not rub), pre-treat, wash at the highest safe temperature; protein stains use cold water, tannin stains may need oxygen bleach.

  • Spotting agents: solvent for grease/oil, water-based for sugars and drinks, rust remover (oxalic/hydrofluoric acid-based) for rust - always test on a hidden area.

  • Loading: do not overload the drum; clothes need room to circulate, and overloading causes poor soil removal and creasing.

  • Drying: line dry in shade to prevent fading; tumble dry on low for synthetics; knits dry flat to retain shape.

  • Maintenance: clean lint filters, descale, and check hoses; store garments on appropriate hangers (padded for knits, clip for skirts) to avoid distortion.

Quick reference

Design, Colour Theory and Fashion Illustration

  • Colour wheel: primary (red, yellow, blue in traditional RYB), secondary (orange, green, violet), tertiary (mixes); harmonies include complementary, analogous, triadic, and split-complementary.

  • Colour properties: hue (name), value (lightness/darkness), and chroma/saturation (intensity); tints add white, shades add black, tones add grey.

  • Warm colours (red, orange, yellow) advance and enlarge; cool colours (blue, green, violet) recede and slim - used to control visual proportion.

  • Simultaneous contrast: a colour appears different depending on its surrounding colour; test fabric swatches against the intended background.

  • Fashion figure proportions: typically 8-9 heads tall for illustration (vs 7-7.5 for real figures); croquis are used as a base for design sketching.

  • Illustration media: marker, watercolour, gouache, and digital (Procreate, Illustrator); flat drawings (technical flats) communicate construction details without figure distortion.

  • Design principles: balance, rhythm, emphasis, proportion, scale, and unity; garment lines (vertical, horizontal, diagonal, curved) direct the eye and alter perceived shape.

  • Trend research uses colour forecasting services (e.g. Pantone, WGSN), mood boards, and range planning to align collections with seasonal palettes.

Quick reference

Consumer Education, Costing and Textile Economics

  • Costing formula: total cost = direct materials + direct labour + overheads; selling price = total cost + margin (markup is calculated on cost, margin on selling price).

  • Markup % on cost = (selling price − cost) / cost × 100; margin % = (selling price − cost) / selling price × 100.

  • Break-even quantity = fixed costs / (selling price per unit − variable cost per unit).

  • Fabric consumption estimate: garment area × number of pattern pieces ÷ fabric width, plus wastage allowance (typically 10-15%) for matching, nap and shrinkage.

  • Textile supply chain: fibre → yarn → fabric → garment → retail; each stage adds value and cost, and lead times lengthen downstream.

  • Consumer rights: right to safety, information, choice, redress, and representation; care labels and fibre content labels are legal requirements in many markets.

  • Fast fashion economics rely on short lead times, small initial orders with rapid replenishment, and low unit costs from volume.

  • Price vs quality: check fibre content, construction (seam finish, stitch density), and country of origin - price alone does not indicate durability.

Quick reference

Health, Safety, Sustainability and Ethical Practice

  • Textile hazards: cotton dust (byssinosis) in mills, formaldehyde from resin finishes, azo dyes that can cleave to carcinogenic amines, and heavy metals in some pigments.

  • Machine safety: needle guards, eye protection when using overlockers, keep fingers clear of the needle, and switch off before threading or changing needles.

  • Ergonomics: adjust chair and table height, take breaks from repetitive sewing, and use good lighting to reduce eye strain.

  • Sustainability hierarchy: reduce, reuse, repair, recycle; design for durability and disassembly improves end-of-life recyclability.

  • Fibre impacts: cotton is water-intensive; polyester is fossil-derived and sheds microplastics on washing; wool and silk raise animal welfare concerns.

  • Circular economy tools: take-back schemes, fibre-to-fibre recycling, extended producer responsibility (EPR), and transparency via supply-chain traceability.

  • Ethical practice: fair wages, no child labour, safe working conditions, and audit schemes (e.g. Fairtrade, GOTS, SA8000, BSCI) verify compliance.

  • Certifications: GOTS (organic cotton), OEKO-TEX Standard 100 (harmful substances), GRS (recycled content), and bluesign (chemical management).