WBBSE Madhyamik Nepali (First Language) study materials
WBBSE Madhyamik Nepali (First Language) study resources

WBBSE Madhyamik Nepali (First Language) flashcards

WBBSE Madhyamik Nepali (First Language) · Build recall with a focused review session.

32 cards. Read the term and the definition here. The deck at the top of this page is optional.

मुख्य भाव
The central feeling or idea a poem conveys, stated in one line and then supported by the poem's dominant image or repeated word.
उपमा
A figure of speech comparing two things with an explicit comparison word such as झैं, जस्तै, or सरि, as in हिमाल झैं अडिग.
रूपक
A figure of speech in which one thing is identified with another without any comparison word, so the image and the subject become the same.
अनुप्रास
A sound figure in which the same consonant is repeated in nearby words, producing rhythm and musicality in recitation.
मानवीकरण
A figure in which human qualities, feelings, or actions are given to non-human things such as rivers, mountains, or the moon.
स्थायीभाव
The permanent, lasting emotion in the reader or character from which a rasa arises, such as रति for शृङ्गार and शोक for करुण.
करुण रस
The rasa of compassion and grief, arising from शोक स्थायीभाव, typically produced by loss, separation, or suffering in a poem.
वीर रस
The rasa of courage and heroic energy, arising from उत्साह स्थायीभाव and produced by descriptions of valour, struggle, or national resolve.
कविताको सन्देश
The instruction the poet leaves with the reader, moving beyond the poem's particular occasion to a universal statement about life or duty.
गद्यको शैली
The mode of prose writing, such as वर्णनात्मक, विचारात्मक, संवादात्मक, or आत्मकथात्मक, identified by features like direct speech or first-person narration.
चरित्र-चित्रण
A character sketch that introduces the figure, names two or three qualities, and proves each quality with a specific action from the text.
शीर्षकको औचित्य
Justification of a title by linking it to the opening situation, the climax, and the closing line, showing that it captures the whole text.
मूल्यमूलक प्रश्न
A value-based question that requires naming the value shown, locating it in the text, and stating its relevance to present-day life.
उद्देश्य र सन्देश
उद्देश्य is the writer's reason for composing the piece; सन्देश is the lesson the reader is expected to carry away from it.
घटनाक्रम
The order of episodes in a lesson, used to answer sequence questions by placing an event between its immediate neighbours.
वर्णनकर्ता
The narrating voice in a first-person lesson, which must be distinguished from the author when a question asks who says or sees something.
पात्रको कार्य
The specific action a character performs in a given situation, which is what rapid-reader questions ask for rather than a general personality description.
स्वर सन्धि
Vowel junction: अ or आ with अ or आ gives आ; अ with इ or ई gives ए; अ with उ or ऊ gives ओ; अ with ऋ gives अर्.
व्यञ्जन सन्धि
Consonant junction: म् before क becomes ङ्क; न् before च becomes ञ्च; त् before श becomes च्छ; त् before ल becomes ल्ल.
विसर्ग सन्धि
Junction involving विसर्ग: विसर्ग after र् usually becomes र्, and विसर्ग before a vowel becomes ओ, as in मनः + रथ → मनोरथ.
तत्पुरुष समास
A compound whose last member is the head and whose earlier member carries a case relation that is dropped, as in राजकुमार.
बहुव्रीहि समास
A compound whose head lies outside the compound itself, so the whole word denotes a third entity, as in चतुर्भुज for Vishnu.
द्वन्द्व समास
A compound joining two or more words of equal status, which can be separated by र, as in आमाबाबु.
कर्म कारक
The case of the object receiving the action of a transitive verb, usually marked by लाई, as in किताब किन्न लाई.
अपादान कारक
The case marking separation or source, expressed by बाट or देखि, as in घरबाट आयो.
कर्मवाच्य
The passive voice, in which the object becomes the subject and the verb takes a passive form, shifting focus from doer to action.
निबन्धको ढाँचा
Essay structure of भूमिका, मुख्य भाग with one idea per paragraph, and उपसंहार, with a consistent formal register throughout.
निवेदनको ढाँचा
Application order: सेवामा, date, receiver's office, subject line, salutation, body stating request and reason, then signature and details.
सारांश लेखन
Précis writing that keeps about one-third of the original, uses third person and past or neutral tense, and excludes opinion and direct speech.
प्रतिवेदन
A factual report in third person and past tense answering what happened, when, where, who was involved, and what resulted.
उखान
A fixed proverb whose figurative meaning must match the situation exactly, such as हात्ती आयो हात्ती आयो फुस्सा for a big threat ending in nothing.
पर्यायवाची शब्द
A synonym judged by whether it can replace the given word in a sentence without changing meaning or register.