WBCHSE HS Nepali (Second Language) key terms
WBCHSE HS Nepali (Second Language) · Get comfortable with the vocabulary.
- गद्य (Gadya)
- Related: कथा (Katha), निबन्ध (Nibandha)
Nepali prose writing, including essays, short stories and biographical sketches prescribed in the syllabus. In this exam it covers comprehension, theme, character and style questions on the prose texts.
- पद्य / कविता (Kavita)
- Related: अलङ्कार (Alankara), रस (Rasa)
Poetry written in lines and stanzas rather than paragraphs. Questions ask about theme, imagery, figures of speech, tone and the poet's message in the prescribed poems.
- नाटक (Natak)
- Related: संवाद (Samvad), चरित्र (Charitra)
A play written mainly in dialogue and meant for performance on stage. Study covers plot, conflict, characters, stage directions and the dramatist's social message.
- कथा (Katha)
- Related: गद्य (Gadya), चरित्र (Charitra)
A short narrative with a compact plot, few characters and a single central incident or theme. Answers usually discuss setting, character motivation and the story's message.
- निबन्ध (Nibandha)
- Related: गद्य (Gadya), अनुच्छेद (Anuchhed)
A prose piece that develops one subject in organised paragraphs with an introduction, body and conclusion. In the exam it also means the essay you compose yourself on a given topic.
- चरित्र (Charitra)
- Related: नाटक (Natak), कथा (Katha)
A person portrayed in a story, play or prose piece. Character questions ask you to describe traits, motives and development, supporting each point with evidence from the text.
- संवाद (Samvad)
- Related: नाटक (Natak)
Speech exchanged between characters in a play, usually written as speaker name followed by words. It reveals character, advances conflict and carries the dramatist's ideas.
- अलङ्कार (Alankara)
- Related: उपमा (Upama), रूपक (Rupaka), अनुप्रास (Anuprasa)
A figure of speech that decorates poetic language, such as simile, metaphor, alliteration or personification. Identifying the figure and explaining its effect earns marks in poetry answers.
- उपमा (Upama)
- Related: अलङ्कार (Alankara), रूपक (Rupaka)
A simile in which one thing is compared to another of a different kind using words such as झैँ, जस्तै or सरि. The comparison is explicit and the shared quality is stated.
- रूपक (Rupaka)
- Related: उपमा (Upama), अलङ्कार (Alankara)
A metaphor in which the compared object is identified with the subject without using comparison words. Saying a person is a lion, not like a lion, is रूपक.
- अनुप्रास (Anuprasa)
- Related: अलङ्कार (Alankara), लय (Laya)
Alliteration, the repetition of the same consonant sound, usually at the start of nearby syllables or words. It gives rhythm and musicality to a poem.
- रस (Rasa)
- Related: भाव (Bhava), कविता (Kavita)
The aesthetic emotion evoked in a reader or audience by a literary work, such as करुण (compassion), वीर (heroism) or हास्य (humour). Naming the dominant रस is common in poetry questions.
- भाव (Bhava)
- Related: रस (Rasa), शब्दार्थ (Shabdartha)
The feeling or emotional state expressed in a literary passage, such as joy, grief, longing or indignation. Identifying भाव helps explain the tone of a poem or prose extract.
- लय (Laya)
- Related: अनुप्रास (Anuprasa), छन्द (Chhanda)
The rhythm or flow produced by the arrangement of stressed and unstressed syllables in a poem. Reciting lines aloud helps you feel the लय and notice rhythmic breaks.
- छन्द (Chhanda)
- Related: लय (Laya)
A fixed metrical pattern of syllables and pauses in traditional Nepali poetry. Some prescribed poems follow classical छन्द, while others use free verse without fixed metre.
- सन्धि (Sandhi)
- Related: समास (Samas), उपसर्ग (Upasarga)
The joining of two sounds or words where the final sound of the first combines with the initial sound of the second. Grammar questions ask you to split or combine forms correctly.
- समास (Samas)
- Related: सन्धि (Sandhi), उपसर्ग (Upasarga)
A compound word formed by joining two or more words, where the combined form carries a single meaning. Questions ask you to expand a compound or name its type.
- उपसर्ग (Upasarga)
- Related: प्रत्यय (Pratyaya), सन्धि (Sandhi)
A prefix attached before a root or word to change or sharpen its meaning, such as अनु, प्र or वि. Recognising prefixes helps explain word formation and meaning shifts.
- प्रत्यय (Pratyaya)
- Related: उपसर्ग (Upasarga), समास (Samas)
A suffix added after a root or word to form a new word or grammatical form, such as -ता, -इमा or -दार. Questions ask you to build or analyse words with suffixes.
- लिङ्ग (Linga)
- Related: वचन (Vachana), कारक (Karak)
Grammatical gender of a noun or pronoun, classified in Nepali as masculine, feminine and sometimes neuter. Correct gender affects verb agreement and adjective endings.
- वचन (Vachana)
- Related: लिङ्ग (Linga), कारक (Karak)
Grammatical number, showing whether a word refers to one or more than one. Singular and plural forms must agree with the verb and with related adjectives.
- कारक (Karak)
- Related: विभक्ति (Vibhakti), वचन (Vachana)
The grammatical relation of a noun or pronoun to the verb in a sentence, such as subject, object or instrument. Nepali marks these relations with postpositions like ले, लाई and बाट.
- विभक्ति (Vibhakti)
- Related: कारक (Karak)
A case ending or postposition that shows a noun's role in the sentence, such as -ले for the agent and -लाई for the object. Choosing the right विभक्ति is a frequent grammar task.
- काल (Kaal)
- Related: क्रिया (Kriya), पक्ष (Paksha)
Verb tense, showing whether an action happens in the past, present or future. Nepali verbs also mark aspect and politeness, so tense questions often test full verb forms.
- क्रिया (Kriya)
- Related: काल (Kaal), वाच्य (Vachya)
The verb of a sentence, expressing the action or state. It agrees with the subject in person, number and politeness level, and usually stands at the end in Nepali.
- वाच्य (Vachya)
- Related: क्रिया (Kriya), काल (Kaal)
Grammatical voice, distinguishing active sentences from passive ones. Conversion exercises ask you to change active to passive or the reverse while keeping meaning and agreement correct.
- वाक्य संश्लेषण (Vakya Sanshleshan)
- Related: वाक्य विश्लेषण (Vakya Vishleshan), संयोजक (Sanyojak)
Combining two or more simple sentences into one compound or complex sentence without changing meaning. It tests control of conjunctions and relative clauses.
- वाक्य विश्लेषण (Vakya Vishleshan)
- Related: वाक्य संश्लेषण (Vakya Sanshleshan), कारक (Karak)
Breaking a sentence into its grammatical parts, such as subject, object, verb and modifiers. It shows whether you can identify sentence structure and the function of each element.
- शब्दार्थ (Shabdartha)
- Related: पर्यायवाची (Paryayavachi), विपरीतार्थक (Viparitarthak)
The meaning of a word, including literal and contextual senses. Vocabulary questions ask for synonyms, antonyms or the meaning of a word as used in a prescribed text.
- पर्यायवाची (Paryayavachi)
- Related: शब्दार्थ (Shabdartha), विपरीतार्थक (Viparitarthak)
A synonym, a word with nearly the same meaning as another, such as जल and पानी for water. Synonym questions test vocabulary breadth and precision.
- विपरीतार्थक (Viparitarthak)
- Related: पर्यायवाची (Paryayavachi), शब्दार्थ (Shabdartha)
An antonym, a word with the opposite meaning of another, such as उज्यालो and अँध्यारो. Antonym questions appear in the grammar and vocabulary section.
- टुक्का (Tukka)
- Related: शब्दार्थ (Shabdartha), उखान (Ukhan)
A Nepali idiom or fixed expression whose meaning cannot be guessed from its individual words, such as हात हाल्नु. Questions ask for the meaning or correct use of an idiom.
- उखान (Ukhan)
- Related: टुक्का (Tukka)
A proverb, a short traditional saying that expresses practical wisdom, such as बाँदरको हातमा नरिवल. Questions ask you to complete a proverb or explain its application.
- अनुच्छेद (Anuchhed)
- Related: निबन्ध (Nibandha), रूपरेखा (Ruparekha)
A paragraph, a group of sentences developing one idea. In composition it means writing a short, coherent passage on a given topic with a clear topic sentence and support.
- रूपरेखा (Ruparekha)
- Related: अनुच्छेद (Anuchhed), निबन्ध (Nibandha)
An outline or skeleton plan of main points drawn before writing an essay or long answer. It keeps the composition organised, prevents repetition and saves time in the exam hall.
- पत्र (Patra)
- Related: निवेदन (Nivedan), विज्ञापन (Vigyapan)
A letter. Formal letters follow a fixed layout of sender address, date, receiver address, salutation, body and closing, while personal letters are informal in tone.
- निवेदन (Nivedan)
- Related: पत्र (Patra), विज्ञापन (Vigyapan)
A formal written application or request addressed to an authority, usually stating the subject, the reason and the request in a set order. It is a common applied-writing task.
- विज्ञापन (Vigyapan)
- Related: पत्र (Patra), निवेदन (Nivedan)
An advertisement written to attract attention and persuade readers, often using a short headline, key details and contact information. Applied writing asks you to draft one concisely.
- अनुवाद (Anuvad)
- Related: अर्थ (Artha), पठन बोध (Pathan Bodh)
Translation, rendering a passage from Nepali into English or English into Nepali while preserving meaning, tone and register. Accuracy matters more than word-for-word matching.
- पठन बोध (Pathan Bodh)
- Related: अनुवाद (Anuvad), शब्दार्थ (Shabdartha)
Reading comprehension, the ability to read an unseen passage and answer questions on its main idea, details, inference and vocabulary. Answers should stay within the passage.