SPM Produksi Multimedia study materials
SPM Produksi Multimedia study resources

SPM Produksi Multimedia study plan

SPM Produksi Multimedia · Give each week a clear focus.

8 weeks · About 6 hours per week

Week 1

Asas Produksi Multimedia / Multimedia Production Foundations & Penggambaran dan Rakaman / Videography and Recording

  • Define and distinguish the five stages of multimedia production (pra-produksi, penggambaran, suntingan, reka bentuk bunyi, penerbitan) and map each stage to its main output artefact

  • Identify the core hardware chain for a shoot - camera body, lens, tripod, lighting unit, microphone, storage - and state the function and one failure symptom of each component

  • Explain the exposure triangle (aperture, shutter speed, ISO) and calculate the correct settings for three given indoor/outdoor scenarios

  • Demonstrate the three basic shot types (wide, medium, close-up) and record a 60-second test clip for each with correct white balance

Your checkpoint

A one-page production-chain diagram plus a shot-notation sheet listing exposure settings used for nine test clips (3 shot types x 3 lighting conditions)

Week 2

Penggambaran dan Rakaman / Videography and Recording & Pra-produksi / Pre-production Planning

  • Operate manual focus, focus peaking and depth-of-field control to isolate a subject at three different apertures

  • Set up three-point lighting and record before/after footage showing the effect of key, fill and back light

  • Draft a production brief containing objective, target audience, duration, platform and budget ceiling for a 3-minute video

  • Build a shooting schedule and call sheet for a one-day shoot with at least four crew roles assigned

Your checkpoint

A production brief package (objective, audience, budget, schedule, call sheet) plus a lighting comparison reel of at least 90 seconds

Week 3

Pra-produksi / Pre-production Planning & Penulisan Skrip dan Papan Cerita / Scriptwriting and Storyboarding

  • Write a treatment of 300–500 words that translates the production brief into a visual approach, tone and reference style

  • Convert the treatment into a two-column audio-visual script (visual column and audio column) for a 3-minute piece

  • Produce a storyboard of at least 18 panels with shot size, camera movement, action and dialogue noted for each panel

  • Break the storyboard down into a shot list and a location/prop requirements list

  • Justify each creative decision in the storyboard against the audience defined in week 2

Your checkpoint

A complete pre-production kit: treatment, two-column script, 18+ panel storyboard, shot list and prop/location list for one 3-minute project

Week 4

Penggambaran dan Rakaman / Videography and Recording & Suntingan Video dan Audio / Video and Audio Editing

  • Record all shots on the shot list, logging each take with timecode, shot number and a quality rating

  • Apply the three-point edit rule: cut on action, cut on movement and cut on a motivated audio cue, demonstrating each in a sample sequence

  • Perform a rough assembly and then a fine cut, documenting what changed between the two versions

  • Set up a consistent project folder structure, naming convention and proxy workflow before editing begins

Your checkpoint

A locked picture edit of the 3-minute project with a take log and a written rough-cut-versus-fine-cut change list

Week 5

Suntingan Video dan Audio / Video and Audio Editing & Reka Bentuk Bunyi dan Muzik / Sound Design and Music

  • Correct and grade footage using lift/gamma/gain and scopes so skin tones match across at least five clips

  • Clean dialogue audio with noise reduction, EQ and compression, and document the settings applied

  • Design and place a layered soundscape - ambience, foley, spot effects - under the edited picture

  • Mix to broadcast-safe loudness and verify peak and integrated levels with a meter

  • Add subtitles or captions and check synchronisation and readability

Your checkpoint

A finished picture-locked master with graded colour, mixed audio at target loudness and a subtitle track, plus a settings log

Week 6

Grafik dan Animasi / Graphics and Animation

  • Create and animate a title sequence using keyframes, easing and motion blur, keeping text legible at mobile size

  • Produce a lower-third graphic and an end card with correct safe-area margins for two aspect ratios

  • Build a simple 2D character or object animation and export it with a transparent alpha channel

  • Explain the difference between raster and vector assets and choose the correct format for three given use cases

  • Export animation presets that render identically on a second machine after a settings check

Your checkpoint

A graphics pack (animated title, lower third, end card, alpha-channel animation) exported in the formats required by the publishing platform

Week 7

Penerbitan dan Pengedaran / Publishing and Distribution & Keselamatan, Etika dan Undang-undang / Safety, Ethics and Legal

  • Export the master in the correct codec, resolution, bitrate and aspect ratio for two different distribution channels

  • Write platform-specific metadata: title, description, tags, thumbnail spec and caption file

  • Identify which licences are required for the music, footage, fonts and stock assets used, and record the source and licence of every asset

  • Apply consent, privacy and attribution rules to on-screen talent and third-party material, documenting releases obtained

  • List the safety controls required on set and during long edit sessions, and state the ethical duty when editing footage of real people

Your checkpoint

A publishing package: two platform-ready exports with metadata, plus an asset-and-licence register and a completed release/consent checklist

Week 8

Asas Produksi Multimedia / Multimedia Production Foundations & Suntingan Video dan Audio / Video and Audio Editing & Penerbitan dan Pengedaran / Publishing and Distribution

  • Complete two timed mock papers under exam conditions and record the score per domain to expose weak areas

  • Re-teach the three weakest domains from notes and produce a one-page summary sheet for each

  • Audit the finished project against the original brief and write a short evaluation of what met, exceeded or missed the objective

  • Assemble a portfolio page presenting the project with its process artefacts from weeks 2 to 7

  • Build a personal revision checklist covering every domain with a confidence rating per item

Your checkpoint

A portfolio entry with process artefacts, a scored mock-paper report by domain and a final revision checklist

Milestones

Week 2: You can state the exposure settings, lighting setup and crew role for any given shot in your brief without looking them up, and your test footage is correctly exposed and white-balanced.

Week 4: A complete pre-production kit exists (brief, treatment, script, 18+ panel storyboard, shot list) and you have locked a 3-minute picture edit that follows the shot list.

Week 5: The master passes a self-check: consistent skin tones across clips, dialogue intelligible with ambience under it, audio peaks within target, subtitles synchronised.

Week 7: Two platform-ready exports exist with correct specs and metadata, and every asset in the project is traceable to a recorded licence or release.

Week 8: Both mock papers are scored by domain, the three weakest domains have summary sheets, and the portfolio plus revision checklist are complete.