BSEB Inter Urdu study materials
BSEB Inter Urdu study resources

BSEB Inter Urdu flashcards

BSEB Inter Urdu · Build recall with a focused review session.

32 cards. Read the term and the definition here. The deck at the top of this page is optional.

Mirat-ul-Uroos
Maulvi Nazir Ahmad ka mashhoor nasri novel jo do behenon ki taleem aur tehzeebi islah par markooz hai; ise Urdu ki pehli mukammal novel mana jata hai.
Aab-e-Hayat
Muhammad Hussain Azad ka tazkira jismein Urdu shora ke kalam aur halat bayan kiye gaye; ise nasr-e-mualla ki behtareen misal mana jata hai.
Muqaddama-e-Sher-o-Shaeri
Hali ki tanqeedi kitab jismein sher ki haqeeqat, maqsad aur usool par bahes ki gayi; yeh Urdu tanqeed ki bunyadi tehreer hai.
Prem Chand
Urdu afsane ke baniyon mein shumar hone wale adeeb; Soz-e-Watan aur Gaudan jaise kalam mein kisan aur mazdoor ki zindagi ka dard bayan kiya.
Afsane ke ajza
Kahani ke bunyadi hisse: plot, kirdar, mahaul, kashmakash, climax aur anjaam; inhi ajza se afsane ka dhancha aur asar qaim hota hai.
Nazir Akbarabadi
Awaam ki zuban ke shayar jinhone Aadmi Nama, Rotiyan aur Banjar Nama jaise nazm likhe; inmein hasti ka falsafa aur mazahiyat milta hai.
Shikwa aur Jawab-e-Shikwa
Iqbal ki do mashhoor nazmein jismein pehle insan Khuda se shikayat karta hai aur doosri mein Khuda jawab deta hai; dono behr-e-ramal mein hain.
Azad nazm
Woh nazm jo behr aur taqti ki pabandi se azad hoti hai; ismein khayal aur tashkeel par zyada zor diya jata hai.
Nazm-e-musalsal
Aisi nazm jo ek hi behr mein musalsal chalti hai aur ek markazi mauzoo ko tarteeb se bayan karti hai; ismein wahdat-e-mauzoo hoti hai.
Faiz Ahmad Faiz
Jadid Urdu shayar jinki nazmon mein ishq aur inqilabi shaoor ka imtizaj hai; Tanhai aur Mujh Se Pehli Si Mohabbat unki mashhoor nazmein hain.
Miraji
Azad nazm ke aham shayar; unki shayari mein jadidiat, ramz aur nai tashkeel ke tajurbe milte hain aur unhein azad nazm ka pesh-roo mana jata hai.
Matla
Ghazal ka pehla sher jismein dono misre qafiya aur radif rakhte hain; isi sher se ghazal ka rukh aur zameen tay hoti hai.
Maqta
Ghazal ka aakhri sher jismein shaer apna takhallus istemal karta hai; ise hashr bhi kaha jata hai aur yeh ghazal ka ikhtitam hota hai.
Radif aur qafiya
Qafiya woh hum-awaz lafz hai jo misre ke aakhir mein radif se pehle aata hai; radif woh lafz hai jo har sher ke aakhir mein dohraya jata hai.
Mir Taqi Mir
Urdu ghazal ke ustad jinhone ranj-o-gham aur sadgi-e-bayan ko ghazal ka markazi mauzoo banaya; unhein Khuda-e-Sukhan bhi kaha jata hai.
Mirza Ghalib
Aisi ghazal ke shayar jinki shayari mein shak, tazad aur falsafiyat hai; Hazaron Khwahishein Aisi unki ghazal ka mashhoor sher hai.
Mir Dard
Sufi rang ke shayar jinki ghazal mein ilm-e-ishq, khudi aur tasawwuf ki fikr milti hai; unka kalam dil ki garmi ke liye jana jata hai.
Ishq-e-haqeeqi
Khuda se mohabbat ka tasawwuri mafhoom; ghazal mein ishq-e-majazi ke sath iska tazkira aksar sufi aur falsafiyan rang deta hai.
Sarf
Urdu qawaid ka woh hissa jismein kalma ke ajza, madda, jazar aur fe'l ke awqaat jaise maazi, haal aur mustaqbil par bahes hoti hai.
Nahw
Qawaid ka woh hissa jo jumle ki tarkeeb, mubtada-khabar, fe'l-fail-mafool aur jumla-e-ismiya wa failiya se mutalliq usool bayan karta hai.
Muhawara
Aisa lafzi jumla jise asal maani se hata kar majazi maani mein istemal kiya jata hai, jaise naak katna ka matlab izzat jaana hai.
Zarb-ul-masal
Aisa mukammal jumla jo kisi tajurbe ya sabaq ko mukhtasar andaz mein bayan karta hai aur aksar baap-dada ke qaul ki tarah mustamal hota hai.
Khat-e-ikhwani
Doston aur rishtedaron ko likha jane wala ghair-sarkari khat; ismein khair-o-akhbar, shikayat aur guzarish saada zuban mein likhi jati hai.
Darkhwast
Kisi idare ko likhi jane wali rasmi arzi jismein mukhatib, mauzoo aur iltija wazeh taur par darj hoti hai; iska andaz baqaida aur adab wala hota hai.
Rekhta
Urdu zuban ka qadeem naam jo shumal-e-Hind mein mustamal tha; isi naam se Wali Dakni ka divan mashhoor hua aur shumal mein inqilab aaya.
Wali Dakni
Dakni daur ka shayar jiska divan shumal-e-Hind mein pahuncha aur Urdu ghazal ke rujhan ko badal diya; use Urdu ka pehla baqaida shayar kaha jata hai.
Bagh-o-Bahar
Mir Amman ki mashhoor dastaan jo Qissa-e-Chahar Darvesh ka Urdu tarjuma hai; ise Urdu nasr ki pukhtagi aur dastaan-negoi ki behtareen misal mana jata hai.
Dastaan
Tavil kahani jismein tilism, jadu, jinn aur silsila-e-kahaniyan hoti hain; iska maqsad tafreeh aur hairat-anghez mahaul banana hota hai.
Parsi theatre
Unniswin sadi ka nataki daur jismein Agha Hashr Kashmiri jaise dramakar guzre; ismein shayari, sangeet aur pur-takalluf andaz shamil tha.
Jadidiyat
Beeswin sadi ke wast mein Urdu adab ka rujhan jismein ramz, tajurbe aur purani riwayat se inkar par zor diya gaya; Miraji iske aham naam hain.
Ba-maani tarjuma
Aisa tarjuma jismein matlab aur asar ko tarjeeh di jati hai, lafz ba lafz naqal nahi hoti; muhawaraat ke liye yeh tareeqa zyada munasib hai.
Comprehension ka tareeqa
Pehle sawal parhna, phir passage do baar parhna aur jawab matn ki maloomat ki bunyaad par apne alfaaz mein likhna; apni raay shamil nahi karni.